Fiona Palmer on the 2015 RWA Conference in Melbourne

20150629_133200I’ve just returned from the Romance Writers of Australia Conference in Melbourne, catching up with fellow authors, publishers and agents, so I thought I’d mention three books from other Australian romance writers that I’ve loved in recent times. They are all from different genres but they can all be connected through similar threads – a touch of romance, suspense and action.9781864712032

Beyond Fear by Jaye Ford is such an engaging read. It tells the story of Jodie, who survived a terrifying assault at seventeen. She goes to a cabin with friends to relax but is convinced they are being watched. Her friends think she is over-reacting and she starts to doubt herself.  This was such a page-turner, but you just had to keep reading, even at the scary parts.  Jaye writes terrific, easy-to-read thrillers filled with suspense. You won’t be disappointed. It was loved by all at our book club.

I do enjoy reading action-packed stories, as much as I like watching a James Bond movie or spy thriller. I find Tony Park’s novels just as engaging, with a great mix of romance, action, and the gorgeous landscapes of Africa. The Delta was one I really enjoyed about Sonja, an ex-soldier turned mercenary, who is out to save her beloved Delta. There is also a bit of romance to keep me happy. Tony writes about Africa so well, you feel as if you are there. Considering he spends half his year travelling Africa, it’s easy to see why.  He is a master at 9780330404037weaving all the details in and even though the book seems large, you’ll not want it to end.

This last book I want to mention was a great surprise. Elise K. Ackers’ Small Town Storm was a fabulous read. It had me guessing and I love it when I’m wrong. It’s about Erica, who returns home to the place where nineteen years ago a crime almost killed her. But not long after she’s back, a woman goes missing and fingers are pointed at Erica – and the cop in charge of the investigation, Jordan, is a man who she has history with. I guess I went into this story expecting a romance but ended up with so much more.

Check out Fiona Palmer’s author page here


the-saddler-boysThe Saddler Boys

by Fiona Palmer

For a limited time only, pre-order The Saddler Boys and you will receive a signed copy. Please note: offer available while stocks last.

School teacher Natalie has always been a city girl. She has a handsome boyfriend and a family who give her only the best. But she craves her own space, and her own classroom, before settling down into the life she is expected to lead.

When Nat takes up a posting at a tiny school in remote Western Australia, it proves quite the culture shock, but she is soon welcomed by the swarm of inquisitive locals, particularly young student Billy and his intriguing single father, Drew.

As Nat’s school comes under threat of closure, and Billy’s estranged mother turns up out of the blue, Nat finds herself fighting for the township and battling with her heart. Torn between her life in Perth and the new community that needs her, Nat must risk losing it all to find out what she’s really made of – and where she truly belongs.

PRAISE FOR FIONA PALMER

‘Fiona Palmer just keeps getting better.’ Rachael Johns

‘Palmer’s passion for the land bleeds into the story, and her scenes are vivid and genuine, just as her characters are.’ Book’d Out

‘Fiona Palmer has well and truly earned her place as a leading writer of one of Australia’s much-loved genres.’ Countryman

Pre-order your copy of Fiona’s The Saddler Boys here

5 Must See Events at the 2015 Sydney Jewish Writers Festival

SWF

My Grandfather Would Have Shot Me: In Conversation with Jennifer Teege

avatar.jpg.320x320pxAccidentally discovering she was the granddaughter of Amon Goeth, the brutal Nazi commandant depicted in Schindler’s List, shook German-Nigerian author Jennifer Teege to the core.

Grappling with the haunted past of a perpetrator, the secrets and denial, she embarked on an extraordinary journey of soul-searching to Poland and Israel. She shares her astounding true story and eventual ‘liberation’.

Sunday, August 30 • 5:45pm – 6:45pm

Main Hall (Waverley Library, Bondi Junction)

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TV espionage: In Conversation with the creator of Homeland, Prisoners of War & Dig

avatar.jpg.320x320px (1)Gideon Raff wowed audiences worldwide with the gripping and gritty realism of his acclaimed series, the Israeli Prisoners of War (Hatufim) and US adaptation Homeland.

As art eerily imitated life, millions of viewers were confronted for the first time with a messy, brutal and honest representation of the Middle East and America’s war on terror. He brought Israel to mainstream television again with his recent production, Dig. He shares his insights and the story behind his success.

