Alexandra Cameron, author of Rachael’s Gift, answers Ten Terrifying Questions

The Booktopia Book Guru asks

Alexandra Cameron

author of Rachael’s Gift

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in Sydney. We lived in Paddington until we moved to Mackay in North Queensland. When I was eight we moved to a small town in country NSW called Currabubula where I attended the local school. There were forty-eight children from kindergarten to sixth grade and all in one classroom. We then lived in Willoughby, Vaucluse and Randwick. I went to high school in Rose Bay.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

When I was twelve I wanted to be an architect. My father is a builder and we were always living in a house that was being ‘done’ perhaps I wanted to design our house my way. When I was eighteen I wanted to be a film director and decided to study film at university. When I was thirty I was writing.

3. What strongly held belief did you have at eighteen that you do not have now?

Author: Alexandra Cameron

When I was eighteen I firmly believed that if you were married and your partner cheated on you then you should leave them immediately. I did not understand the complexities of marriage. Things at eighteen were very black and white.

4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

There were so many books that I have loved over the years and that have stayed with me. So much so that it is only when I come across them again that I think, Oh yes, that book meant a lot to me at the time. Tim Winton’s, The Riders, has always stuck with me because it is fast paced and yet has so much depth and plus it is a tragic story – I could never understand how a mother could abandon her child. I also loved the writing – I hadn’t known colloquial language could be so poetic and beautiful; it was ground breaking to me as an Australian.

My parents’ collection of LPs was limited to say the least but they did have one Simon and Garfunkel record and this is where I first heard the song, America. It’s a catchy song about a guy who escapes on a bus with his girlfriend to look for ‘America’; it starts out light-hearted but then becomes sad when we realise the guy feels so disillusioned with his world he can’t even voice it to his girlfriend. Mostly, I love how one line can paint an entire story. “I’ve got some real estate here in my bag.”

Breakfast At Tiffany’s is probably a film on every girl’s rite of passage. It’s the pinnacle of Hollywood sixties glamour and the dresses, the parties, Holly Golightly’s French idioms, Audrey Hepburn at her most stylish and the sweet love story are captivating. The film barely resembles its novella roots and is much much darker, but I couldn’t help love the candy-coloured version…

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?

I love the intimacy of a novel. It’s just you and the reader. Everyone takes something different away. As an author you have the space to create an entire world, whereas many other art forms require a team of people (like film etc…) I enjoy the solitary process.

6. Please tell us about your latest novel…

The novel begins when gifted artist, fourteen-year-old Rachael, accuses her teacher of sexual misconduct, but the principal has suspicions that she is lying. Her father, Wolfe, is worried about his daughter’s odd behaviour but her mother, Camille, will not hear a bad word against her. A fraught investigation ensues, culminating in a showdown on the other side of the world in Paris. The story is about ambition, art, talent, truth, how we pass unresolved issues from one generation to the next and a mother’s uncompromising love for her daughter.

Grab a copy of Alexandra Cameron’s novel Rachael’s Gift here

 7. What do you hope people take away with them after reading your work?

I hope they enjoy the story and perhaps reflect on their own lives in some way. What would they do if they were in a similar situation as the characters?

8. Whom do you most admire in the realm of writing and why?

There are so many! Margaret Atwood is a good one. She is a longstanding brilliant writer with stories ranging from the historical to the bizarre – what an original and clever mind.

9. Many artists set themselves very ambitious goals. What are yours?

Gosh. I hope to always learn more about writing and life and to consistently produce work of a high standard – I guess that is quite ambitious. 

10. What advice do you give aspiring writers?

If you have the desire to write then sit down and do it. Everyday.

Alexandra, thank you for playing.

Grab a copy of Rachael’s Gift here


Rachael’s Gift

by Alexandra Cameron

Rachael is a child prodigy, a talented artist whose maturity and eloquence is far beyond her fourteen years. She’s also energetic, charming and beautiful, beguiling everyone around her. To her mother, Camille, she is perfect. But perfection requires work, as Camille knows all too well.

For Rachael has another extraordinary gift: a murky one that rears its head from time to time, threatening to unbalance all the family has been working towards. When Rachael accuses her art teacher of sexual misconduct, Wolfe and Camille are drawn into a complex web of secrets and lies that pit husband against wife, and have the power to destroy all their lives.

