Liane Moriarty’s What Alice Forgot set to become major Hollywood film

moriartyliane01Liane Moriarty’s 2010 novel What Alice Forgot is set to be adapted into a film helmed by David Frankel, director of The Devil Wears Prada.

Shauna Cross, who wrote Whip It and the upcoming film adaptation of Gayle Forman’s If I Stay, is attached to pen the project.

The news comes a day after the release of Moriarty’s new novel Big Little Lies, which has already attracted significant buzz. Recent figures from the US indicate it is one of the most pre-ordered books of 2014. Liane will be visiting Booktopia HQ soon, so order now and you could secure a signed copy!

Order a copy of Big Little Lies from Booktopia by August 8th and you could win 1 of 3 girls night in prize packs valued at $299. Click here for more details.

big-little-liesBig Little Lies

by Liane Moriarty

Signed Copies Available While Stocks Last

‘I guess it started with the mothers.’

‘It was all just a terrible misunderstanding.’

‘I’ll tell you exactly why it happened.’

Pirriwee Public’s annual school Trivia Night has ended in a shocking riot. A parent is dead.

Liane Moriarty’s new novel is funny and heartbreaking, challenging and compassionate.

The No. 1 New York Times bestselling author turns her unique gaze on parenting and playground politics, showing us what really goes on behind closed suburban doors.

‘Let me be clear. This is not a circus. This is a murder investigation.’

 Grab a copy of Liane Moriarty’s Big Little Lies here

Louis Zamperini, the man behind the inspirational story Unbroken, dies age 97

Louis Zamperini, a former Olympian who spent weeks lost at sea and years as a prisoner of war, has died at age 97.

A U.S. track star at the 1936 Olympics in Berlin, Zamperini became a bombardier in WWII and survived 47 days adrift in a lifeboat after crashing his plane in the Pacific. He eventually washed up on a Japanese island and spent the next two years as a prisoner of war.

His incredible story was documented by Laura Hillenbrand in the book Unbroken, which has now sold over 1 million copies worldwide.

The book is soon to be made into a movie, recently shot in Australia, from a script by the Cohen brothers and directed by Angelina Jolie.

“It is a loss impossible to describe, we are all so grateful for how enriched our lives are for having known him. We will miss him terribly.” – Angelina Jolie

“Having overcome insurmountable odds at every turn in his life, Olympic runner and World War II hero Louis Zamperini has never broken down from a challenge. He recently faced the greatest challenge of his life with a life-threatening case of pneumonia. After a 40-day long battle for his life, he peacefully passed away in the presence of his entire family, leaving behind a legacy that has touched so many lives. His indomitable courage and fighting spirit were never more apparent than in these last days.”
- The Zamperini Family

Grab a copy of Unbroken here

Unbroken

An Extraordinary True Story of Courage and Survival

On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane’s bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War.

The lieutenant’s name was Louis Zamperini. In boyhood, he’d been a cunning and incorrigible delinquent, breaking into houses, brawling, and fleeing his home to ride the rails. As a teenager, he had channelled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics and within sight of the four-minute mile.

But when war had come, the athlete had become an airman, embarking on a journey that led to his doomed flight, a tiny raft, and a drift into the unknown.

Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, a foundering raft, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humour; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will.

In her long-awaited new book, Laura Hillenbrand writes with the same rich and vivid narrative voice she displayed in Seabiscuit. Telling an unforgettable story of a man’s journey into extremity, Unbroken is a testament to the resilience of the human mind, body, and spirit.

Grab a copy of Unbroken here

A Day In The Life Of A Reader…

You wake up after a long night of reading…

…and try to sneak some pages in before you leave for work…

bert-reading-o

…and on the bus.

You start work full of vigour…

jim-carey

…until the 5 minute mark.

And then it’s lunchtime…

…but pretty soon it’s time to go back to work…

throwing-book

…where you daydream about the next chapter…

…and then actually dream about the next chapter…

johnny-english-gif-mondays-at-work-and-my-boss-calls-me

…before a very productive afternoon.

ny5

Then 5:30pm arrives…

tumblr_lmdx8s5BLd1qhkgzyo1_500

…and you head home…

tumblr_m4gf3ko6gn1qj0cw0o1_500

…home sweet home…

books

…where, finally, the best part of your day begins…

reading_cowgirl_gif_by_cassiexdd-d53o1mo

…but your favourite character is in trouble…

James-Franco-Drinking-Water-laughing-to-shock

…big trouble…

…and loved ones want to know what’s wrong…

title

…and for a tiny, tiny split second, you wonder if all this is worth it. The ups and downs of being a reader…

Thinking

…but only for a split second.