Sunday, August 30 • 3:15pm – 4:15pm

Main Hall (Waverley Library, Bondi Junction)

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I love a complex country: Views on Israel

avatar.jpg.320x320px (4)Israel excites, inspires, and vexes. As their hearts beat for Israel, Gideon Raff, Jennifer Teege and one of the world’s foremost experts on Hebrew and Israeli literature Dr Dvir Abramovich, offer their unique vantage points of a country filled with love and loss.

Their distinctive journeys take us over the noise of start-ups, felafel and conflict, to illuminate Israel’s complexities. Three writers reflect on ‘her beauty and her terror’ of a country that stirs our soul.

Saturday, August 29 • 8:30pm – 10:00pm

Main Hall (Waverley Library, Bondi Junction)

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The silence of injustice

avatar.jpg.320x320px (3)In Iran, a doctor is considered a criminal for saving lives, and a woman who falls in love is breaking the rules. In Australia, a young Somali man is incarcerated for a terrible crime he did not commit. What hope is there in the face of such prejudice?

Award-winning writers Dr Kooshyar Karimi and Julie Szego discuss how the power of culture and the perils of silence perpetuate injustice.

Sunday, August 30 • 4:30pm – 5:30pm

Main Hall (Waverley Library, Bondi Junction)

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Schmoozing in the Eastern Suburbs

avatar.jpg.320x320px (2)From the Hungarian cafes of Double Bay to the mansions of Point Piper, two authors expose the inner workings of two unique subcultures in the Eastern Suburbs of Sydney. They immerse readers in an intimate world of relationships, scandal, gossip and lies, interspersed with champagne and goulash.

Society columnist Ros Reines and novelist Eva Novy will amuse and delight you with the stories of worlds unknown, right at our doorstep.

Sunday, August 30 • 5:45pm – 6:45pm

Theatrette (Waverley Library, Bondi Junction)

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For more details about this year’s Sydney Jewish Writers Festival head to www.sjwf.org.au

Mitchell Hogan, author of A Crucible of Souls, answers Ten Terrifying Questions

a-crucible-of-soulsThe Booktopia Book Guru asks

Mitchell Hogan

author of A Crucible of Souls

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born and raised in Sydney, Australia, and have lived here all my life. Although I’ve travelled quite a bit, there’s no place like home! I grew up with two sisters, and my mother did a fantastic job in raising us on her own under extremely trying conditions when we were young.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

When I was twelve I wanted to work with wood in some way. I loved woodwork classes at school and I still think back fondly on those times. At eighteen I was studying Chemical Engineering at university, mainly because I was good at mathematics and science. Then at thirty I was working for a US bank in funds management, although it was just what I’d fallen into for various reasons. To be honest, by then it felt like I’d be in the same career for the rest of my life. There were bills to pay and a mortgage to worry about so I never stopped to think about what I really wanted to with my life until later on.

Mitchell_Hogan3. What strongly held belief did you have at eighteen that you do not have now?

I was naive at eighteen and thought I’d be able to get by without going to too much extra effort. That was fine until my third year of university when I failed half my subjects! After that I knuckled down and realised that a little extra effort now makes everything so much easier later on, and if you want to be good at something you need to work at it.

4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

When I was eleven a teacher began reading The Hobbit to my class at primary school. I enjoyed it so much my mother bought me The Hobbit and the Lord of the Rings trilogy. That opened up a whole new world to me, and it was such a small thing really.

When I was twenty my father took his own life. I coped with the tragedy fairly well at the time, but I think it instilled in me a willingness to be able to stop and examine my own life, what I was doing and where I was going. I’ve had a couple of major career changes since then and deciding to move on in each case was relatively easy.

Which leads to about six years ago when I was burned out with my job. It was getting better but I’d been through a really bad six months of way too much overtime and stress. I stepped back and thought about what I was doing with my life. That’s when I decided to resign from work and finish the book I’d started writing so many years ago. I didn’t want to regret not finishing it – and so far it’s worked out well!

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel? 