Set in contrasting worlds of Australia and Paris, told from the perspective of husband and wife, Rachael’s Gift is a detective story of the heart, about a mother’s uncompromising love for her daughter and a father’s quest for the truth.

 Grab a copy of Rachael’s Gift here

Sophie Hannah, author of The Monogram Murders, answers Ten Terrifying Questions.

The Booktopia Book Guru asks

Sophie Hannah

author of The Monogram Murders, The Telling Error and many more…

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in Manchester, England. Raised and schooled there too! I lived in Manchester until I was 25.  At that point, after publishing a book of poetry, The Hero and the Girl Next Door, I was offered my dream job – Fellow Commoner in Creative Arts at Trinity College, Cambridge.  (This basically meant Writer in Residence.)  Working at Trinity was like a dream come true – such a beautiful place, and I fell in love with Cambridge too.  I now live there, and have no intention of leaving!

2. What did you want to be when you were twelve, eighteen and thirty? And why?

Twelve: I think I wanted to be a writer. By eighteen, however, I was going through a phase that involved doing and saying nothing my parents could possibly approve of, and they approved a bit too much of my writing, so at eighteen I announced that I was going to give university a miss and train to be a hairdresser instead. By thirty, I was already a writer and wanted to carry on being one.

3. What strongly held belief did you have at eighteen that you do not have now?

Author: Sophie Hannah

I used to think that in order to be a good person, you had to make an enemy of bad people and fight them and their influence throughout your life.  I later realised that fighting anyone or anything – even those who richly deserve it – cannot have a positive effect.  If you spend your time fighting and hating, you’re only emitting more negative energy and, ultimately, making things worse.  The best way to be happy and make the world a better place is to be kind and compassionate, to everyone, always.  (Of course, I’m not a saint and can’t always manage to put this lofty ideal into practice – and when I can’t, I just shut myself away in the house and swear and chainsmoke until I’m able to be civilised again!)

4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

Murder on the Orient Express by Agatha Christie
See Jane Run by Joy Fielding
The Memory Game by Nicci French

I love music and paintings too, but books have always come first.

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?

Novels are, and have always been, my favourite thing to read – and crime novels/mystery novels in particular.

6. Please tell us about your latest novel…

The Monogram Murders is a mystery featuring Agatha Christie’s superstar detective, Hercule Poirot.  It starts with Poirot encountering a distressed young woman in a  coffee house.  The woman, who is obviously terrified, says someone is trying to kill her, but insists that she doesn’t want Poirot to try to save her life, or for her killer to be caught.  Then three guests at an exclusive London hotel are murdered…and, because of something the woman in the coffee house said to him, Poirot suspects a connection and sets out to investigate.

Grab a copy of Sophie’s latest novel The Monogram Murders here

7. What do you hope people take away with them after reading your work?

More than anything, I want readers to be gripped by the story and desperate to find out the solution to the mystery.  I want them to be unable to guess until all is revealed!

murder-on-the-orient-express8. Whom do you most admire in the realm of writing and why?

Agatha Christie.  Because she had all the best ideas, and kept having them, decade after decade. She is and will always be the Queen of Crime.

9. Many artists set themselves very ambitious goals. What are yours?

My ambition is that each of my books should be better and more satisfying than the one before it.  I want to become a better writer.

10. What advice do you give aspiring writers?

Keep at it. And be very choosy about whose advice you take.  Not everyone is as clever and helpful as everyone else.

Sophie, thank you for playing.

Grab a copy of The Monogram Murders here


The Monogram Murders

by Sophie Hannah

The bestselling novelist of all time.

The world’s most famous detective.

The literary event of the year.

Since the publication of her first novel in 1920, more than two billion copies of Agatha Christie’s novels have been sold around the world. Now, for the first time ever, the guardians of her legacy have approved a brand-new novel featuring Dame Agatha’s most beloved creation, Hercule Poirot.

In the hands of internationally bestselling author Sophie Hannah, Poirot plunges into a mystery set in 1920s London – a diabolically clever puzzle sure to baffle and delight both Christie’s fans as well as readers who have not yet read her work. Written with the full backing of Christie’s family, and featuring the most iconic detective of all time, this new novel is a major event for mystery lovers the world over.