9170_3b36_400

Congratulations to Evie Wyld : Winner of the Miles Franklin Literary Award 2014 for All the Birds, Singing

milesfranklin

Booktopia would like to congratulate Evie Wyld for winning the 2014 Miles Franklin Literary Award with All the Birds, Singing … Congratulations!


All the Birds, Singing

by Evie Wyld

Jake Whyte is the sole resident of an old farmhouse on an unnamed island, a place of ceaseless rains and battering winds. It’s just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep – every few nights it picks one off, leaves it in rags.

It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake’s unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back.

Set between Australia and a remote English island, All the Birds, Singing is the story of one how one woman’s present comes from a terrible past. It is the second novel from the award-winning author of After the Fire, A Still Small Voice.

About the Author

Evie Wyld runs Review, a small independent bookshop in London. Her first novel, After the Fire, a Still Small Voice, won the John Llewellyn Rhys Prize and a Betty Trask Award. In 2011 she was listed as one of the Culture Show’s Best New British Novelists. She was also shortlisted for the Orange Prize for New Writers, the Commonwealth Writers’ Prize and the International IMPAC Dublin Literary Award.

Grab a copy of All the Birds, Singing here


THE RUNNERS UP:

The Narrow Road to the Deep North

by Richard Flanagan

A novel of the cruelty of war, and tenuousness of life and the impossibility of love.

August, 1943. In the despair of a Japanese POW camp on the Thai-Burma death railway, Australian surgeon Dorrigo Evans is haunted by his love affair with his uncle’s young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever.

This savagely beautiful novel is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.

About the Author

Richard Flanagan was born in Longford, Tasmania, in 1961. His novels, Death of a River Guide, The Sound of One Hand Clapping, Gould’s Book of Fish, The Unknown Terrorist, and Wanting have received numerous honours and are published in twenty-six countries. He directed a feature film version of The Sound of One Hand Clapping. A collection of his essays is published as And What Do You Do, Mr Gable?.

Grab a copy of The Narrow Road to the Deep North here


The Night Guest

by Fiona McFarlane

One morning Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she’s blown in from the sea. In fact she’s come to care for Ruth. Frida and the tiger: both are here to stay, and neither is what they seem.

Which of them can Ruth trust? And as memories of her childhood in Fiji press upon her with increasing urgency, can she even trust herself?

The Night Guest is a mesmerising novel about love, dependence, and the fear that the things you know best can become the things you’re least certain about. It introduces a writer who comes to us fully formed, working wonders with language, renewing our faith in the power of fiction to tap the mysterious workings of our minds, and keeping us spellbound.

About the Author

Fiona McFarlane was born in Sydney, and has degrees in English from Sydney University and Cambridge University, and an MFA from the University of Texas at Austin, where she was a Michener Fellow. Her work has been published in Zoetrope: All-Story, Southerly, the Best Australian Stories and the New Yorker, and she has received fellowships from the Fine Arts Work Center in Provincetown, Phillips Exeter Academy and the Australia Council for the Arts. The Night Guest, her debut novel, has sold into fifteen territories around the world. She lives in Sydney.

Grab a copy of The Night Guest here


My Beautiful Enemy

by Cory Taylor

Arthur Wheeler is haunted by his infatuation with a Japanese youth he encountered in the enemy alien camp where he worked as a guard during WW2. Abandoning his wife and baby son, Arthur sets out on a doomed mission to rescue his lover from forced deportation back to Japan, a country in ruins. Thus begins the secret history of a soldier at war with his own sexuality and dangerously at odds with the racism that underpins the crumbling British Empire.

Four decades later Arthur is still obsessed with the traumatic events of his youth. He proposes a last reunion with his lost lover, in the hope of laying his ghosts to rest, but this mission too seems doomed to failure. Like Merry Christmas, Mr Lawrence and Snow Falling On Cedars, My Beautiful Enemy explores questions of desire and redemption against the background of a savage racial war. In this context, Arthur’s private battles against his own nature, and against the conventions of his time, can only end in heartache.

About the Author

Cory Taylor is an award-winning screenwriter who has also published short fiction and children’s books. Her first novel, Me and Mr Booker, won the Commonwealth Writers Prize (Pacific Region). She lives in Brisbane.

Grab a copy of My Beautiful Enemy here


Eyrie

by Tim Winton

Divorced and unemployed, he’s lost faith in everything precious to him. Holed up in a grim highrise, cultivating his newfound isolation, Keely looks down at a society from which he’s retired hurt and angry. He’s done fighting the good fight, and well past caring.

