Liane Moriarty’s What Alice Forgot set to become major Hollywood film

moriartyliane01Liane Moriarty’s 2010 novel What Alice Forgot is set to be adapted into a film helmed by David Frankel, director of The Devil Wears Prada.

Shauna Cross, who wrote Whip It and the upcoming film adaptation of Gayle Forman’s If I Stay, is attached to pen the project.

The news comes a day after the release of Moriarty’s new novel Big Little Lies, which has already attracted significant buzz. Recent figures from the US indicate it is one of the most pre-ordered books of 2014. Liane will be visiting Booktopia HQ soon, so order now and you could secure a signed copy!

Order a copy of Big Little Lies from Booktopia by August 8th and you could win 1 of 3 girls night in prize packs valued at $299. Click here for more details.

big-little-liesBig Little Lies

by Liane Moriarty

Signed Copies Available While Stocks Last

‘I guess it started with the mothers.’

‘It was all just a terrible misunderstanding.’

‘I’ll tell you exactly why it happened.’

Pirriwee Public’s annual school Trivia Night has ended in a shocking riot. A parent is dead.

Liane Moriarty’s new novel is funny and heartbreaking, challenging and compassionate.

The No. 1 New York Times bestselling author turns her unique gaze on parenting and playground politics, showing us what really goes on behind closed suburban doors.

‘Let me be clear. This is not a circus. This is a murder investigation.’

 Grab a copy of Liane Moriarty’s Big Little Lies here

BOOK REVIEW: Here Come the Dogs by Omar Musa (Review by Caroline Baum)

here-come-the-dogs-order-your-signed-copy-The energy of this debut novel just leaps off the page. Musa, a charismatic rapper, has successfully translated the idiom and pulse of performance to the page with its syncopated rhythms and hard-edged beats.

Inevitably, he is being compared with his mate Christos Tsiolkas for his full-frontal engagement with contemporary Australian society: in this case, multicultural masculinity with its surges of often misdirected testosterone.

In small town suburbia during a tinder-dry summer, anything could happen. Booze, drugs, violence and a racing dog all help pass the time.

At the centre of this compelling mash up of poetry and prose are three iconic young men: Solomon, a charming Samoan, who has broken up with his girlfriend and is fascinated by Scarlett, a free spirited tattooist; his half-brother Jimmy, who has got himself into trouble, and their Macedonian childhood friend, Aleks.

Musa manipulates language with raw, bracing vitality, offering up a picture of Australia that is not pretty but feels authentic.

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Caroline Baum has worked as founding editor of Good Reading magazine, features editor for Vogue, presenter of ABC TV’s popular bookshow, Between the Lines, and Foxtel’s Talking Books, and as an executive producer with ABC Radio National. She is currently Booktopia’s Editorial Director.

Grab a signed copy of Here Come the Dogs here

Grab a signed copy of Here Come the Dogs here

BOOK REVIEW: The Voice by Ray Warren (Review by Andrew Cattanach)

How strange it is to know a voice so well, yet know nothing about the person behind it.

Ray Warren has been purring like a wolverine in my living room for most of my life. On the rare occasions we were allowed to watch TV during dinner, it was usually Ray’s voice emanating from that part of the room, a big game that even mum’s lamb roast couldn’t compete with. They are the strongest memories of my childhood, the fire roaring, mum and dad reading the paper, and Ray Warren musing about a bad offside call.

Sports memoirs are a tricky thing. Everyone has been burnt at one stage or another, particularly if they find themselves in the revolving door of live television. The egos are big, producers wanting talent with strong opinions or they are shown the door.

The Voice is thankfully something different. The man affectionately known as ‘Rabs’ appears nearly embarrassed that his life has garnered so much interest, initially reluctant to write in detail about himself. A few pages in and tales of a childhood spent on the railways, sports carnivals and family holidays paint a beautiful picture, and help Warren warm nicely to the task of chronicling his incredible journey.

The world’s greatest cricketer Don Bradman famously invented a childhood game, hitting a golf ball against a water tank with a cricket stump for hours on end, that would propel him to greatness. From the age of six Ray had developed a similar game to enable him to chase his own dreams. Warren would paint his marbles different colours, assign each colour a name, and fling them down the family hallway, calling the race as though it were the Melbourne Cup. He would later go on to call three cups, along with Commonwealth and Olympic Games and thousands of rugby league matches.