I chose to write a book because I love to read, and I had a lot of ideas and wanted to see if I could craft a story out of them. I didn’t consider any other mode of storytelling, it just seemed natural to write. Books are far from obsolete — in fact more people are reading more books than in any other time in history, and there are more books available at lower prices than ever before. With current technology any book that is published will be around, and easily accessible, forever.

a-crucible-of-souls6. Please tell us about your latest novel…

I’d be delighted to! A Crucible of Souls is an epic fantasy novel about a young man raised by monks who is thrust into the unfamiliar chaos of city life, and finds the world he is caught up in has disturbing depths… and the good guys don’t always win. It has sorcery, morally ambivalent characters, and some dark and gritty content. The first review it ever received described it as ‘entertainingly ambiguous’, which I thought was quite a good description.

Grab a copy of A Crucible of Souls here

7. What do you hope people take away with them after reading your work?

I hope readers feel they’re a part of the world I’ve created. I’d like them to become lost in the story and want to go back and re-read my books again. And of course I want people to feel as if their time and money was well spent.

8. Whom do you most admire in the realm of writing and why?

Any author who continually produces books and endeavours to improve on all aspects of writing—both with their craft and the business side.

9. Many artists set themselves very ambitious goals. What are yours?

In a relatively short time with my writing career I found myself having achieved more than I ever hoped. That led me to step back and think about where to go from here. My main goal now is to make a living from my writing, and as most other authors can attest that is hard. I also want to make sure my writing appeals to the majority of readers, which means putting a lot of work into improving and making sure I don’t get complacent.

10. What advice do you give aspiring writers?

Finish your first book. It’s the hardest one and after that you’ll realise you’ve done it once so you can do it again. Plus, the best advice on editing, promotion, marketing, branding, submissions, agents, the publishing industry, etc, doesn’t mean a thing unless you have a completed manuscript.

And once you have a book finished, work on understanding the business of writing and the industry. This is important stuff. Your intellectual property has an intrinsic value. There is writing and the business of writing, two very different things. Understand the business you’re in if you want to succeed.

Mitchell, thank you for playing.

Grab a copy of A Crucible of Souls here


a-crucible-of-soulsA Crucible of Souls

by Mitchell Hogan

The Aurealis Award-winning e-book bestseller now in print.

An imaginative new talent makes his debut with the acclaimed first installment in the epic Sorcery Ascendant Sequence, a mesmerizing tale of high fantasy that combines magic, malevolence, and mystery.

When young Caldan’s parents are brutally slain, the boy is raised by monks who initiate him into the arcane mysteries of sorcery.

Growing up plagued by questions about his past, Caldan vows to discover who his parents were, and why they were violently killed. The search will take him beyond the walls of the monastery, into the unfamiliar and dangerous chaos of city life. With nothing to his name but a pair of mysterious heirlooms and a handful of coins, he must prove his talent to become apprenticed to a guild of sorcerers.

But the world outside the monastery is a darker place than he ever imagined, and his treasured sorcery has disturbing depths he does not fully understand. As a shadowed evil manipulates the unwary and forbidden powers are unleashed, Caldan is plunged into an age-old conflict that will bring the world to the edge of destruction.

Soon, he must choose a side, and face the true cost of uncovering his past.

Grab a copy of A Crucible of Souls here

Five of Five with Aurealis Award-winning author Mitchell Hogan

Mitchell_HoganWe play Five of Five with Aurealis Award-winning author Mitchell Hogan!

1) Name 5 books that inspire you…

Eric Carle’s The Very Hungry Caterpillar 

Surprised? Don’t be, it’s a classic. There’s not just a hungry caterpillar, there’s a very hungry caterpillar and a twist at the end. Good stuff. It always reminds me of a joke which goes something like this — Author: I have a book about a hungry caterpillar, Publisher: Pass, Author: Wait…it’s a very hungry caterpillar, Publisher: Go on…

Stephen King’s The Stand

This book is essentially an epic fantasy adventure about good and evil set in a post apocalyptic America, and it has it all: imagery, great characters and plot, excellent world-building.

Carl Sagan’s Cosmos

What can I say that hasn’t already been said? A gorgeous book, which makes the complexity of the universe comprehensible and palatable.

Ursula Le Guin’s A Wizard of Earthsea

Each time I read this book it tells me something different. Compared to today’s fantasy works it’s a short read, but what makes it great is its subtext. Read it early, and read it often.

Scott Bakker’s The Darkness That Comes Before

Exquisite world building, the best I’ve ever read. This is a dark, adult fantasy story, and Bakker masterfully combines many different POV’s, literary techniques, plots, religion, sorcery, and philosophy into a great read. An educated, intelligent and talented writer.