But even in his seedy flat, ducking the neighbours, he’s not safe from entanglement. All it takes is an awkward encounter in the lobby. A woman from his past, a boy the likes of which he’s never met before. Two strangers leading a life beyond his experience and into whose orbit he falls despite himself.

What follows is a heart-stopping, groundbreaking novel for our times – funny, confronting, exhilarating and haunting. Inhabited by unforgettable characters, Eyrie asks how, in an impossibly compromised world, we can ever hope to do the right thing.

About the Author

Tim Winton has published twenty-one books for adults and children, and his work has been translated into twenty-five languages. Since his first novel, An Open Swimmer, won the Australian/Vogel Award in 1981, he has won the Miles Franklin Award four times (for Shallows, Cloudstreet, Dirt Music and Breath) and twice been shortlisted for the Booker Prize (for The Riders and Dirt Music). He lives in Western Australia.

Grab a copy of Eyrie here


The Swan Book

by Alexis Wright

The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city.

The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning bestseller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.

 

About the Author

Alexis Wright is a member of the Waanyi nation of the southern highlands of the Gulf of Carpentaria. Her books include Grog War , a study of alcohol abuse in Tennant Creek , and the novels Plains of Promise , and Carpentaria , which won the Miles Franklin Literary Award, the Victorian and Queensland Premiers’ Awards and the ALS Gold Medal, and was published in the US, UK, China, Italy, France, Spain and Poland. She is a Distinguished Fellow in the University of Western Sydney’s Writing and Society Research Centre.

Grab a copy of The Swan Book here


Runners-up from the Longlist:

The Railwayman’s Wife

by Ashley Hay

In a small town on the land’s edge, in the strange space at a war’s end, a widow, a poet and a doctor each try to find their own peace, and their own new story.

In Thirroul, in 1948, people chase their dreams through the books in the railway’s library. Anikka Lachlan searches for solace after her life is destroyed by a single random act. Roy McKinnon, who found poetry in the mess of war, has lost his words and his hope. Frank McKinnon is trapped by the guilt of those his treatment and care failed on their first day of freedom. All three struggle with the same question: how now to be alive.

Written in clear, shining prose and with an eloquent understanding of the human heart, The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can be sometimes to tell them apart. It’s a story of life, loss and what comes after; of connection and separation, longing and acceptance. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

A story that will break your heart with hope.

About the Author

Ashley Hay is the author of four books of non-fiction – The Secret: The strange marriage of Annabella Milbanke and Lord Byron, Gum: The story of eucalypts and their champions, and Herbarium and Museum with the visual artist Robyn Stacey. A former literary editor of The Bulletin, her essays and short stories have also appeared in anthologies and journals including Brothers and Sisters, The Monthly, Heat and The Griffith Review. Ashley’s first novel, The Body in the Clouds was shortlisted for the Commonwealth Writers Prize ‘Best First Book’ (South-East Asia and Pacific region) and the NSW Premier’s Literary Awards.

Grab a copy of The Railwayman’s Wife here


mullumbimbyMullumbimby

by Melissa Lucashenko

When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter Ellen, trouble brewing from unimpressed white neighbours, and a looming Native Title war among the local Bundjalung families. When Jo stumbles into love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life.

Told with humour and a sharp satirical eye, Mullumbimby is a modern novel set against an ancient land.

0002041About the Author

Melissa Lucashenko is an Australian writer of mixed European and Murri (Aboriginal) heritage. She was born in Brisbane in 1967, and attended public primary and secondary schools there. Melissa received an honours degree in public policy from Griffith University, graduating in 1990. She lives between Brisbane and the Bundjalung nation.

Grab a copy of Mullumbimby here


Game

by Trevor Shearston

It is 1865. For three years Ben Hall and the men riding with him have been lords of every road in mid-western New South Wales from Bathurst to Goulburn, Lambing Flat to Forbes. But with the Harbourers’ Act made law, coach escorts armed now with the new Colt revolving rifle, and mailbags more often containing cheques than banknotes, being game is no longer enough.

The road of negotiated surrender is closed. Jack Gilbert has shot dead a police sergeant at Jugiong. Constable Nelson, father of eight, lies buried at Collector, killed by John Dunn. Neither time did Ben pull the fatal trigger, but he too will hang if ever the three are taken. Harry Hall is seven. Ben has not seen the boy since his wife Biddy left to live with another man, taking Harry with her.

The need to see his son, to be in some way a father again, has grown urgent. But how much time is left before the need to give the game away and disappear becomes the greater urgency?