 Grab a copy of The Monogram Murders here

What Cathryn Read – The August Round Up (by bestselling author Cathryn Hein)

Australian novelist Cathryn Hein, author of The French Prize, Heartland and much more gives her verdict on the books she’s been reading.

A rather mixed bag this month, with everything from an unputdownable epic fantasy romance series to a fabulous sports romance and a gruesome murder mystery. Great fun!


Days of Blood and Starlight / Dreams of Gods and Monsters

by Laini Taylor

This series… I’m not sure I have the words. It’s incredible. The first, Daughter of Smoke and Bone enthralled me deeply enough, but parts two and three? I honestly couldn’t stop reading. These are big fat bricks of books and I devoured them. Which is amazing because fantasy is not something I often read.

I’m not sure I can tell you anything about the plot of these two without giving away too much of Daughter of Smoke and Bone, and I wouldn’t want to spoil this series for anyone. What I will say is that the scope of the overarching plot is breathtaking in its complexity, the writing is rich and mesmerising, and the themes are huge. As for the love story between the chimera-raised Karou and seraphim hero Akira… heartbreaking and beautiful. Sigh.

Start with Daughter of Smoke and Bone and keep going. This series is a triumph.

Grab a copy of Daughter of Smoke and Bone Trilogy here


We Were Liars

by E. Lockhart

I did not realise this was a young adult book when I bought it. It appeared in the publisher Allen & Unwin’s newsletter and I liked the sound of it so decided to give it a whirl. I can’t say I’m sorry I did because it was a very enjoyable read with a nice twist at the end. The writing style was interesting, using single words and brief paragraphing that some might find irritating but worked for me because I felt it reflected the narrator Cadence Sinclair’s fractured mind.

We Were Liars is coming of age story with a suspense element. Cadence is from an old money family who spend their summers on a private island. There, she hangs with her cousins – the self-labelled Liars – living a spoiled life. One summer something goes terribly wrong but Cadence can’t remember what it is. Her mind blocks it out. As she narrates her story and tries to resurrect her memory, she relives the lead up to that time; the family’s acute dysfunction, her friendships and loves. The moment when everything clicks into place in the end is nicely satisfying.

 Grab a copy of We Were Liars here


The Devil in Denim

by Melanie Scott

Dark fantasy readers will know Melanie Scott as M. J Scott, of Half Light City series fame, but the Melbourne based author has turned her hand to sports romance. And what’s not to enjoy in that!

Maggie Jameson’s dad has owned the New York Saints major league baseball team forever. She grew up breathing the Saints, the team acting as a surrogate family after the death of her mother, and the players stepping into the role of protective elder brothers. She, in turn, is like the team’s mascot, and is affectionately known as Saint Maggie. All she wants is to take over the running of the team that is her life, except her dad throws a curveball and suddenly sells the Saints to a trio of rather hunky, super-successful men. Conflict ensues!

I loved how this book started. Maggie slamming down tequila in a bar only to be rescued rather manfully by our hot hero Alex Winters. This had a nice rawness to it and told me I was in for a rollicking adult romance. The rest didn’t disappoint either. The dialogue between Maggie and Alex was fantastic – witty and sexy – and the racy bits suitably so. A perfect read to relax with.

This is the beginning of a related trilogy featuring the Saints’ three new owners , with Angel in Armani coming in January. Can’t wait!

  Grab a copy of The Devil in Denim here


The Devil’s Workshop

by Alex Grecian

I adore Victorian era set stories, in particular mysteries and crime and the more gas-light atmospheric the better. A legacy, I expect, from my deep love for Sherlock Holmes (hurry up Anthony Horowitz with Moriarty).

This is the third in Grecian’s Murder Squad series and probably his goriest. The Yard and The Black Country contained their fair share of icky murders but in resurrecting Jack the Ripper Grecian has made this book particularly blood-soaked. With some of the plot carrying over from the previous books I suggest reading books one and two first to get the most out of this.

The Devil’s Workshop sees Inspector Day and Sergeant Hammersmith investigating a suspiciously imaginative breakout from Bridewell Prison. Now some of the nation’s worst murderers are on the loose and one of the sickest knows where Day and his heavily pregnant wife Claire lives. During the ensuing man-hunt we’re sent twisting and tripping over and under London, following not only Day and Hammersmith but Grecian’s collection of evil-minded monsters. The conclusion had me fretting badly. Not one for late night reading!