Warren shares his ups and reflects with great humility on his downs. Each struggle something we can all relate to, each lesson we can all absorb.

The Voice is the warm, funny and self-deprecating story of an excitable, eccentric kid who had a dream, and turned into an excitable, eccentric man who found himself living one.

Grab a signed copy of Ray Warren’s The Voice here

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Andrew Cattanach is a regular contributor to The Booktopia Blog. He learned to read on a two hour bus trip to school every day, and learned to write in lecture halls and cramped tutorial rooms. He sometimes wins things for the lecture hall stuff.

You can follow his ramblings on twitter at @andrew__cat

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Grab a signed copy of Ray Warren’s The Voice here

Boris Mihailovic, author of At the Altar of the Road Gods, chats to John Purcell

At the Altar of the Road Gods

by Boris Mihailovic

In this fast, furious book, Boris Mihailovic shares his wild stories of motorcycling, mateship and frequent, two-wheel-related mayhem. Boris has had a life-long obsession with motorbikes and in this collection of yarns he shares pivotal moments in his riding life, from his first XJ650 Yamaha and the crazy, wild years of learning to ride faster and faster to finding friends with a similar passion who all look like outlaws.

In At the Altar of the Road Gods Boris reveals the consequences of high-sides, tank-slappers, angry police and pilgrimages to Bathurst and Phillip Island, and explains how motorbike riding was the rite of passage into manhood he’d been searching for.

Be warned: this is a book that may cause laughter, sleeplessness and the desire to buy a Lucifer-black Katana.

Grab a copy of Boris Mihailovic’s At the Altar of the Road Gods hereBoris and John

Karen Miller, author of The Falcon Throne, first book in the The Tarnished Crown Series, answers Ten Terrifying Questions

The Booktopia Book Guru asks

Karen Miller

author of The Falcon Throne, The Prodigal Mage and more…

Ten Terrifying Questions
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1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

Well, I was born in Vancouver, Canada, but at the age of 2 moved to my mother’s homeland of England. We stayed there for a while, then eventually shifted again — back to my father’s homeland, Australia. And aside from a 3-year stint of my own in the UK, after university, that’s where I’ve stayed – in and around Sydney … aside from some pretty regular globe-trotting.  I did most of my primary schooling at Hornsby Heights public, then high school was split between Asquith Girls and Galston High.

My Bachelor of Arts degree was done at what used to be the Institute of Technology (now the University of Technology) – Hugh Jackman’s old stomping ground! Pity I was ahead of him … *g* I followed that up some years later with a Master’s Degree in Children’s Literature (or Kiddy Litter, as I call it). I was offered a place in a Master’s Degree for Creative Writing at the University of Western Sydney, but the course convenor was such a pretentious snob about genre literature that I told her to shove it. At this point no plans for any future degrees, but I guess you never say never.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

A writer,  a writer and a writer. I mean, I flirted with other ideas like English/History teacher (my favourite subjects) or veterinarian (because I love animals) but underneath it all, for as long as I can remember, I wanted to be a writer. A storyteller.

3. What strongly held belief did you have at eighteen that you do not have now?

Author: Karen Miller

That I would never be happy. And now I am.

4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

Well, in no particular order …

At university, where I majored in Creative Writing, I was young and nowhere near ready to write novels. I’m a classic late bloomer in that respect. But I remember in one elective, I think it was Writing for Children, we were given an exercise where we had to write 3 vignettes, a single scene each. One of the things I wrote about was the time my guinea pig was killed by a visitor’s child, who ignored me when I said don’t pick him up. She did, she dropped him, she broke his back and he died. I was maybe 8 or 9. So I wrote about that, and the comment came back from the lecturer that I’d made her cry, I’d made her professional writer friend cry, and that no matter what happened in my life I must never give up writing because I had a gift. Regardless of the turmoil and doubts I experienced in the years that followed, her expression of faith in me was a small bright light of hope.

Many years later, while I had the bookshop, I was still struggling to make the writing dream come true. I got involved with what was then the Del Rey Online Writers Workshop (now the SFF Online Writers Workshop, and highly recommended). I submitted two pieces of work, both from early drafts of what were to become The Innocent Mage and Empress. The Innocent Mage piece was selected as runner-up Editor’s Choice best fantasy, and the Empress piece was subsequently selected as Editor’s Choice best fantasy. Both of those independent assessments of my work kept me going at a time when I despaired of ever being published.