About the Author

Trevor Shearston is the author of Something in the Blood, Sticks That Kill, White Lies, Concertinas, A Straight Young Back and Dead Birds. He lives in Katoomba, NSW with his family.

Grab a copy of Game here


Belomor

by Nicolas Rothwell

Elegiac and seductive, Belomor is the frontier where truth and invention meet—where fragments from distant lives intermingle, and cohere. A man seeks out the father figure who shaped his picture of the past. A painter seeks redemption after the disasters of his years in northern Australia. A student of history travels into the depths of religion, the better to escape the demons in his mind. A filmmaker seeks out freedom and open space, and looks into the murk and sediment of herself.

Four chapters: four journeys through life, separate, yet interwoven as the narrative unfolds.

In this entrancing new book from one of our most original writers, we meet European dissidents from the age of postwar communism, artists in remote Australia, snake hunters, opal miners and desert magic healers. Belomor is a meditation on time, and loss: on how the most bitter recollections bring happiness, and the meaning of a secret rests in the thoughts surrounding it.

About the Author

Nicolas Rothwell is the award-winning author of Heaven and Earth, Wings of the Kite-Hawk , Another Country , The Red Highway and Journeys to the Interior . He lives in Darwin, and is the Australian’s roving northern correspondent.

Grab a copy of Belomor here


The Life and Loves of Lena Gaunt

by Tracy Farr

The debut novel from a wonderful new talent.

This is the story of Dame Lena Gaunt: musician, octogenarian, junkie.

Lena is Music’s Most Modern Musician; the first theremin player of the twentieth century.

From the obscurity of a Perth boarding school to a glittering career on the world stage, Lena Gaunt’s life will be made and torn apart by those she gives her heart to.

About the Author

Australian-born author Tracy Farr has lived in Wellington, New Zealand since 1996. Her debut novel, The Life and Loves of Lena Gaunt, is published by Fremantle Press.

Grab a copy of The Life and Loves of Lena Gaunt here


EXCLUSIVE VIDEO: Maxine Beneba Clarke, poet and author of Foreign Soil, in conversation with Andrew Cattanach

Grab a copy of Foreign Soil here

foreign-soilForeign Soil

by Maxine Beneba Clarke

Winner of the Victorian Premier’s Unpublished Manuscript Award 2013.

In this collection of award-winning stories, Melbourne writer Maxine Beneba Clarke has given a voice to the disenfranchised, the lost, the downtrodden and the mistreated. It will challenge you, it will have you by the heartstrings. This is contemporary fiction at its finest.

The book is called Foreign Soil. Inside its covers, a desperate asylum seeker is pacing the hallways of Sydney’s notorious Villawood detention centre, a seven-year-old Sudanese boy has found solace in a patchwork bike, an enraged black militant is on the warpath through the rebel squats of 1960s Brixton, a Mississippi housewife decides to make the ultimate sacrifice to save her son from small-town ignorance, a young woman leaves rural Jamaica in search of her destiny, and a Sydney schoolgirl loses her way.

Grab a copy of Foreign Soil here

The Book Industry: Living or Dying? Three Experts Have Their Say

Are you a fan of Anne Summers Reports? Lately it has hosted some wonderful articles and opinions on the future of the Australian Book Industry. We thought we’d share some with you. Click the links below to read the full pieces.

Fifty Shades of Bookselling

by Foong Ling Kong

Foong Ling has nearly two decades’ experience as an editor and a publisher of books across a wide range of genres. She is also Managing Editor of Anne Summers Reports.

Australians bought 22 million books in 2013: that’s one per head of population, but it still wasn’t enough to stem the slow leak in print-book sales since 2009, when the book trade turned over $1.29 billion. Last year, it did $917 million, a number that doesn’t factor in ebook sales, which are about 20 per cent of the market, and so did not make up the gap. Who knew that 2009 would be the last great bookselling year that saw growth? The book trade has received a remarkable hammering in the last five years, despite efforts at every level to address the multiple challenges. These have included a rising exchange rate, the advent of ereaders, the closure of quality bookshops and the rise of discount retailers.

For more from Foong Ling Kong click here

The Role of Authors in the New Book Economy

by Angelo Loukakis

Angelo is the Executive Director of the Australian Society of Authors and has worked as a writer, teacher, editor and publisher.

The numbers provided highlight a decline in trade book sales, but while Nielsen Bookscan figures capture the vast bulk of general book sales they do not include the dollar value of books bought by Australian online purchasers. There is no entirely accurate figure available although PriceWaterhouseCoopers estimated that, for 2010, approximately $150 million worth of books were purchased from Amazon and the Book Depository by Australian consumers. Anecdotally we’ve heard estimates the figure may be even higher than $250 million today. The volume of books being bought directly from overseas suppliers is obviously of no comfort to local booksellers.