2) What are your picks for the 5 “best fantasy books of all time”?

Robin Hobb’s Assassin’s Apprentice

A complex and action packed fantasy, with flesh and blood characters. Triumphs are bitter sweet and you’ll experience real emotion when reading this book.

Glen Cook’s The Black Company

A world where good and evil are not absolute, following characters who are dark and ugly and somehow likeable, who must navigate the best they can through shades of grey. It’s a little rough around the edges, and some would say it’s primitive, but it’s unique.

C.J. Cherryh’s Chronicles of Morgaine

Stargate meets epic fantasy! A fantastic female lead character who has her own faults, weaknesses and needs. With all of the action and issues the two characters have to face, you don’t realise until deep into reading it what the real story is: the relationship between Morgaine and Vanye.

R. Scott Bakker’s The Darkness That Comes Before

Everything I said above plus more.

David Gemmel’s Legend

Fantastic action scenes and an epic story about what it means to be a hero.

3) What are your picks for the “5 best sci-fi books of all time”?

Frank Herbert’s Dune

Complex and vast world building, and people fighting over money, planets and drugs.

Issac Asimov’s Foundation

Epic scope. The fall of the Roman Empire in space. A classic.

Dan Simmons’ Hyperion

Superbly written and crafted. Different tales from different characters, all with a part to play.

William Gibson’s Neuromancer

It can be confusing, but with each re-read you understand more. This book coined the term “cyberspace”. A challenging but electrifying read.

Douglas Adams’ The Hitchhiker’s Guide to the Galaxy

Science-fiction-comedy phenomenon. Some find it “too silly”, but they probably put their babel fish in the wrong hole.

4) What are your 5 favourite movies?

Blade Runner

Dark, gritty, superb style and atmosphere.

Seven Samurai

The first of its kind, assemble a team to carry out a mission. Rain drenched action and violence, and yet the movie isn’t about violence, it’s about duty and societal roles.

The Princess Bride

Enchanting fantasy. Yes, it has a few flaws, but it has everything: action, romance, comedy. Heart warming and sardonic.

Sunshine

A sci-fi movie without aliens? What the?

Complex characters, amazing story, do yourself a favour and watch it.

E.T. The Extra-Terrestrial

A great sci-fi adventure capturing the time in childhood when the world is filled with many mysterious possibilities. And E.T. was a jedi, so now you know.

5) What are 5 things about the art of writing that you didn’t know when you started?

– There is the art of writing, and the business of writing. You need to be good at both. It’s your intellectual property and you need to realise it has intrinsic value.

– Waiting for the “muse” to strike before you write is a good way to not get much writing done.

– There are many ways to learn something, and the best way is for someone more experienced to teach you. Find knowledgeable critiquers or professional editors and take their feedback on board. Strive to constantly improve your writing.

– You don’t need to be an expert, whether it is writing or the business of writing, you just need to have an appetite for learning and to work hard.

– Someone once said: Have the courage to write badly. I think that’s great advice.

Grab your copy of Mitchell Hogan’s A Crucible of Souls here

a-crucible-of-soulsA Crucible of Souls

by Mitchell Hogan

The Aurealis Award-winning e-book bestseller now in print.

An imaginative new talent makes his debut with the acclaimed first installment in the epic Sorcery Ascendant Sequence, a mesmerizing tale of high fantasy that combines magic, malevolence, and mystery.

When young Caldan’s parents are brutally slain, the boy is raised by monks who initiate him into the arcane mysteries of sorcery.

Growing up plagued by questions about his past, Caldan vows to discover who his parents were, and why they were violently killed. The search will take him beyond the walls of the monastery, into the unfamiliar and dangerous chaos of city life. With nothing to his name but a pair of mysterious heirlooms and a handful of coins, he must prove his talent to become apprenticed to a guild of sorcerers.

But the world outside the monastery is a darker place than he ever imagined, and his treasured sorcery has disturbing depths he does not fully understand. As a shadowed evil manipulates the unwary and forbidden powers are unleashed, Caldan is plunged into an age-old conflict that will bring the world to the edge of destruction.

Soon, he must choose a side, and face the true cost of uncovering his past.