The third big event is actually a combo job — Stephanie Smith’s championing of me at HarperCollins Voyager, leading to my first fantasy publishing contract for the Kingmaker, Kingbreaker duology. That first contract was truly life-changing, because it was an unarguable expression of belief in my worth as a storyteller. I have no words to express what I owe Stephanie. Flowing on from that was the offer from Orbit UK to publish those books. This is what I mean when I say so much of the publishing game is luck. A number of other international publishers had passed on the books, and at least one wanted me to rewrite them first. Again, I began to wonder if I’d ever be published anywhere other than Australia/New Zealand. But then Tim Holman put his faith in me, and that’s when my career really pushed on. Again, there are no words to express what I owe him and the whole Orbit team.

And here’s one more — the books that changed my writing most are the Lymond Chronicles, by the late, great Dorothy Dunnett. She showed me a different way of writing, and taught me more than just about anyone about the power of emotion and character in story and how point of view informs the narrative.

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?

Now you’re just stirring shite … *g*

Okay. No. I don’t think books are obsolete. They’re a particular kind of storytelling, a unique experience for the imagination, a very intimate conversation between storyteller and audience. Only books give you a theatre of the mind, can take you somewhere else no matter where you are, with the turn of a page. The only way books will become obsolete is if we let them, if we permit that storytelling venue to be discarded, forgotten — or if we so continue to degrade our standards of education in schools that all we produce at the end of the process are classes full of barely functioning illiterates. Who then go on to write books that are all but unintelligible.

6. Please tell us about your latest novel…

This new book, The Falcon Throne, is the first in a series called The Tarnished Crown. It’s epic historical fantasy, the most ambitious story I’ve ever tackled. Frankly, it scares the crap out of me. Possibly because of my theatre background I tend to think of my books as acts in a play. That means each book, while having self-contained elements and story/character arcs, also pushes the greater narrative forward. There is an overall beginning, middle and end to the series, and each novel is part of that journey. In keeping with the subgenre of epic historical fantasy, there’s politicking and warfare and necromancy and romance and death and family dynamics, love and loss, triumph and tragedy. None of the characters emerge unscathed from their adventures, nobody ends up with clean hands or an unsullied conscience. But that’s not to say it’s a dystopian or nihilistic story. I believe history shows us that even in the darkest times there are people of honour and courage and integrity, who make living worthwhile. My faith may get a bit battered from time to time, but I do believe in the ultimate worth of humanity – and that’s what I try to explore in my fiction.

So, to be a little more specific, The Falcon Throne is about three struggling dynasties sharing a common past. In the duchy of Harcia, Aimery frets over what will become of his land and his people when he dies and his heir, Balfre, is made duke. His lack of trust in his older son is the catalyst for events that are destined to change his duchy – the known world – for ever. To Harcia’s south, beyond the buffering stretch of land known as the Marches, lies the duchy of Clemen. Its duke, Harald, is not loved. Desperate to end his tyranny, his barons seek to overthrow him, placing his bastard cousin on the throne – and in doing so set Clemen on a dark path. And across the narrow Moat, in the Principality of Cassinia, the widowed duchess of Ardenn fights to protect the rights of her daughter, Catrain, who should follow in her father’s footsteps and rule their duchy like any son born. But the alliances she’s made in order to see that done will have lasting repercussions for every nation within her reach.

And so the opening gambits of the greater game are played ….

Grab a copy of The Falcon Throne here

7. What do you hope people take away with them after reading your work?

An enormous emotional satisfaction. Relief that they’ve not wasted their money. I just want readers to get caught up in the story, to believe in and feel for the characters, to get the kind of buzz from the tales I tell that I get from the stories I’ve enjoyed over the years.

8. Whom do you most admire in the realm of writing and why?

Again, it’s a combo. My parents.  My father was born at the tail-end of the Great Depression, and grew up during World War II. He grew up in very very tough circumstances, and he worked his arse off, and became hugely successful in two different careers. Never once did he look for hand outs, or blame other people for the fact that he lacked many many advantages. He just put his head down and worked for what he wanted, through all kinds of challenges and setbacks. And even though he’s been successful, he’s never let success change him. There’s not an ounce of pretension or snobbery in him. He takes people as he finds them, no matter who they are or where they come from. As for my mother, even though her background was less challenging, she too has always worked really hard and, like Dad, has never let success change her. She’s unfailingly compassionate and generous, giving to others whenever they need.  When it comes to living a decent life, I couldn’t have asked for better role models.