For more from Angelo Loukakis click here

The Ingredients for a Healthy Bookish Future

by John Purcell

John is Booktopia’s Head of Marketing and Chief Buyer and sold 50,000 copies of his trilogy, The Secret Lives of Emma, under the pseudonym Natasha Walker.

Books are not groceries. One of the hardest things for business-minded people who find themselves working in the book industry to accept is that there isn’t a single product or just a few product lines to market and to sell. There are millions of products and thousands of product lines, otherwise known as books. The selling of books should be left to booksellers who are, more often than not, readers themselves.

The internet has changed reader behaviour forever. Diversity is the thing. The internet fosters the specialist, it encourages the clique, it supports grassroots enthusiasms by allowing people of a like mind or interests separated by culture, geography or age to meet and exchange ideas and recommend books. And readers will source their very particular titles, wherever they are sold. The store that can deliver them quickly and cheaply will win their custom.

For more from John Purcell click here

John Purcell on Oz Publishing

GUEST BLOG: Notes from the Other Side by Jo Riccioni, author of The Italians at Cleat’s Corner Store

9781922070883

I can remember the exact moment I started crossing over to the Other Side, the first time I made that tentative transition from happy avid reader to somewhat less contented beginner writer. It was ten years ago, almost to the month. I recall it so precisely because I came to writing comparatively late in life.

As a child, I was a bookworm but I wasn’t an endless scribbler, never kept diaries or notebooks, and didn’t always long to be a writer. My first attempt at writing fiction was made somewhere between mashing pumpkin and changing a nappy, and I found that my 8-month-old was cutting his teeth at about the same time as I was cutting mine on short stories.

I wish I could say it was a lot more romantic than that, but the truth is that writing rarely is. It’s an odd little obsession, practised by a surprisingly diverse set of people, in the face of all sorts of obstacles and knock backs. For me it started out as mummy therapy: a lifelong love of reading, meets a new laptop and a baby monitor on the kitchen counter.

Two months ago my first novel, The Italians at Cleat’s Corner Store, was released in Australia. So how did I get from a laptop in the kitchen to a publishing contract? In short, with baby steps. It took ten years for me to hold my own novel in my hands. Here are a few of the things I’ve picked up on my trip to the Other Side, things I’m still learning about writing and publishing, and a few I wish someone had told me sooner.

1: It’s Hard, But Not Impossible

The first short story I wrote gave me a ridiculous sense of accomplishment: it came in second out of a whopping 52 entries in a local writing competition. I was ecstatic. I signed up for an evening course for beginner writers at my nearest community college. I read some famous books about writing. And then I went along to a day seminar at a regional writers’ centre to discover all about that Holy Grail: ‘Getting Published’. For four hours I sat there intently taking notes while a panel of novelists and publishers detonated the industry from the inside out. My writing ambitions (never overly robust to begin with) were left in smouldering ruins somewhere under my chair.

‘If you can do anything else that makes you happy or makes you money, then do that because writing sure as hell won’t make you either,’ a novelist told the audience.

‘The reality is that even good novels are getting passed up regularly in today’s uncertain climate,’ an agent announced bleakly.

joroccino

Author Jo Riccioni

‘There’s no such thing as manuscripts being picked up from the slush pile anymore,’ a publisher admitted. ‘We don’t even have a slush pile, we just have a bin.’

I went home and did what any self-respecting wannabe author could do. I filled a large glass of wine, opened my laptop and carried on writing.

But I didn’t bury my head in the sand either. And I don’t deny that I probably needed to hear what those industry experts had to say. However, what I took issue with was their attitude. It seemed to be all jaded doom-and-gloom, topped with a smidgeon of insider condescension. And yet I’d read three or four Australian debuts that year alone, so I knew there had to be gaps in that publishing stronghold, passages into the fortress somewhere.

Some time later, in a fit of masochism, I took a job in a bookshop. I highly recommend it as a gauge of serious intention to all aspiring writers. Book selling has to be the bracing cold shower to any writer’s burning ambition, especially if you’re writing literary fiction. If you’re still typing away after sending back boxes of unsold new releases, then you really have got it bad.

The flip side to this, however, is that unpacking all the new books means you get to see what’s trending in publishing, what’s actually selling and sometimes (not often but, reassuringly, sometimes) those books are works by new writers. The industry has to have new material. It needs fresh voices. It’s looking for the next big thing, or even the next medium-to-fairly-modest thing. And until you actually write, how do you know you’re not the person to give it to them?

