One of Australia’s favourite novelists Kate Forsyth, author of Bitter Greens and The Wild Girl, continues her monthly blog with us, giving her verdict on the books she’s been reading.
August is Book Week in Australia, and that means lots of authors, including myself, have been on the road, talking about our books at schools, libraries and literary festivals.
With so much travelling and talking, there’s not much time for reading and so this month I managed only eight books – however, I discovered a couple of wonderful new authors and read the new work of a few old favourites and so it was a happy reading month for me.
by C.W. Gortner
The Tudor period was a time of turmoil, danger, and intrigue … and this means spies. Brendan Prescott works in the shadows on behalf of a young Princess Elizabeth, risking his life to save her from a dark conspiracy that could make her queen … or send her to her death. Not knowing who to trust, surrounded by peril on all sides, Brendan must race against time to retrieve treasonous letters before Queen Mary’s suspicions of her half-sister harden into murderous intent.
The Tudor Conspiracy is a fast-paced, action-packed historical thriller, filled with suspense and switchback reversals, that also manages to bring the corrupt and claustrophobic atmosphere of the Tudor court thrillingly to life. It follows on from C.W. Gortner’s earlier novel, The Tudor Secret, but can be read on its own (though I really recommend reading Book 1 first – it was great too).
by Cassandra Golds
Cassandra Golds is one of the most extraordinary writers in the world. Her work is very hard to define, because there is no-one else writing quite like she does. Her books are beautiful, haunting, strange, and heart-rending. They are old-fashioned in the very best sense of the word, in that they seem both timeless and out-of-time. They are fables, or fairy tales, filled with truth and wisdom and a perilous kind of beauty. They remind me of writers I adored as a child – George Macdonald Fraser, Nicholas Stuart Gray, Elizabeth Goudge, or Eleanor Farjeon at her most serious and poetic.
I have read and loved all of Cassandra’s work but Pureheart took my breath away. Literally. It was like being punched in the solar plexus. I could not breathe for the lead weight of emotion on my heart. I haven’t read a book that packs such an emotional wallop since Patrick Ness’s A Monster Calls. This is a story about a bullied and emotionally abused child and those scenes are almost unbearable to read. It is much more than that, however.
Pureheart is the darkest of all fairy tales, it is the oldest of all quest tales, it is an eerie and enchanting story about the power of love and forgiveness. It is, quite simply, extraordinary.
by Frances Osborne
Park Lane is the first novel by Frances Osborne, but she has written two earlier non-fiction books which I really enjoyed. The first, called Lilla’s Feast, told the story of her paternal great-grandmother, Lilla Eckford, who wrote a cookbook while being held prisoner in a Japanese internment camp during World war II. The second, called The Bolter, was written about Frances Osborne’s maternal great-grandmother, the notorious Lady Idina Sackville. Married five times, with many other lovers, Idina was part of the scandalous Happy Valley set in Kenya which led to adultery, drug addiction, and murder. Both are absolutely riveting reads, and so I had high hopes of Park Lane, particularly after I read a review in The Guardian which said ‘Frances Osborne will be in the vanguard of what is surely an emergent genre: books that appeal to Downton Abbey fans.’ Well, that’s me! I should have been a very happy reader.
I have to admit, however, that the book did not live up to my expectations. This was partly because it is written entirely in present tense, a literary tic which I hate, and partly because of the style, which felt heavy and awkward.
The sections told from the point of view of the aristocratic Beatrice are the most readable, perhaps because this is a world that Frances Osborne knows well (she is the daughter of the Conservative minister David Howell, Baron Howell of Guildford, and wife of George Osborne, the British Chancellor of the Exchequer, which means she lives next door to the Prime Minister on Downing Street in London.) However, the sections told from the point of view of her servant, Grace, are less successful, and her voice did not ring true for me. Also, I was just getting interested in her story when she disappears from the page, popping up again at the end.
The sections I enjoyed the most were those detailing the suffragettes’ struggle for the vote. These scenes were full of action and drama, and draw upon Frances Osborne’s own family history, with her great-great-grandmother having made many sacrifices for the women’s cause. I’d have liked to have known much more about their struggle and the hardships they faced (maybe I’ll need to write my own suffragette novel one day).
by Martin Walker
I really love this series of murder mysteries set in a small French village in the Dordogne. A lot of the pleasure of these books does not come from the solving of the actual crime – which is often easily guessed – but from the descriptions of the town, the countryside, and the food and wine (I always want to cook the recipes, many of which can be found on the author’s website). These books also really make me want to go back to France!
The hero of this series is the small-town policeman Benoît Courrèges, called Bruno by everyone. He lives in an old shepherd’s cottage, with a beagle hound, ducks, chickens, a goat and a vegetable garden. He’s far more likely to offer some homespun wisdom than arrest anyone, a trait I appreciate. There’s always a touch of romance, and a cast of eccentric minor characters who add warmth and humour.