Grab your copy of Mitchell Hogan’s A Crucible of Souls here

GUEST BLOG: Bestselling author Barbara Hannay on the Writing Process

When I was first published, a wise and experienced author told me, ‘You’re only as good as your last book.’ It was a warning I took to heart and it has led me, inevitably, to taking on new challenges.

Pic-BarbHannay-rurowebAfter writing more than forty contemporary romances, my two most recent books, Moonlight Plains and The Secret Years, are intergenerational stories that combine a contemporary story with a historical thread set during World War 2. I’ve thoroughly enjoyed the historical research, as well as trying to capture the speech patterns and atmosphere of another era.

It isn’t just the historical element of dual time lines that excites me, however. These more complex books provide extra opportunities for character development and for deeper themes. I’ve been able, for example, to explore the long-lasting impact of a decision made by a character in the past on his descendants. These “double” plots have also provided extra opportunities for secrets and surprises – devices that make commercial fiction hum.

Probably the biggest challenge of a dual time line is getting the right balance. It’s important to make sure that one story isn’t much more interesting than the other. Both stories need to be compelling. It’s important to create two sets of characters that the reader cares about. Both heroes (or heroines) need to follow an important emotional journey.

Interesting events need to take place in both time lines to move both plots forward. The central character in each story will have separate problems to overcome. Each story will have its own rising action, climax and resolution and there will probably be a significant point where the stories intersect, usually towards the end.

I’ve never been one for strict writing rules, though, and I know each writer will approach this challenge differently. Some authors like to write the two stories separately, so they have complete control over each plot. Then they work out how, where and when to interweave them.

the-secret-yearsThis is fine, but I prefer to do the weaving as I write. I enjoy the organic flow. Whichever way you approach this task, working out how long to stay in one time zone before switching to the other can be tricky. I’ve judged this intuitively, rather than by any hard and fast rule, but I know from my experience as a reader that I’m annoyed if the ‘back-and-forth’ happens too quickly. It’s a bit like watching TV with a channel surfer. You’re just getting interested in a show, when you’re suddenly whisked to a completely different story.

For this reason, I think it’s possibly better to give approximately equal weight to each story and to allow a chapter or two in each time period before making a change. You need enough time to develop important action and intrigue in one story and to allow the reader to become immersed in the characters and the setting, before whisking her back to another time zone.

To help the transition, I think it’s also worth dropping a hint, to subtly warn readers that a time switch is coming. This is possibly easier in intergenerational stories, as the contemporary characters usually know the historical characters (often grandparents) and some kind of linking reference can be made. A question, a supposition…

Objects like photographs, diaries and memorabilia also make useful symbolic links. Studying the way movies make similar shifts can also be useful. How many times have we watched a door close on one scene in a movie only to open on a completely different set of characters? One character goes to sleep. Another wakes up…

Despite the risks of dual time lines, I think it’s a challenge worth trying. As your story reveals extra, unexpected layers, you’re in for an exciting ride and your readers will be, too.

Grab a copy of Barbara’s new novel The Secret Years here

the-secret-yearsThe Secret Years

by Barbara Hannay

Some family secrets are best set free.

When Lucy Hunter stumbles upon her grandfather Harry’s World War II memorabilia, she finds a faded photograph of a stunning young woman known simply as ‘George’ and a series of heartfelt letters. They are clues about the secret years, a period of Lucy’s family history that has been kept a mystery . . . until now.

How did a cattleman from north Queensland find forbidden love with the Honourable Georgina Lenton of London and persuade her to move to his isolated outback property? And why are the effects of this encounter still reverberating in the lives of Lucy and her mother, Rose, now?

As the passions of the past trickle down the years, three generations of one family pull together. Each must learn in their own way how true love can conquer the greatest challenges of all.

From the wild beauty of the Australian bush to England’s rugged south coast, this is a deeply moving story of heartbreak, heroism and homecoming by a beloved, multi-award-winning author.

Grab a copy of Barbara’s new novel The Secret Years here

GUEST BLOG: Danny Katz on getting kids to read!