9. Many artists set themselves very ambitious goals. What are yours?

To sell more books. To be a writer who helps change the oft-frustrating impression that women can’t write epic fantasy, that only men understand heroism and mateship and war. To inspire other writers who worry and wonder if they’ll ever be good enough.

10. What advice do you give aspiring writers?

Don’t ever assume you’re owed anything. Publishing is a business, so be businesslike. The most important element of the game is the reader. If they love your work, if they hate your work, they’re right. You don’t get to decide what a good read is for someone else, even when it’s your own work in question. Never ever forget that your job is to tell an entertaining story. Get down off the soapbox and don’t lecture. Never be satisfied, always look for ways to challenge yourself, to improve your craft. Welcome constructive criticism. Don’t be precious. And when the going gets tough, stop, take a moment, and fall in love with story all over again. Reconnecting with love of story will help you through the roughest patches.

Karen, thank you for playing.

Grab a copy of The Falcon Throne here


the-falcon-throneThe Falcon Throne

by Karen Miller

The start of a major new epic fantasy series from the internationally bestselling Australian author of The Innocent Mage.

Nobody is innocent. Every crown is tarnished. A royal child, believed dead, sets his eyes on regaining his father s stolen throne. A bastard lord, uprising against his tyrant cousin, sheds more blood than he bargained for. A duke s widow, defending her daughter, defies the ambitious lord who d control them both. And two brothers, divided by ambition, will learn the true meaning of treachery. All of this will come to pass, and the only certainty is that nothing will remain as it once was. As royal houses rise and fall, empires are reborn and friends become enemies, it becomes clear that much will be demanded of those who follow the path to power. A major new epic fantasy begins.

 Grab a copy of The Falcon Throne here

What Katie Read – The June Round Up (by award-winning author Kate Forsyth)

One of Australia’s favourite novelists Kate Forsyth, author of Bitter Greens and The Wild Girl, continues her monthly blog with us, giving her verdict on the books she’s been reading.

I came home from the ANZ Festival of Literature & the Arts in London with a whole bag of books and am slowly reading my way through them. Quite a few of them are by Australian writers who were speakers at the festival – it seems ironic that I had to travel 17,000 kilometres to discover books I could have bought at my local bookstore!

Here’s what I’ve read this month:


Ophelia and the Marvellous Boy

by Karen Foxlee

I really loved Karen’s mysterious and beautiful novel The Midnight Dress, and once I heard Karen speak about her new book Ophelia & the Marvellous Boy I knew at once that it sounded like my kind of book. I bought the gorgeous hard-back in London, and am glad that I did as the production is just exquisite.

The story revolves around eleven-year-old Ophelia who is smart and scientifically minded. She and her sister and father have moved to a city where it never stops snowing, as her father – who is an expert on swords – has taken up a position in a huge, dark, gothic museum filled with secrets and strange things. Ophelia sets out to explore, and finds a locked room hidden away in the depths of the museum. She puts her eyes to the keyhole … and sees a boy’s blue eyes looking out at her. He tells her that he has been a prisoner for three-hundred-and-three-years by an evil Snow Queen and her clock is ticking down towards the end of the world. Only he can stop her … but first he must escape.

A gorgeously written and delicate fairy tale, Ophelia & the Marvellous Boy reminded me of some of my favourite children’s writers such as Cassandra Golds and Laura Amy Schlitz, who are themselves inspired by Nicholas Stuart Grey and George Macdonald.

Grab a copy of Ophelia and the Marvellous Boy here


Dotter of Her Father’s Eye

by Mary Talbot & Bryan Talbot

Another book I bought in London was what I can best describe as a graphic memoir/biography. Told in comic book form, the story compares the life stories of Lucia Joyce, the daughter of the famous writer James Joyce, and that of the book’s author Mary Talbot, daughter of the foremost Joycean scholar, James S. Atherton.

Both narratives begin with the girls’ childhood and show their struggles to grow up in the shadows of difficult and demanding fathers. Lucia wants to dance, but is confined by the petty societal rules of her time. She ends up confined in a madhouse.  Mary rebels against her father, and forges a life for herself. The book shows how she fell in love with a young artist and married him – he is, of course, Bryan Talbot, the illustrator whose incredible artwork adorns every page.The book is acutely intelligent but highly readable, illuminating both the heartbreakingly sad story of Lucia James and the work of two exceptional contemporary artists. Not surpisingly, Dotter of My Father’s  Eyes won the 2012 Costa biography award.