I’m happy to say things appear to have changed a little since that first seminar I attended. Several publishers started accepting unsolicited manuscripts in a more structured way a few years ago and others have followed suit. Check out Allen & Unwin’s Friday Pitch; Penguin’s Monthly Catch, Pan Macmillan’s Manuscript Monday and Hachette’s open submissions, among others.

2: “Overnight Success” is a Marketing Construct.

Ten years after I wrote my first short story, I got a jiffy bag in the mail. Inside it was the finished copy of my debut novel. Sounds great, right? I really showed them, didn’t I? Almost … if it wasn’t for the ‘ten years’ part, maybe?

But ten years is what it took and those years are precisely the important bit, I now realise. I wasn’t actually writing the novel that whole time: I was learning how to write something publishable. Novels might be discovered by a publisher overnight but they certainly aren’t written overnight. One of the lessons I’ve learned is that, in the majority of cases, the publication of a book and its apparent ‘wildfire’ success shouldn’t be confused with its gestation or the period of apprenticeship the novelist took to get to the point where she could write that book. Whether that apprenticeship took the form of a series of ‘bottom drawer’ novels, or years writing short stories and poetry, or studying creative writing, or even simply a lifetime of careful reading, it is still an apprenticeship of sorts. Becoming good at anything takes time and patience, and writing is no exception. For me, starting to write felt like learning to read all over again – this time as a writer.

97805529920463: Get Help

I’ve been a long-term student of literature as well as a teacher of it, and no one ever criticised me for wanting to learn to be a better reader. I’m at a loss, then, as to why creative writing courses (namely, learning how to be a better writer) should be so frowned upon by some in the literary community. Perhaps we secretly want to think of great writers as being born, not trained? Otherwise, anyone could have a pop at a novel, couldn’t they? And then the intrinsic merit of writing as an elusive (or should that be exclusive?) art form would surely be devalued? I was as guilty as anyone of believing this when I was a young literature under-grad. And then I started meeting novelists and learning about how they work.

Many excellent writers never finish a novel while some pretty average ones manage to publish a whole shelf full. It’s Edison’s famous quote about genius being 1% inspiration and 99% perspiration. A good quality writing course can help teach you to read as a writer (analysing structure, voice, narrative arc and the technicalities of the written form), but it can also offer practical tips for carving out the time to write, managing unproductive attitudes to your work, setting goals and deadlines and giving industry insights from other writers, publishers and agents about how to begin getting your writing into the public eye.

Writing courses can’t write your novel for you, though, and signing up for them continuously without putting in the hard yards is kind of like trying to train for a marathon by only studying a sports science manual. At the end of the day, it’s just you, your keyboard and 100,000-odd words (see below). But, forewarned is forearmed, and a good teacher or mentor can make that prospect seem a hell of a lot less scary to a beginner writer.

4: Being a Writer Means Actually Writing

I wish I had another novel for every time I’ve heard an aspiring writer (including myself) say: ‘I just don’t have the time to write.’ There are lots of valid reasons why we tell ourselves we can’t write, but most of these rapidly lose credibility if, in the next breath, we go on to analyse the latest plot twists of Breaking Bad or who got voted off The Voice. Yes, novels take time. They take a ridiculous amount of time. And yet the average Australian adult manages to dedicate 13 hours a week to watching TV, pretty much without thinking about it. Perhaps I’m being harsh. But sacrifices have to be made. Ask the tough questions and if writing doesn’t come out on top, then give yourself a break. Let someone else write the novels. There’s nothing wrong with that. Life’s too short to put yourself over the rack for something that’s not a genuine priority.

Having said that, once I’d decided it was a priority, I wished someone had told me that writing productivity does not necessarily increase when you reduce other professional work. I found that I wrote as many words when I had a part-time job and young children as I did when my kids were older and I quit work to finish my novel. And I’ve heard other writers speak of a similarly unproductive relationship with ‘too much writing time’. Sometimes all you’re doing is giving yourself even more hours to procrastinate. I wish I’d kept my day job. Then I’d have a novel and new shoes. Lack of time can sometimes make you more productive.

5: “There is no such thing as good writing, only good re-writing.”

I’m a firm believer in John Irvine’s famous quote. Most of my time spent writing, whether it’s short stories or novels, is spent editing. And any small success I’ve had with getting my work published has been because I’m reluctant to let it 9780552992053go out into the world until it’s the best I can make it. (Even when I’m thoroughly sick of it, I’m more likely to file it away than put it out there, if I don’t think it’s ready). You often only get one shot with an agent or publisher, so don’t get so excited at finishing your draft that you forget it’s still a draft. Make it the best it can be and get help if you think you need it.

