The Booktopia Book Guru Asks
Birds of Passage, Shanghai Dancing, The Bath Fugues and more,
Ten Terrifying Questions
1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?
I was born in Hong Kong … actually at sea between Macau and Hong Kong. My first school was St Jude’s Preparatory School. I then went to Maryknoll Convent School which took boys until high school. Then I was sent to St Joseph’s College in Sydney, where I boarded until university.
2. What did you want to be when you were twelve, eighteen and thirty? And why?
At twelve I wanted to be a jazz drummer; at eighteen, a teacher, and at thirty a writer and an academic.
At eighteen I believed I could read all the books in the university library shelved between 820 and 900. Now, with failing eyesight, I think of Borges and dream imaginary libraries.
4. What were three works of art – book, painting, piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?
James Joyce’s Ulysses taught me the secret combination of thought, word and humour. Francis Bacon’s Portrait of George Dyer Riding a Bicycle captured the body in flight, man as bicycle. Bacon inspired me because he was both difficult and original. Bach’s Goldberg Variations influenced me from an early age. It had balance, precision and feeling.
I didn’t have any choice. It chose me. I felt driven.
6. Please tell us about your latest novel…
The Bath Fugues: It’s a triptych… like a Bacon panel. Three stories with inter-related characters. Three historical personages providing the bass tones. Three voices. These are not discrete, as they intertwine, undermine and reveal each other. It is a novel marrying the psychological fugue with the musical fugue. (BBGuru: The Bath Fugues has been shortlisted for the 2010 Miles Franklin Literary Award and the 2010 Adelaide Festival Award for Fiction. Click here to buy The Bath Fugues)
7. What do you hope people take away with them after reading your work?
I would hope they would want to re-read it. At least, in parts. The clues all lead to consequences. Readers will uncover layer after layer of these.
Proust. Although it would be important to read him in French. His is a sensibility almost impossible to find today. I lament this loss, just as I lament other lost worlds of feeling: those of Jorge Luis Borges, for example. I also admire the work of W.G. Sebald.
9. Many artists set themselves very ambitious goals. What are yours?
To be true to poetics. To seek aesthetic shape. To be always astonished.
10. What advice do you give aspiring writers?
Sail the ocean without a compass. The stars will bring you back.
Brian, thank you for playing.