Grab a copy of Dotter of Her Father’s Eye here


The Spare Room

by Helen Garner

I heard Helen speak in London and thought she was warm and funny and beautifully articulate, so I was very pleased to have her sign my copy of her first novel in sixteen years, The Spare Room. Published in 2008, the novel won a swathe of awards including the Barbara Jefferis Award. It reads more like a memoir, being told from the first person point of view of a writer named Helen living in Melbourne and being inspired by events that actually happened in Helen Garner’s life. However, no doubt many of the people and incidents have been changed during the writing process.

The story is driven by the narrator Helen’s fear and distress, after a dear friend who is dying of cancer comes to stay with her for three weeks while undertaking some kind of quack treatment. The writing is crisp and strong and poised, and the characters spring to life on the page with only a few deft strokes. I loved it.

 Grab a copy of The Spare Room here


Goddess 

by Kelly Gardiner

I’m been a big admirer of Kelly Gardiner’s gorgeous historical novels for young adults, Act of Faith and The Sultan’s Eyes, both of which are set in the mid-17th century, one of my favourite historical periods for fiction. Goddess is Kelly’s first novel for adults, based on the fascinating true life story of Julie d’Aubigny, a woman out of step with her own time (The court of the Sun King, Louise XIV, in Paris during the 1680s).

Raised like a boy by her swordsman father, Julie likes to dress like a man and will fight a duel with anyone who crosses her. One night she fights three duels back-to-back, winning them all. She elopes with a young nun and is sentenced to be burned at the stake, but escapes and becomes a famous opera star. The story of her adventures seems too incredible to possibly be true. The book is told in Julie’s voice – witty, intelligent and wry – and the whole is pulled off with wit and flair.

Grab a copy of Goddess here


A Stranger Came Ashore

by Mollie Hunter

Mollie Hunter is a wonderful Scottish writer for children who is not nearly as well-known as she deserves to be. I have many of her books – some collected when I was a child and some (including a signed first edition) collected as an adult. I first read A Stranger Came Ashore when I was about eleven, after borrowing it from my school library. I’ve been looking for it ever since, but could not remember its name. Then, a month or so ago, I read a brief review of it on an English book blog and at once remembered how much I had loved it, and orderd a copy straightaway.

It’s a Selkie tale, set in the Highlands of Scotland sometime in the 19th century. The novel begins with a storm, and a shipwreck, and a handsome, young stranger washed ashore. As his sister begins to fall in love with the stranger, forgetting her childhood sweetheart, 12-year old Robbie Henderson finds himself becoming more and more suspicious. He remembers an old tale his grandfather used to tell him about seals that turn into humans, but cannot believe it could be true. Soon he is caught up in a dark and suspenseful adventure as he tries to save his sister. A Stranger Came Ashore was rightly acclaimed when it was published in 1975, winning many awards including the Boston Globe-Horn Book Award.

Grab a copy of A Stranger Came Ashore here


The Colour Purplethe-color-purple

by Alice Walker

I saw Alice Walker speak at the Sydney Writers Festival in May, and bought The Color Purple which I had read and adored about thirty years ago (it was first published in 1982 – impossible to believe it’s been so long!) I read it all in one gulp and loved it just as much as I did when I was a teenager. I loved the movie too. This book will always be on my list of all-time favourite books.

Blurb:

Set in the deep American south between the wars, this is the classic tale of Celie, a young poor black girl. Raped repeatedly by her father, she loses two children and then is married off to a man who treats her no better than a slave. She is separated from her sister Nettie and dreams of becoming like the glamorous Shug Avery, a singer and rebellious black woman who has taken charge of her own destiny. Gradually Celie discovers the support of women that enables her to leave the past behind and begin a new life.

Grab a Copy of The Colour Purple here


 Burial Rites

by Hannah Kent

I finally had a chance to read this brilliant historical novel by debut author Hannah Kent. Burial Rites been a critical and a commercial success, and deservedly so. The writing is so precise and vivid, and the story so compelling. I found myself stopping to read certain sentences again, just for the pleasure of the words: ‘it is as though the winter has set up home in my marrow.’ Burial Rites is set in Iceland in 1830, the last year in the life of a woman condemned to be executed for murder. The use of real historical documents as epigraphs at the beginning of each section adds to the sense of truth and awfulness. A clever and truly beautiful book.