6: Getting Published is the Easy Part

I know, I know, don’t you hate hearing published writers say this? I used to convince myself they were lying, that they were saying it to big note themselves, or because they derived a martyr-like satisfaction recounting the endless hardships of the writing life. What is there post-publication that could seriously be harder than getting up at 5am in the middle of winter to a blank screen, having decided to cut three chapters and four months’ work? Or, knowing in your heart you’ve got to get rid of a character and feeling like you’re murdering someone in the family? Surely it’s so much easier to do all this with the comfort of a publisher in the wings?

Well it’s not. I got signed by a publisher before my novel was completed and the security that offered was definitely offset by knowing I was writing to please someone else not just myself. Getting signed also didn’t preclude a scenario almost worse than not getting published at all, and that is thinking you’re getting published, only to have your book rejected at the last. I managed to avoid this but it does happen to writers at all stages of their careers. I wished someone had told me that ongoing performance anxiety was par for the course in the writing life. Thankfully, I’ve just recently discovered the excellent conversations between Charlotte Wood and Alison Manning in a Mind of One’s Own, which pull apart many of the psychological hurdles writers face and the self-sabotaging blocks to writing. They’re like an ‘on-demand’ pep talk and I’ve found them a great help.

Before my novel was released, the only end result I focussed on, like most debut writers, was getting that published book in my hands. I now know that really is just the beginning. When I was writing the novel, I was so engrossed in its world, in my artistic integrity, in making it the best it could be, I was barely aware of the book as a business proposition, a product. And that’s the way I wanted it. But the moment a book gets released, there’s no denying it becomes a commodity the author must help shift. I found I was changing hats again, not from consumer to creator this time, but from creator to promoter.

As much as I’d tried to familiarise myself with the post-publication world, I wasn’t prepared for just how involved I had to be in the actual marketing of my book. I’d made the grave mistake of thinking I could take some much-earned downtime between finishing my proofs and the book hitting the shelves. But this is in fact the busiest time for a writer. This is the time to take leave from your day job. This is the time to get out all those notes you took at that Marketing Your Book course you were smart enough to enrol in before it actually got published (and, no, I was not smart enough to do it before publication). This is the time you should be tweaking websites, spruiking social media, and offering giveaways in advance of release, setting up interviews, events with local libraries, bookshops and book clubs, and writing features that may help plug the book. Don’t assume your publicist is going to secure any of this for you. Don’t assume you are going to be able secure any of this for yourself, either. Debut fiction, especially the literary kind, is notoriously difficult to promote – which goes hand-in-hand with debut fiction being notoriously difficult to get published. Difficult, but not impossible.

There is plenty you can do and plenty of resources to teach you how. Take the knock-backs on the chin, keep plugging away, and continue until you get some takers to profile your book. After all, getting published was the easy part: you should be up for a little challenge by now!

________________________

Jo Riccioni’s debut novel, The Italians at Cleat’s Corner Store, is published by Scribe in Australia and the UK. Her short stories have been published in Best Australian Stories 2010 and 2011, The Age and the Review of Australian Fiction. She has a Masters in Medieval Literature, is a Varuna Fellowship Alumna and also a graduate of the inaugural Faber Writing Academy in Sydney.

faberacademy

10 Real People Who Inspired Famous Fictional Characters

Gustave von Ashcenbach

Thomas Mann’s hero from Death in Venice was based on the composer Gustav Mahler, one of the world’s foremost composers at the turn of the 20th century.


Uncle Tom

The prototype for Harriet Beecher Stowe’s black slave in Uncle Tom’s Cabin was Josiah Henson, who achieved fame as a Methodist preacher after escaping from the South.


Shylock

Shakespeare’s penny-pinching debt collector from The Merchant of Venice was based on the doctor Roderigo Lopez, who was hanged for conspiring to kill one of his patients who owed him money.


Buck Mulligan

The outrageously laddish character from Ulysses was based on Joyce’s surgeon friend Oliver St. John Gogarty. Gogarty was an author in his own right but, to his annoyance, garnered more publicity from the Mulligan portrait than from his own works.


the-adventures-of-sherlock-holmesSherlock Holmes

Sherlock Holmes had his origins in a surgeon friend of Arthur Conan Doyle called Joseph Bell. He had uncanny powers of observation and diagnosis, which intrigued Conan Doyle.