Grab a copy of The Devil’s Workshop here


Hein, CathrynThanks Cathryn Hein, we look forward to seeing what you have read next month!

Cathryn Hein was born in South Australia’s rural south-east. With three generations of jockeys in the family it was little wonder she grew up horse mad, finally obtaining her first horse at age 10. So began years of pony club, eventing, dressage and showjumping until university beckoned.

Armed with a shiny Bachelor of Applied Science (Agriculture) from Roseworthy College she moved to Melbourne and later Newcastle, working in the agricultural and turf seeds industry. Her partner’s posting to France took Cathryn overseas for three years in Provence where she finally gave in to her life-long desire to write. Her short fiction has been recognised in numerous contests, and published in Woman’s Day.

Now living in Melbourne, Cathryn writes full-time.

Click here to see Cathryn’s author page

The French Prize

by Cathryn Hein

An ancient riddle, a broken vow – a modern-day quest for a medieval treasure.

Australian-born Dr. Olivia Walker is an Oxford academic with a reputation as one of the world’s leading Crusade historians and she’s risked everything on finding one of the most famous swords in history – Durendal. Shrouded in myth and mystery, the sword is fabled to have belonged to the warrior Roland, a champion of Charlemagne’s court, and Olivia is determined to prove to her detractors that the legend is real. Her dream is almost within reach when she discovers the long-lost key to its location in Provence, but her benefactor – Raimund Blancard – has other ideas.

For more than a millennium, the Blancard family have protected the sword. When his brother is tortured and killed by a man who believes he is Roland’s rightful heir, Raimund vows to end the bloodshed forever. He will find Durendal and destroy it, but to do that he needs Olivia’s help.

Now Olivia is torn between finding the treasure for which she has hunted all her life and helping the man she has fallen in love with destroy her dream. And all the while, Raimund’s murderous nemesis is on their trail, and he will stop at nothing to claim his birthright.

Grab a copy of The French Prize here

Simon Rickard, author of Heirloom Vegetables, answers Ten Terrifying Questions

The Booktopia Book Guru asks

Simon Rickard

author of Heirloom Vegetables

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in Port Macquarie, NSW, but my family moved to Canberra when I was four, so I consider myself a Canberran.

Growing up in Canberra in the 1970s was utopian. In the afterglow of the Whitlam era there was a great deal of enthusiasm for the Arts and Sciences, and we had a public education system second to none in the world. I count myself very lucky that I grew up in Canberra at that time.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

At twelve, I wanted to be a botanist; at eighteen, a musician; and at thirty, a gardener. I have always loved plants and nature, as well as early music. I have found it difficult to confine myself to one career, so I have taken two: music and gardening.

3. What strongly held belief did you have at eighteen that you do not have now?

It has taken me most of my adult life to realise that the world does not exist in black and white; that between those extremes lies a vast area of grey. This is an ongoing journey for me, and I feel it’s going quite well!

4. What were three big events – in the family circle or on the world stage or in your reading life, for example – you can now say, had a great effect on you and influenced you in your career path?

Moving to Canberra at the age of four was probably a defining event in my life. Although I missed out on growing up on the beach, I had access to the best public education imaginable. Without the free public education opportunities I received in Canberra in the 70s and 80s, I suspect my life would be considerably less rich than it is now.

Living in the Netherlands for three years was a transformative experience, which really broadened my horizons.

Being offered a job as a gardener the Diggers Club was an important turning point for me. At that time in my life I was about to embark on a PhD in music and a career in academe, which would have been wonderful, except for the fact that academics are continually forced to spend too much of their time, cap in hand, begging for money, rather being allowed to concentrate on doing what they are good at. At least mowing lawns and clipping hedges for a living I would not have to suffer that indignity.

5. Considering the innumerable electronic media avenues open to you – blogs, online newspapers, TV, radio, etc – why have you chosen to write a book? Aren’t they obsolete?

Books are anything but obsolete. They work well as a technology, and I can’t see any viable alternative for replacing them soon. Think about it: you can no longer access the information stored on a floppy disc or cassette tape from 15 years ago, but you can still read a book from the year 1500.