Grab a copy of Burial Rites here


Some Girls, Some Hats, and Hitler

by Wendy Lower

Sifting through a second-hand bookshop in London, an English editor stumbled upon this self-published memoir of a young Jewish woman in Vienna and – enchanted by her romantic love story and vivid writing style – republished the book.

In 1938 Trudi Kanter was a milliner for the best-dressed women in Vienna. She was beautiful and chic and sophisticated, travelling to Paris to see the latest fashions and selling her hats to some of the most wealthy and aristocratic ladies of Europe. She was madly in love with a charming and wealthy businesseman, and had a loving and close-knit family. Then the Nazis marched into Austria, and everything Trudi knew was in ruins. She and her new husband had to try and find some way to escape and make a new life for themselves … and Trudi would need all her wits and panache just to survive.

Grab a copy of Some Girls, Some Hats, and Hitler here


Kate FKate Forsyth is the bestselling and award-winning author of more than twenty books, ranging from picture books to poetry to novels for both children and adults.

She was recently voted one of Australia’s Favourite Novelists, coming in at No 16. She has been called one of ‘the finest writers of this generation”, and “quite possibly … one of the best story tellers of our modern age.’

Click here to see Kate’s author page

Jenny Bond, author of The President’s Lunch and Perfect North, answers Six Sharp Questions

The Booktopia Book Guru asks

Jenny Bond

author of The President’s Lunch and Perfect North

Six Sharp Questions
___________

1. Congratulations, you have a new book. What is it about and what does it mean to you?

The President’s Lunch was an absolute joy to research and write. I began researching the novel at the same time I discovered I was pregnant with my second child. He celebrated his first birthday when I delivered the first draft of the manuscript. I came to know the characters so intimately during that time and it was extremely difficult saying goodbye once the manuscript and editing process were completed. In fact, it took some urging from my husband to press ‘Send’ on the day the first draft was due. In a weird melodramatic way, it was like giving up a child.

So what’s it all about? Set against the dramatic backdrop of the Great Depression, Pearl Harbor and World War II, The President’s Lunch tells the story of Iris McIntosh, an enigmatic young woman rendered homeless by the Depression. When she has a random encounter with Eleanor Roosevelt in a rural gas station her life veers in a remarkable and unexpected direction. A First Lady with a social conscience, the tireless and fiercely compassionate Mrs Roosevelt employs Iris as her secretary. Under Eleanor’s guidance Iris, a woman of natural wit, beauty and intelligence, is introduced to the dynamic and complex inner world of the President, Franklin Delano Roosevelt. Along the way, for better or for worse, she wins the heart of more than one man. But as she recreates herself into a woman of the modern world, a world that has America at its centre, Iris comes to understand that nothing is ever simple – not affairs of state, not matters of the heart and certainly not the hankerings of a person’s appetite.

2. Times pass. Things change. What are the best and worst moments that you have experienced in the past year or so?

The best and worst moments came during a research trip I took to the US with my family. I had researched the Roosevelts from afar for nine months and to find myself walking around their homes and chatting with people who knew them was thrilling. But spending thirty hours travelling from Canberra to Washington DC in order to do that, with an energetic but frustrated six-month-old and a mildly grumpy seven-year-old, was absolutely soul destroying.

3. Do you have a favourite quote or passage you would be happy to share with us? It doesn’t need to be deep but it would be great if it meant something to you.

My favourite passage from a novel has been the same throughout my life. It is the final paragraph from Harper Lee’s To Kill a Mockingbird:

‘He turned out the light and went into Jem’s room. He would be there all night, and he would be there when Jem waked up in the morning.’

When I was a younger I viewed the paragraph from a child’s perspective. It filled me with a great feeling of comfort and safety. Now I am a parent, I read the lines from Atticus’s viewpoint and I understand his motivations clearly.

4. Writers have often been described as being difficult to live with. Do you conform to the stereotype or defy it? Please tell us a little about the day to day of your writing life.

I can be difficult to live with when I’m in the process of editing a book. Becoming angered at cuts and criticisms from editors, I tend to take my frustration out on my husband. However, while I am in the process of writing a novel I am extremely content and agreeable.

