Inspired by the bohemian art world of 1930s Melbourne The Strays is a marvellously accomplished and assured debut, announcing a major new talent. Rich in atmosphere and beautifully observed, it tells the story of only child Lily who makes friends with Eva at school and then becomes infatuated with her family, particularly larger-than-life painter Evan and his glamorous wife Helena.
Lily tells the story of her progressive enchantment with their home, their garden, their friends and their expanding creative circle of strays from a retrospective point of view, as an adult now faced with the prospect of reunion with Eva after a long separation: a gallery opening invitation brings back sharp and painful memories of intense relationships.
Poetic, richly visual and faultlessly judged in terms of pace, character and atmosphere, this is writing that has the rich patina of an enduring classic. A stylish and mature addition to the rites of passage, coming of age genre.
by Emily Bitto
In The Strays, Evan Trentham is the wild child of the Melbourne art world of the 1930s. He and his captivating wife, Helena, attempt to carve out their own small niche, to escape the stifling conservatism they see around them, by gathering together other like-minded artists. They create a utopian circle within their family home, offering these young artists a place to live and work, and the mixed benefits of being associated with the infamous Evan. At the periphery of this circle is Lily Struthers, the best friend of Evan and Helena’s daughter Eva.
Lily is infatuated by the world she bears witness to, and longs to be part of this enthralling makeshift family. As Lily observes years later, looking back on events that she still carries painfully within her, the story of this groundbreaking circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.