One particular quality I like in books is that they are scrutinised by many sets of eyes before they get into print. With the internet, by contrast, anybody with a computer can publish any half-baked idea or half-truth they like. Gardening websites are awash with absolute twaddle, which reproduces itself at a rate of knots and then comes to be accepted as ‘fact’. I wanted to publish a book in part to help counter this alarming trend.

6. Please tell us about your latest book…

My latest book, Heirloom Vegetables, is a celebration of the beauty and diversity of heirloom vegetables. It is predominantly a social history of vegetables, telling the stories about where humans and vegetables have been together, and where we might go in the future. It puts vegetables into their broader family contexts, as a way of showing just how much humans have manipulated and changed vegetables to suit our own ends over many millennia of domestication. The final section of the book gives readers advice on how to grow their own heirlooms, based on my experience as a gardener.

Grab a copy of Simon’s latest novel Heirloom Vegetables here

7. If your work could change one thing in this world – what would it be?

I would like to see greedy, rapacious and self-interested people excluded from holding positions of power.

8. Whom do you most admire and why?

Can I have three?

I admire the 2014 Australian of the Year, Adam Goodes, for the dignity and forbearance he has shown in the face of some very ugly provocation.

I admire Julian Burnside for speaking up for human rights, and calling out the mean-spirited, inhumane policies of successive governments.

Most of all I admired my late grandmother, who showed me how few possessions you need to be happy, and how to be thankful for what you have got. She lived her life very simply, but she radiated love and contentment.

9. Many people set themselves very ambitious goals. What are yours?

To give away ambition and live like my grandmother.

10. What advice do you give aspiring writers?

Be yourself, and write what you know.

Simon, thank you for playing.

Grab a copy of Heirloom Vegetables here


Heirloom Vegetables

by Simon Rickard

‘Vegetables are masterpieces of human ingenuity – their pasts and futures are in our hands.’

How often do you hear someone complain that tomatoes don’t taste like they used to? It’s becoming a common concern, as food production is increasingly controlled by multinational corporations more interested in profit than flavour. People who care about their food are growing their own vegetables in droves – and especially heirlooms for their wonderfully diverse flavours, shapes and colours. Not to mention their rich history and weird and wonderful names – who could resist a lettuce called ‘Drunken Woman Frizzy Headed’, not be intrigued by the potato that ‘Makes the Daughter-in-Law Cry’, or fail to be moved by the ‘Cherokee Trail of Tears’ bean?

In this lively, passionate and at times political introduction to the world of heirloom vegetables, gardener Simon Rickard describes the history of many of his favourite varieties, encourages you to get growing yourself, and explains why he believes edible gardening is so important to our future – and the future of the planet.

 Grab a copy of Heirloom Vegetables here

Kimberley Freeman, author of Evergreen Falls, answers Ten Terrifying Questions

The Booktopia Book Guru asks

Kimberley Freeman

author of Evergreen Falls, Wildflower Hill and more…

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in London to Australian and New Zealand parents who brought me back to Australia when I was three. I was raised at Redcliffe, which is a city just north of Brisbane on the way towards the Sunshine Coast. I attended Humpybong state school, which is famous for having schooled the Bee Gees. It’s directly across from the beach, and during whale watching season we would often find ourselves down at the back fence watching the passing migration.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

At all those ages I wanted to be a writer, because I just didn’t think I would be good at anything else.

3. What strongly held belief did you have at eighteen that you do not have now?

I was a bit of a rebel and I strongly rejected the suburban lifestyle, the barbecue on the patio, the ordinary life. I never wanted to have children. Now I love all those things and I love my two children.

Author: Kimberley Freeman (aka Kim Wilkins)

4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

Studying English literature at university brought me into contact with some of the most amazing poetry. I can’t and don’t write poetry but I have certainly been influenced by the works of writers such as Tennyson and Keats and Shakespeare, the way that they put words together, the rhythm of their sentences. I must have read Tithonus by Tennyson one hundred times and I’ve yet to make it through without sobbing. Recently I read Beowulf in the original old English with the group of colleagues at the University and it was one of the defining moments of my intellectual life. Jane Eyre by Charlotte Brontë is one of my all-time favourite novels, and I love that puts a woman’s experience at the very centre of the story. Jane is a fabulous character with a strong moral compass.

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?