My writing week revolves around my children. I work three days a week (school hours) when my two-year-old is in child care and at other times when I can fit it in. However, because I have such an abbreviated work week, I find I have to use my time judiciously to meet deadlines. Fortunately, I can write anywhere and at any time.

5. Some writers claim not to be influenced by the needs of the marketplace, while others seem obsessed by it. Would you please describe how the marketplace affects your writing (come on, tell the truth!).

I write books that I would love to read and, as a 43-year-old woman, I am probably representative of much of the marketplace. So that’s lucky!

6. Unlikely Scenario: You’ve been charged with civilising twenty ill-educated adolescents but you may take only five books with you. What do you take and why?

To Kill a Mockingbird by Harper Lee:  I taught this novel for many years to unruly teenagers. I have not met any adolescent this book has not failed to move.

Lord of the Flies by William Golding: Such a unique and perceptive critique on society. It shows children how meaningful and relevant literature can be.

The Naked Chef by Jamie Oliver: Everyone should know how to cook and the recipes in Jamie’s first cook book are upbeat, fast and simple. Following a recipe teaches people discipline and patience, and it’s fun and tasty!

Pride & Prejudice by Jane Austen: They might not want to read it, but when they get to the end of P&P those twenty uncouth youths will know how to behave in civilised society!

The Mosquito Coast by Paul Theroux:  This is a powerful allegorical novel, heavy with symbolism, that criticises society. In my teaching experience I have found it resonates strongly with teenagers. It’s an anti coming-of-age tale in a way, and is told from the viewpoint of fourteen-year-old Charlie Fox.

Jenny, thank you for playing.

Grab a copy of The President’s Lunch here

 

 


jenny bond (2)The President’s Lunch
by Jenny Bond

Set in Roosevelt’s White House, this is a compelling story of politics, personalities and love that spans one of the most turbulent decades of the twentieth century.

Robbed of her home and job by the Great Depression, the future looks bleak for Iris McIntosh – until a chance encounter with America’s indefatigable First Lady, Eleanor Roosevelt. Propelled into the White House’s brilliant inner circle, Iris finds herself at the centre of momentous change … and her heart torn between two men. But her loyalty lies with a third: the complicated and charismatic President Roosevelt, who will ultimately force her to question everything she believes in. A compelling story of politics and power, love and loss, set in one of the most exciting and cataclysmic periods of history.

Grab a copy of The President’s Lunch here

REVIEW: Life or Death by Michael Robotham (Review by Andrew Cattanach)

There seems to be two types of people in this world. Those who love Michael Robotham, and those who haven’t heard of him yet.

It can be difficult for a crime writer to receive critical acclaim and popularity. Books by design are denser than any cop drama on TV, asking questions designed for reflection rather than ratings. Formulas are examined and broken down, cliches noted, thin characters ridiculed.

What sets Michael Robotham apart? A simple, but often neglected factor.

He’s just a wonderful writer.

Life or Death starts with an intriguing premise. Audie Palmer is on the run, having escaped from jail. 10 years of beatings and torture are behind him. But what’s the twist?

He has escaped just one day before he was due to be released.

RoboIn Audie Palmer, Robotham has created a character we can all root for. Lucky in his unluckiness, stoic, brave, principled. He is haunted by the ghosts of the past and by a crime he swears he didn’t commit. But can we trust him? Can we really trust anyone?

While Audie is the heart of the story,  there is plenty of meat around him, an ensemble cast of crooked politicians, kind-hearted criminals and shady FBI agents, not to mention a missing seven million dollars. The waters are murky, and Robotham revels in it.

Life or Death is for the crime fan who likes a story, not just an account. Brilliantly written, intelligent, funny, sad and meticulously mapped out, it’s easy to understand why there has already been so much interest in a big screen adaptation of the novel.

There is nothing more exciting than an author operating at the peak of their powers. With Life or Death, Robotham is doing just that, further strengthening his hold as one of Australia’s finest crime writers. Find out why Audie is on the run, before it’s too late.

Grab a copy of Michael Robotham’s Life or Death here

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Andrew Cattanach is a regular contributor to The Booktopia Blog and was shortlisted for The Age Short Story Prize. He enjoys reading, writing and sleeping, though finds it difficult to do them all at once.

You can follow his ramblings on twitter at @andrew__cat

Buy a copy of Liane Moriarty’s Big Little Lies and you could win a Girls Night In Prize Pack worth $299!

Books!

Chocolates!