The brilliant Danny Katz writes about the difficulties of getting kids to read in this exclusive Kids Month piece

art-353-DK-300x0You can’t force a non-reading kid to read. You can’t occy-strap a book to their face and hold their eyelids open with alligator clips – they don’t like it, they say it hurts, kids today are so soft. If a non-reading kid ever attempts to read a book, they see it as work, not pleasure – give a preppie a copy of Miffy At The Seaside and they’ll give up after two pages, go online and illegally download the TV show on Pirate Bay (*SPOILER ALERT* Miffy said she wasn’t tired after her big day at the seaside, but she lied, because soon her eyes were shut tight! A shocking climactic twist that no one saw coming.)

At the age of seven years old, our daughter was a hardline, fully-committed non-reader. We tried everything to get her reading: we filled her bedroom with tons of books, all piled up in great teetering stacks, hoping that something there might interest her, or a huge stack might accidentally collapse on her face and she might read something unintentionally. But sadly, neither of those things happened.

We read to her every night to get her into a book-reading habit, but that didn’t work either: my reading voice is drab and monotonous and I can’t do accents. I was reading the first Harry Potter book, and she just looked confused; she’d seen the movie twice, she knew Harry was supposed to be English, so why did he sound like a Mexican who’d spent a bit of time in Tel Aviv?

little-lunch-the-off-limits-fenceOne day I sat down with her and said “Why don’t you like books?” and she said “Because they’re all boring” – she said she didn’t like girly books, she didn’t like boysy books, she didn’t like fantasy books, she didn’t like books about post-apocalyptic vampires named Whitney who win the netball grand final, which is shame because we’d bought the whole set.

I said “So what kind of book do you want to read then?” and she said “A funny book about a kid like me, who has friends like I do, who goes go to a school like mine”. I said “Ahhh, so you want a book about yourself” and she said “Yeah. Buy that”. Unfortunately there was nothing in the bookstores about my daughter and her friends and her school, not even in the independents, which was surprising, they’re usually quite well stocked. Alright then, I thought, I’m going to have to write this book myself. So I did. It was called Little Lunch. My wife Mitch Vane drew the pictures. It got published, my daughter read it, she liked it, she asked for another. We wrote another, it became a whole series, and now it’s a TV show.

My daughter is about to turn 22. She’s a smart, unique and fascinating person who reads voraciously. We just wrote another Little Lunch book for her: it’s called The Off-Limits Fence.

We hope she likes it.

Check out Danny’s Little Lunch series here

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Danny Katz is a columnist for The Age and The Sydney Morning Herald. He writes the Modern Guru column in the Good Weekend magazine. He is also the author of the books Spit the Dummy, Dork Geek Jew and the Little Lunch series for kids.

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GUEST BLOG: Award-winning author Bob Graham on Writing Books for Children

Award-winning children’s book author Bob Graham gives us a glimpse at his process for writing kids books in this exclusive Kids Month guest blog!

Most days I sit at my desk and draw pictures. I fit words around them. I shuffle little bits of paper around and sticky tape them all together. Sometimes I walk around with that tape still stuck to the elbows of my pullover.

I am rarely conscious that I might be “writing a book for children,” as many of these little jigsaw puzzles of words and pictures are relegated to my bottom drawer. But they may also be used for Spare Parts at some later date in some mysterious process which enables these pieces to come together again and a story to be found hidden there. I try not to question the workings of this, and am just thankful when it happens.

how-the-sun-got-to-coco-s-houseSo rather than “writing a book for children” I am just trying to uncover a story and the people that might inhabit that space, (usually about 32 pages for a picture book.) And if all continues to go well, then a story for children, and for their families or anyone else really is a happy by-product of my efforts over the working year.

So it was with How the Sun got to Coco’s House. I had previously worked for some time on a story of a small girl taking flights of fancy into her imagination, and it being offset against her daily and mundane surroundings. I was not doing it nearly so well as John Burningham, so it went into that bottom drawer. But there was one picture involving a polar bear and her cubs which interested me when I revisited it some years later.

So that is where I started shuffling those bits of paper again. I gave the bears a snowy environment. Then I gave them a winter sun, and I gave the sun a trajectory.

And I was away!

It was all quite exciting to see just where it might lead, as I had potentially the whole world on my drawing board, (well, the Northern hemisphere anyway.) Suddenly I didn’t have enough hours in the day – that is, until the dogs demanded their afternoon walk.

I loved making this book, drawing the pictures and especially writing the text. And now I see the finished, bound copies of it lying on the desk where it started.

Where does the time go?

Bob-Graham-17h421h

Click here for more magic from Bob Graham

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