I actually did muck around with music for quite a while, I studied opera, and I played in rock bands. But what I love about writing is that I can express myself in private and edit and polish my thoughts before I have to put them in front of anybody. Performance really isn’t for me, though I do still love music and I still sing a lullaby to my children every night.

6. Please tell us about your latest novel…

Evergreen Falls is a novel set in two time periods: 1926 and the present. In the 20s, a naive young waitress at a luxury hotel in the Blue Mountains falls in love with the wrong man entirely, triggering a set of tragic circumstances that are covered up by everyone involved. In the present, a woman who is searching for meaning in her own life comes across a bundle of old love letters that seem to hint at a long buried secret.

Grab a copy of Kimberley Freeman’s novel Evergreen Falls here

7. What do you hope people take away with them after reading your work?

What I want most of all is for people to feel how I feel when reading a good book: the world goes away and you’re falling through the pages, wishing you could slow down but unable to stop, and afterwards feeling is that you’ve been on an adventure.

8. Whom do you most admire in the realm of writing and why?

I admire Marian Keyes, because her books make me laugh and cry, because she has suffered such a public battle with depression, an illness which afflicts so many but which so few talk about.

9. Many artists set themselves very ambitious goals. What are yours?

My goals are not ambitious. For me the practice of writing is its own reward. I get to spend a lot of time in my imagination, with my imaginary friends who are always fascinating. I just want to be able to keep writing, and maybe one day have a house with a view of the sea. 

10. What advice do you give aspiring writers?

Read a lot, write a lot, and enjoy the process. If you’re not passionate about it, don’t bother.

Kimberley, thank you for playing.

Grab a copy of Evergreen Falls here


evergreen-fallsEvergreen Falls

by Kimberley Freeman

1926: Violet Armstrong is one of the few remaining members of staff working at the grand Evergreen Spa Hotel as it closes down over winter. Only a handful of guests are left, including the heir to a rich grazing family, his sister and her suave suitor. When a snowstorm moves in, the hotel is cut off and they are all trapped. No one could have predicted what would unfold. When the storm clears they must all keep the devastating secrets hidden.

2014: After years of putting her sick brother’s needs before her own, Lauren Beck leaves her home and takes a job at a Blue Mountains cafe, the first stage of the Evergreen Spa Hotel’s renovations. There she meets Tomas, the Danish architect who is overseeing the project, and an attraction begins to grow. In a wing of the old hotel, Lauren finds a series of passionate love letters dated back to 1926, alluding to an affair – and a shocking secret.If she can unravel this long-ago mystery, will it make Lauren brave enough to take a risk and change everything in her own life?

Inspired by elements of her grandmother’s life, a rich and satisfying tale of intrigue, heartbreak and love from the author of the bestselling Lighthouse Bay and Wildflower Hill.

Grab a copy of Evergreen Falls here

 

NEWS: Bryce Courtenay’s The Silver Moon announcement

the silver moonThe Silver Moon:
Reflections on Life, Death and Writing

by Bryce Courtenay

Each of us has a place to return to in our minds, a place of clarity and peace, a place to think, to create, to dream. For Bryce Courtenay it was a waterhole in Africa he used to escape to as a boy for solitude. One evening, while hiding there, he witnessed the tallest of the great beasts drinking from the waterhole in the moonlight, and was spellbound. Ever since, he drew inspiration from this moment.

The Silver Moon gathers together some of the most personal and sustaining life-lessons from Australia’s favourite storyteller. In short stories and insights, many written in his final months, Bryce reflects on living and dying, and how through determination, respect for others and taking pleasure in small moments of joy, he tried to make the most out of life.

From practical advice on how to write a bestseller to general inspiration on how to realise your dreams, The Silver Moon celebrates Bryce Courtenay’s lifelong passion for storytelling, language and the creative process, and brings us closer to the man behind the bestsellers.

Click here for more information or to buy

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About the Author

Bryce Courtenay was born in South Africa and has lived in Sydney for the major part of his life. He is the bestselling author of The Power of One, April Fool’s Day, The Potato Factory, Tommo & Hawk, Jessica, Solomon’s Song, Smoky Joe’s Cafe, Four Fires, Whitethorn and Brother Fish.