Now that I have your attention… oh wait… no, that’s what I needed to tell you.

You could win a pile of books and chocolate!

To celebrate the upcoming release of Liane Moriarty’s new book, Big Little Lies, the good folks at Pan MacMillan are giving you the chance to win 1 of 3 awesome prize packs valued at $299.

All you need to do is buy a copy of Big Little Lies before the 8th of August to enter the draw.

The pack contains The Winter Sea by Di Morrissey, Mad Men, Bad Girls by Maggie Groff, Burial Rites by Hannah Kent, The Summer Without You by Karen Swan, Family Secrets by Liz Byrski, The Blue Mile by Kim Kelly, The Husband’s Secret by Liane Moriarty, Currawong Manor by Josephine Pennicott, as well as chocolates and a blanket.

Grab a copy of Liane Moriarty’s Big Little Lies here

Big Little Lies

by Liane Moriarty

‘I guess it started with the mothers.’

‘It was all just a terrible misunderstanding.’

‘I’ll tell you exactly why it happened.’

Pirriwee Public’s annual school Trivia Night has ended in a shocking riot. A parent is dead.

Liane Moriarty’s new novel is funny and heartbreaking, challenging and compassionate.

The No. 1 New York Times bestselling author turns her unique gaze on parenting and playground politics, showing us what really goes on behind closed suburban doors.

‘Let me be clear. This is not a circus. This is a murder investigation.’

About the Author

Liane Moriarty is the author of five adult novels, Three Wishes, The Last Anniversary, What Alice Forgot, The Hypnotist’s Love Story and The Husband’s Secret. The Husband’s Secret reached no. 1 on The New York Times bestseller list, sold well over a million copies worldwide, been optioned for a film and will be translated into over 35 languages. Liane lives in Sydney with her husband, son and daughter.

Grab a copy of Liane Moriarty’s Big Little Lies here

Congratulations to the winners of our Big Little Lies Facebook Comp. They are:

Katy Trimmer Ewer, Karen Finch, and Kathleen Harper.

Well done K’s! Please email us at promos@booktopia.com.au with your details!

World Record holder Ryan Campbell, author of Born to Fly, chats to Christopher Cahill

In Born to Fly, Ryan recounts his remarkable journey from a boy with a dream to becoming, at age 19, the youngest person ever to circumnavigate the world solo in a single-engine aircraft, and shares with us the joy of flight.

Grab a copy of Ryan Campbell’s Born to Fly here

Born to Fly

by Ryan Campbell

The most extraordinary aviation adventure of the decade. A great story in the spirit of Charles Kingsford-Smith and Bert Hinkler. – Dick Smith

‘It’s funny what you remember, which moments stick in your mind when the everyday disappears. I will never forget my first flight, the feeling of being pushed back in the seat, the rumbling that suddenly turned into silence. It fascinated me then, it does now. I looked across Sydney, absolutely blown away by its size. I had no idea cities even got that big! Later, my brothers and I followed the stewardess to the front of the plane and stepped into the cockpit. I stood wide-eyed, mouth open. This was where magic happened. From that day on I knew: I would grow up to become a jumbo jet pilot.’

When Ryan Campbell was six he fell in love with aeroplanes. It was a passion that was to dominate his childhood and it was no surprise when at 15 Ryan became the youngest pilot in Australia. Inspired by his father and grandfather who were also aviators, Ryan sought a challenge and, like adventurers before him, he found one that spoke to him more than the rest. He wanted to fly around the world, solo, in a single-engine aircraft.

Showing maturity, determination and courage beyond his years, Ryan fundraised $250,000 from scratch  and drew on the advice of renowned aviators such as Jim Hazelton (‘a man who has more hours adjusting his seat in a plane than I do total flying time’) and Dick Smith before setting out on his thrilling 70-day odyssey. In Born to Fly, Ryan captures all the dry-mouthed excitement of flying alone above the earth with only one engine and recounts his adventures from staying calm with iced over wings, landing in a country where you are not welcome and  dealing with international media when still a teenager.

Ryan landed 31 times in 15 countries and covered more than 24,000 nautical miles, while trying to avoid that ‘alternative aerodrome’, the ocean.

Born to Fly is a fascinating view of the world from above, shown to us by a dryly funny and highly charismatic man who has already done more in his short life than most of us do in a lifetime.

Grab a copy of Ryan Campbell’s Born to Fly here

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