Ten Terrifying Questions
1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?
I grew up in Palo Alto, California, the college town for Stanford University and one a birthplace of modern technology. But when I grew up, it was a little slower, less money-oriented, and I grew up with the idea that it was more important to do something I liked with my life than to make money. (Not that money was bad, just that it was a tool, not an important thing in and of itself.)
2. What did you want to be when you were twelve, eighteen and thirty? And why?
When I was twelve I was losing interest in being an archaeologist and beginning to think I’d be a comic book artist for Marvel. By eighteen I had transitioned pretty thoroughly into my “rock star” prep years. By the time I was thirty, I’d realized that writing was going to be a better long-term plan, especially since you didn’t have to work with drummers. But although I worked in suit-and-tie jobs for years, the idea I might do that as a career was poison. I grew up in the ’60s, remember.
3. What strongly held belief did you have at eighteen that you do not have now?
That when I felt like I was right about something, I WAS right, that I actually had objective memory of things. And that my personal tastes in music and art were something other than subjective, and that failing to rise to my tastes was an indicator of failure on the part of others. I’m much less certain of things now, and I like it better.
4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?
I was one of those people who fell in love with Tolkien early. I read THE LORD OF THE RINGS first when I was eleven or so. I think it was the idea of created worlds and imaginary history that grabbed me. I was also very influenced by Jack Kirby and Stan Lee’s early Marvel comics and by Dickens. And later, GRAVITY’S RAINBOW knocked my socks off and made me want to be a grown-up writer.
Art, theatre and music are a whole different set of influences. JASON AND THE ARGONAUTS, THE TIN DRUM, and PERFORMANCE all got into my brain, just for instance.
5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?
At the time, I was beginning to think about artistic projects I could do on my own, in my own (free) time, since I was working a couple of jobs and scheduling was an issue for things like music and theatre. I was living with cats for the first time, so I took that amusement/astonishment and my interest in worldbuilding and came up with my first novel, TAILCHASER’S SONG.
THE DIRTY STREETS OF HEAVEN is the first of a series of angel noir novels about Doloriel, aka Bobby Dollar, an earthbound angel. Bobby tells the story first person, and so it combines my love of crazy situations, monsters, complex worlds, and aggressive fictionalizing, and adds lots of (dark) jokes and a faster pace to my usual suspects.
I got up next morning with a head that felt like the ball from some brutal medieval game, the kind where at least a couple of peasants died every time. But even the horrible throbbing couldn’t make me forget the not-very-bright-thing I’d done the night before — basically told Heaven to go fuck itself. So why wasn’t I standing up in front of a celestial firing squad or whatever it was that happened to bad angels?
— Tad Williams, The Dirty Streets of Heaven
(BBGuru: here is the publisher’s blurb: THE DIRTY STREETS OF HEAVEN is the first in a new set of fantasy-fuelled thrillers from the masterly Tad Williams, international bestselling author of The Dragonbone Chair.
THE DIRTY STREETS OF HEAVEN is the first in a new set of fantasy-fuelled thrillers from the author George R. R. Martin cites as one of the major inspirations behind Game of Thrones: Tad Williams, international bestselling author of The Dragonbone Chair.
BOBBY DOLLAR ISN’T YOUR AVERAGE ANGEL.
Sure, he takes the occasional trip to Heaven, but his job as an advocate – arguing the fate of the recently deceased – keeps him pretty busy on Earth, and he’s more than happy to spend the rest of his time propping up the bar with his fellow immortals.
Until the day a soul goes missing, presumed stolen by ‘the other side’.
A new chapter in the war between heaven and hell is about to open. And Bobby is right in the middle of it, with only a desirable but deadly demon to aid him.)
7. What do you hope people take away with them after reading your work?
My ideal trifecta is: first, entertained; second, surprised; third, ideas and questions creeping up long afterward. I love genre fiction because I like the tradition and the formality — if you write a mystery, you’d better solve it in a way that makes sense and that the reader thinks is fair — but also that you can be as artistic as you want if you also keep the readers’ interest.
I remain fascinated by Pynchon’s fractalism, by Dickens sweep of character and event (and humor), by Hunter S. Thompson and James Thurber and Barbara Tuchman and Michael Moorcock and many others, and the joy that is sharing a smart person’s mind for a while. I’ve lived thousands of lives by being a reader, and if I can add to that for some others, that’s a pretty cool legacy and a pretty good job.
9. Many artists set themselves very ambitious goals. What are yours?
To get better every book. To keep challenging myself. To have people quiver before me and nudge each other and whisper, “He’s a writer, you know.” And to spread my evil legacy through many other kinds of stories — film, television, games, stage plays, and souvenir commemorative plates.
10. What advice do you give aspiring writers?
Write and read. Read and write. Don’t just read the kind of stuff you’re writing — in fact, make that a small percentage of your day-to-day experience. Read broadly. Also, write regularly. Don’t waste energy talking about it until it’s done. Be real about the characters and situations you invent. And finish things.
Tad, thank you for playing.