Georgia Clark, author of Parched, answers Ten Terrifying Questions

The Booktopia Book Guru asks

Georgia Clark

author of Parched and She’s with the Band

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in Manly, which is ironic because I certainly am not. Raised in Hornsby Heights where I shunned the bush to keep my nose in a book. I went to school at Gosford High School, which I commuted 2 hours each way to! Had a great time at school: I loved my friends and I was pretty good at the learning.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

I have a very early memory of wanting to be a policewoman, but I think that was more about being in charge than upholding the will of the state. Eighteen I was dead-set on becoming a film director, which is what I went to uni for. By 30, that had changed into novelist, mostly because it was easier and cheaper, and I could do it in my pajamas.

3. What strongly held belief did you have at eighteen that you do not have now?

Author: Georgia Clark

I strongly believed there would be a revolution in Australia. After starting at uni, I quickly fell into the left wing movement, and learnt about anarchism and socialism and all sorts of wonderful trouble-making. I really believed there would be an uprising, and that I would be a part of it! I also believed in cutting my own hair and dying it blue. I was fun.

4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

Manhattan by Woody Allen. I grew up watching this movie. From my lounge chair in suburban NSW, Woody’s New York was impossibly smart and cool and complex. I loved his intellectual points of reference and his characters’ shifting morality. I’m sure this early obsession led me to New York and a love of clever, modern characters from my socio-economic world.

The Dark is Rising series, by Susan Cooper. This series fanned the flame of my love for fantasy and adventure. I still remember inhaling these books when I was 12, 13, 14… I grew up without the internet or TV, so books were my everything. When I finished the fifth book in the series, I immediately started re-reading it again. Set in Cornwall, England, in the 1950s (when it was first published) this is a story about a group of plucky young kids, Barney, Simon, and Jane, who embark an ancient quest in an underworld that exists alongside out own. It’s ambitious, exciting, and original, I was riveted the entire time. Think Narnia meets Harry Potter. Yes, that good.

Hunger Games, by Suzanne Collins. It’s no accident that Parched has been compared to this handbook for dystopic action: I’ve read the book, listened to the audiobook and seen the movie many times. I set out to create something as tense, political and exciting as this fantastic book.

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?

Writing a marathon is a bit like what I imagine running a marathon is like: so hard to do your first one, but then you’re hooked. I love creating fictional worlds and imagining dialogue and scenes. I tried TV writing and directing, but couldn’t break into it. I found my niche with books.

6. Please tell us about your latest novel…

Parched is about a sixteen-year-old girl, Tess Rockwood, who joins an underground rebel group called Kudzu to help stop the development of an ‘artilect’; an artificial intelligence prototype. It’s set in a future world without much water, and features robots and kickass girls and a cute/mysterious guy. Some reviews have compared it to Divergent and Hunger Games, which of course I’m totally thrilled about!

Grab a copy of Parched here

7. What do you hope people take away with them after reading your work?

I hope Parched takes them on a rollercoaster ride, complete with sweaty palms and racing hearts. I hope they swoon and sigh over the romance, cheer on Kudzu, and root for Tess. And I hope they think about climate change and sustainability, and ponder the ethical issues of artificial intelligence.

8. Whom do you most admire in the realm of writing and why?

Anyone who speaks their truth and maintains a healthy output. YA authors I love include Maggie Steifvater, David Leviathan, Rainbow Rowell, Cassandra Clare, and Lauren Oliver.

9. Many artists set themselves very ambitious goals. What are yours?

I’d love to get a six-figure advance to write a No. 1 New York Times-best selling novel that gets turned into a fantastic movie, thus entering the pop culture Hall of Fame forever. I’d also like to write something that concretely affects people’s lives, and gives them a greater sense of hope and self-worth.  

10. What advice do you give aspiring writers?

Write stories in genres you read, and that you personally, would love to pick up in a bookstore. Commit to a regular writing schedule, ideally in a space away from home. Try the app Freedom if the internet distracts you. Don’t worry about the lacklustre first chapter; you’ll find your writing gathers steam later and you’ll go back and rewrite it anyway. Remember that talent is persistence: most writers don’t sell their first book, they sell their third or fourth. Writing is the long game: stick at it. Live a life worth writing about: take risks, say yes, follow your heart, and me, on Twitter: @georgialouclark

Georgia, thank you for playing.

Grab a copy of Parched here

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