The first few books were lazy and charming; the tension is slowly growing in later books which I think is a good thing as the series may have grown just a little too comfortable otherwise. In this instalment – no 5 in the series – there is a dead naked woman in a boat, satanic rituals and chase scenes in an underground cave, a Resistance heroine to be rescued, a local girl led astray, and an omelette made with truffle-infused eggs and dandelion buds. A big sigh of happiness from me.
by Kate Noble
I bought this book solely on the cover – a Regency romance set in Venice? Sounds right up my alley … I mean, canal …
I have never read a book by Kate Noble before, but I certainly will again. Let It Be Me is clearly part of a series, as is often the case with historical romances, but I had no trouble working out who everyone is. The book was set in 1824, and our heroine is the red-haired Bridget Forrester. Although she is quite pretty, none of the men at the ball ask her to dance as she has a reputation for being a shrew. It seems she has been over-shadowed by her sister, the Beauty of the family.
So Sarah is over-joyed when she receives an invitation to be taught by the Italian composer, Vincenzo Carpenini. After a series of troubles and complications, Bridget ends up going to Venice and before she know sit, finds herself part of a wager to prove that women can play the piano just as well as men. All sorts of romantic entanglements occur, with a wonderful musical leitmotif running through – a very enjoyable romantic read.
by Kelly Gardiner
I was on a panel with Kelly Gardiner at the Melbourne Writers Festival, and so read The Sultan’s Eyes in preparation for our talk together. Historical fiction is my favourite genre, and I particularly love books set in the mid-17th century, a time of such bloody turmoil and change. I set my six-book series of children’s historical adventure novels ‘The Chain of Charms’ during this time and so I know the period well. I absolutely loved reading The Sultan’s Eyes, which is set in Venice and Constantinople in 1648, and am now eager to read the book that came before, Act of Faith.
The heroine of the story is Isabella Hawkins, the orphaned daughter of an Oxford philosopher, and educated by him in the classics as if she had been a boy. She has taken refuge in Venice with some friends following the death of her father, after what seem like some hair-raising adventures in Book 1. An old enemy, the Inquisitor Fra Clement, arrives in Venice, however, and afraid for their lives, Isabella and her friends free to the exotic capital of the East, Constantinople, which is ruled by a boy Sultan. His mother and his grandmother are engaged in covert and murderous intrigues to control him, and it is not long before Isabella and the others are caught up in the conspiracies. I loved seeing the world of the Byzantine Empire brought so vividly to life, and loved the character of Isabella – passionate, outspoken, intelligent and yet also vulnerable.
by Gabrielle Wang
I love Gabrielle Wang’s work and I love listening to her speak, so I was very happy to be sharing a stage with her at the Melbourne Writers Festival. Her new novel The Wishbird is a magical adventure for young readers, and has the added bonus of illustrations by Gabrielle as well, including the gorgeous cover.
Boy is an orphaned street urchin in the grim City of Soulless who makes a living as a pickpocket. One day he has a chance encounter with Oriole, a girl with a ‘singing tongue’ who was raised by the Wishbird in the Forest of the Birds. The Wishbird is dying, and Oriole has come to the city to try and find a way to save him. She finds herself imprisoned for her musical voice, however, and Boy must find a way to help her. What follows is a simple but beautiful fable about courage, beauty, love and trust that reminded me of old Chinese fairy tales.
by Essie Fox
Elijah’s Mermaid is best described as a dark Gothic Victorian melodrama about the lives of two sets of orphans. One is the beautiful and wistful Pearl, found as a baby after her mother drowned in the Thames, and raised in a brothel with the rather whimsical name of The House of Mermaids. The other two are the twins Elijah and Lily, also abandoned, but lucky enough to be adopted by their grandfather, an author named Augustus Lamb.
The voices of Pearl and Lily alternate. At first Pearl’s voice is full of street slang and lewd words, but as she grows up many of these are discarded. For the first third of the book, the only points of contact are the children’s fascination with mermaids and water-babies (Pearl has webbed feet), but then they meet by chance at a freak show in which a fake mermaid is exhibited. After that, their lives slowly entwine.
Although the pace is leisurely, the story itself is intense and full of drama and mystery. The Victorian atmosphere is genuinely creepy. I could feel the chill swirl of the fog, and hear the clatter of the horses’ hooves on the cobblestones, and see Lily struggling to run in her corset and bustle. The story’s action takes place in freak shows, brothels, midnight alleys, underground grottos, and a madhouse, and so the dark underbelly of Victorian society is well and truly turned to the light. Yet this is a novel about love and redemption, as well as obsession and murder, and the love between the twins, and between Elijah and Pearl, is beautifully done.
Kate Forsyth is the bestselling and award-winning author of more than twenty books, ranging from picture books to poetry to novels for both children and adults. She was recently voted one of Australia’s Favourite 25 Novelists, coming in at No 22, just after Peter Carey. She has been called one of ‘the finest writers of this generation”, and “quite possibly … one of the best story tellers of our modern age.’