Captain Ahab

The tortured protagonist of Moby Dick was based on Owen Chase, the first mate of a ship sunk by a sperm whale. He spent ninety-one days adrift on a small boat afterward, having to eat the corpse of one of his dead friends to survive.


Jay Gatsby

F. Scott Fitzgerald modeled his most famous creation from The Great Gatsby partly on himself, but mostly on a Long Island bootlegger called Max Gerlach.


draculaVladDracula

Bram Stoker’s Transylvanian vampire Dracula was based partly on Turkish tyrant Vlad the Impaler, whose reign of terror ran from 1456 to 1462, and partly on actor Henry Irving, whom he managed for many years.


Clifford Chatterley

Lady Chatterley’s husband was based on the textile manufacturer William Arkwright, who was rendered impotent after a horse-riding accident in the late 1870s.


robinson-crusoeRobinson Crusoe

Daniel Defoe based Crusoe on the seafarer Alexander Selkirk, who objected to the conditions on a ship on which he was employed in 1704 and asked to be put ashore on a tiny desert island in the Pacific Ocean off South America. He lived alone there for four year and four months, and Defoe used his experiences as the basis for Crusoe.

The World of the ‘Well-Read’ and the Dangers of Book Lists

Q: Have you read the latest Hilary Mantel?

A: No. I prefer her earlier work…

It’s easy to imagine two cavemen standing at the foot of a rock painting and grunting softly over the irony of using mammoth blood to draw a wounded deer. Readers, like all passionate art lovers, tend to argue over the merit of works at the drop of a hat.

All arguments over books boil down to one common point. How is one book ‘better’ than another?

Is Dan Brown’s latest novel really worse than Green Eggs and Ham? Is a blockbuster hit really better than a self-published thriller?

Occasionally book lovers will come up with a list of books, saying you must read these books to call yourself well-read.

I ask these people, on behalf of all readers, to please, please not do this.

Debate is a wonderful thing. For my part, is Green Eggs and Ham better than Dan Brown’s latest novel? Absolutely.

But that’s only my opinion, and you certainly don’t have to have read it to be called well read. Dr Seuss famously wrote it as a bet with his publishers that he couldn’t write a book with just fifty different words.

Only a few days ago one of my friends (an intelligent chap, though a non-reader) told me he had read my review for Dan Brown’s Inferno, and wanted to know if he should read it. I unequivocally replied ‘yes’.

Well-read 2Would I have rather recommended Jane Austen? Or Ernest Hemingway? Or George Elliot?

Of course, but that’s just my opinion. Will he enjoy Inferno? Yes.

Will he read another book because of it? Yes.

And my job, as a preacher of the word of the book, is complete.

If you finish a book and think to yourself – I enjoyed that – that’s all that matters. Yes, in my opinion there many wonderful books that don’t contain wizards and werewolves. But that’s just me, and my opinion.

Putting together a list of books someone must read is helpful.

Saying someone must read all of these books to be called well-read is silly, and ignorant of the diversity, not just of human beings, but of centuries of literature.

Author Maude Casey once said ‘I was born with a reading list I will never finish‘. Embrace that thought, and read what you want. Feel no pressure to read what people tell you. Only then, can you find yourself immersed in the magic of books.

_____________________________________

Andrew Cattanach is a regular contributor to The Booktopia Blog. He learned to read on a two hour bus trip to school every day, and learned to write in lecture halls and cramped tutorial rooms. He sometimes wins things for the lecture hall stuff.

You can follow his ramblings on twitter at @andrew__cat

The Fault in Our Stars Movie : A GIF Review by Sarah McDuling

Getting invited to an advanced screening…

On the way to the cinema…

When the movie is starting…

Five minutes after the movie has started…

Every time Augustus Waters appears on screen…

Every time anyone says the word “Okay”…

Isaac’s eulogy…

tumblr_inline_n66gxwUrXA1s6orlg

Augustus’s letter…

tumblr_inline_n5yqt3FQD71s6orlg

The End…

tumblr_inline_n5yqugRsM71s6orlg

Grab a copy of The Fault in our Stars here

Sarah McDuling is a contributor to the Booktopia Blog and Editor of the Booktopia Young Adult Buzz.  

Her hobbies include (but are not limited to) sword-fighting, ghost hunting and lion taming.

She is also an enthusiaster fibber.

You can read her other posts here or see her tweet about all things Young Adult-ish at @sarahmcduling.

You can also follow her on tumblr at Young Adult @ Booktopia

Follow

Get every new post delivered to your Inbox.

Join 1,050 other followers

%d bloggers like this: