GUEST BLOG: Who’s that Knocking at the Door? by Jandy Nelson

Writing is a socially accepted form of schizophrenia.—E.L. Doctorow
Some people say life is the thing, but I prefer reading.—Logan Pearsall Smith

Jandy Nelson

Author: Jandy Nelson

It is essential when writing fiction to enter the world of your characters.
But what if they begin to enter yours?

The first time this happened was with Guillermo Garcia, Jude’s sculpture teacher in I’ll Give You the Sun. Guillermo is a tall, imposing man with over-sized features that all clutter together in a wildly expressive face. He has a booming voice with a strong accent (he’s Colombian), a big heart and bigger personality. He carves abstract giants out of granite, and really, at least in my mind, he’s kind of a giant himself. He was one of the first characters in the story to arrive and he did so fully formed and ready to go.

One day, about two years into the writing of the novel, I was having a desperate moment. I felt uncertain about the direction the story was heading and the themes at play just didn’t feel like the right ones. So I lay down to think (much easier for me to think when I’m horizontal—no idea why). The next thing I knew, there was Guillermo towering before me: hands in the air like he was conducting a symphony, hair in his eyes, sweat dripping down his neck (it was that real). “Jandy! You are an idiot!” he said in his big bang of a voice. “You are thinking about this wrong. This is a book about second chances! Second chances. Understand?” I bolted upright. Because I did understand. He was right. It was the exact revelation I needed in that moment except for the fact that it had come out of the seemingly real mouth of an imaginary person! (Even if I fell asleep—indeed possible—it’s still bizarre to see and hear someone in a dream in such detail, someone you’ve never laid eyes on, someone who does not exist.)

Next, months later, I went by myself to see a Richard Diebenkorn exhibit. I walked in and my heart immediately exploded at the beauty. Like Jude says in Sun, there are paintings that color-flood9781406354386 out of two dimensions into three. These were those kind of paintings and my first thought was: “It’s such a shame Noah and Jude couldn’t come with me today.” In that split-second, I’d forgotten that they weren’t real.

I also remember a strange moment while in the middle of writing The Sky Is Everywhere. I was driving to work and reached for my phone because I was feeling an over-powering urge to call my novel. Then I realized what I’d just thought (!!!) and put the phone down.

I’ve had experiences like this as a reader and filmgoer too, with other people’s characters and stories. And maybe it’s a little nuts, but I don’t care. I love that as writers and readers, as story-lovers and fans, we, at times, immerse ourselves so completely in imaginary worlds that characters from those imaginary worlds come knocking on our very real wooden front doors. I love that the mind is that boundless and mysterious and strange, that the bridge between the real and the imagined is so well-travelled, and in both directions.


i-ll-give-you-the-sunI’ll Give You the Sun

by Jandy Neson

From the critically acclaimed author of The Sky Is Everywhere, a radiant novel that will leave you laughing and crying – all at once. For fans of John Green, Gayle Forman and Lauren Oliver.

Jude and her twin Noah were incredibly close – until a tragedy drove them apart, and now they are barely speaking. Then Jude meets a cocky, broken, beautiful boy as well as a captivating new mentor, both of whom may just need her as much as she needs them. What the twins don’t realize is that each of them has only half the story and if they can just find their way back to one another, they have a chance to remake their world.

About the Author

Jandy Nelson lives in San Francisco, where she divides her time between her proper tree and running loose through the park. Jandy is a literary agent, published poet and perpetual academic with degrees from Brown, Cornell and Vermont College of Fine Arts. She’s a superstitious sort and devout romantic who’s madly in love with California – how it teeters on the edge of a continent.

Grab a copy of I’ll Give You the Sun here

Sally Gardner, author of The Door That Lead to Where, answers Ten Terrifying Questions

The Booktopia Book Guru asks

Sally Gardner

author of The Door That Lead to Where

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in Birmingham, raised in London and went to quite a few schools due to the fact I was dyslexic. It’s one part of life I have no regrets about leaving. I remember it exceedingly well and didn’t like being a child. We’re all brought up by giants, some more monstrous than others. In the end we become giants and the art is not to forget what it felt like to live under them.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

We all have dreams. We have dreams that our parents put on us when we are young, we have conventional dreams that we think we should have, and then we have the main dream, the thing we really want to do, which we sort of know from the beginning. What I told people at the age of twelve was that I wanted to be an artist. At eighteen, I told people I wanted to go to theatre school, and be the best set designer in the country. What I wanted to be at thirty was a children’s illustrator, and what I never told a soul ever, was my main dream, and that was to be a writer and tell my stories.

3. What strongly held belief did you have at eighteen that you do not have now?

Sally Gardner, June 24, 2013.

Author: Sally Gardner

That I would find the love of my life. I didn’t, but I did have three wonderful children and other amazing things have happened to me, but the love of my life never appeared. Maybe it did in a way in the sense that it is now writing.

4. What were three works of art – book, painting, piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

Edith Sitwell’s Facade. I first heard it with my father in his study and I just adored the jamboree of words, the jumble of sounds, and the joy of language. Mixed with William Walton’s music I thought it was absolutely fabulous. I think a book that had a profound effect on me was The Lost Domain by Alain Fournier. It is a coming-of-age story, is completely magical, and is a book that made me want to be a child again just so that I could read it for the first time again. The illustrator and writer who had a profound effect was Edward Gorey. I discovered him when I was 16 and that love has never waned.

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel? 

They weren’t necessarily open to me. I am severely dyslexic and to this day people find the idea of writers being dyslexic a contradiction. I was very artistic though, and went into theatre mainly because I love story. I couldn’t imagine working without a story. I was very lucky to have been taken to the theatre a great deal when I was younger and I had a huge love of the theatre. When I went into illustration, I still thought the main dream I had to be a writer was impossible and I would never achieve it.

6. Please tell us about your novel, The Door That Led to Where

I always start a book with a question, even if it’s just to myself. The question I asked was: Would three boys, who I would call ‘Govian failures’ after our ex-education minister Michael Gove, fare better if they went back to 1830s England, than they would do here in the present? I was thinking about a particular lad who had been educated from age three to five, and then again from fifteen to seventeen, who was mainly self taught. He wanted to be a correspondent at the Houses of Parliament, and I was wondering if he stood a chance of getting a job at, say, The Times. Would they even let him though the front door? The resounding answer was no, they wouldn’t. That young man happened to be Charles Dickens. Where are they young men of today who are the future Dickenses, and are we over looking them in favour of a tick-box education? In London particularly boys at the age of seventeen are either mummified or villainised. The one thing they’re not seen as is young men. I think we make a terrible mistake in doing this. We leave too many pathways open for fanaticism, radicalisation and anything that would give a young man a sense of power and respect.

Grab a copy of Sally’s new book The Door That Led to Where here

7. What do you hope people take away with them after reading your work?

I always hope that if my work does anything it encourages people to ask questions, to think a bit more about where we are going. If it does that I feel I have achieved quite a lot.

8. Whom do you most admire in the realm of writing and why?

I absolutely adore Angela Carter, I love magical surrealism in all its formats. And I would have to say the book that’s been my bible has been the Grimms’ Fariy Tales. I think basically all my stories are fairy tales. The other writer that I stand in awe of is Charles Dickens.

9. Many artists set themselves very ambitious goals. What are yours?on-writing

My goals are to have good, original ideas, and try and stay true to the world novel, which in the 18th century meant something new and unexpected; a novelty. I still think my ambition is to have original ideas and thoughts and to play as much with language as I can. As well as the vague hope that one day I might win the Carnegie Medal, which I am absolutely over the moon to have done.

10. What advice do you give aspiring writers?

My main advice is to not get published too young. There is a horrifying trend at the moment of finding two year olds who are trying to write Proust. I would encourage everyone to grow up, work on their ideas and publish them a little later. When people ask me about how to become a writer, I always suggest that they read Stephen King’s On Writing. It is one of the best books he ever wrote, and is also a very true and direct story about being an author and what that might entail. I also think you need to read a great deal, and try not to use the word ‘like’, if you can help it. I have a slight aversion to ‘like’. If I read a book and in the first paragraph there is a ‘like’, I think to myself, can I manage another 300 pages? I think that a ‘like’ asks you to stand outside the story, when you should feel like you are all the way inside it. The other thing I feel very strongly about is that you don’t need an adjective with ‘said’. Whatever is being said has to hold all the power.

Sally, thank you for playing.

Grab a copy of The Door That Led to Where here


The Door That Led to Where

by Sally Gardner

When the present offers no hope for the future, the answers may lie in the past.

AJ Flynn has just failed all but one of his GCSEs, and his future is looking far from rosy. So when he is offered a junior position at a London law firm he hopes his life is about to change – but he could never have imagined how much.

Tidying up the archive one day, AJ finds an old key, mysteriously labelled with his name and date of birth – and he becomes determined to find the door that fits the key. And so begins an amazing journey to a very real and tangible past – 1830, to be precise – where the streets of modern Clerkenwell are replaced with cobbles and carts, and the law can be twisted to suit a villain’s means. Although life in 1830 is cheap, AJ and his friends quickly find that their own lives have much more value. They’ve gone from sad youth statistics to young men with purpose – and at the heart of everything lies a crime that only they can solve. But with enemies all around, can they unravel the mysteries of the past, before it unravels them?

A fast-paced mystery novel by one of the UK’s finest writers, The Door That Led To Where will delight, surprise and mesmerise all those who read it.

About the Author

Sally Gardner grew up and still lives in London. Being dyslexic, she did not learn to read or write until she was fourteen and had been thrown out of several schools, labeled unteachable, and sent to a school for maladjusted children. Despite this, she gained a degree with highest honors at a leading London art college, followed by a scholarship to a theater school, and then went on to become a very successful costume designer, working on some notable productions.

 Grab a copy of The Door That Led to Where here

John Larkin, author of The Pause, answers Ten Terrifying Questions

The Booktopia Book Guru asks

John Larkin

author of The Pause

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in Yorkshire England (1963). My family emigrated to Sydney when I was six years old. We were ten pound poms. I happily and proudly call myself a boat person. I grew up in the western suburbs of Sydney (in Toongabbie to be more accurate). I attended Toongabbie Primary School and then Pendle Hill High School. As to whether or not I actually did any schooling during these wilderness years remains something of a moot point.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

Twelve – professional soccer player, because I was good at it.
Eighteen – professional soccer player, because I was really good at it.
Thirty – author, because my soccer career was over.

John-Larkin-300x200

Author: John Larkin

3. What strongly held belief did you have at eighteen that you do not have now?

That I would pretty much amount to nothing and spend my life alone.

4. What were three works of art – book, painting, piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

Unreliable Memoirs by Clive James. Clive James taught me that you could be both funny and literary, which is something I secretly aspired to but didn’t think was possible.

Catch-22 by Joseph Heller. I read this at uni when I was doing my English degree (ditto above).

The Scream (painting) by Edvard Munch. The perfect representation of madness. And to be a writer you have to be a little bit (or in my case, more than a little bit) mad.

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel? 

I don’t even know where to begin to answer this question. This might sound kind of naff, but I truly believe that I didn’t have a choice. Writing chose me. I had an unquenchable desire to write and no other art form (other than soccer – and I’m being deadly serious) came close to giving me that creative high that writing does.

6. Please tell us about your latest novel…

In January 2012 I had a complete mental breakdown and spent several weeks in a psychiatric hospital. The Pause was born of this awful period of my life. I wanted to write an uplifting novel about suicide but doubted that it could be done. It had to be hard hitting but hopeful. It took me three years and many drafts but the journey was worth everything. I hope The Pause helps others in the same way (its writing) helped me.

Grab a copy of John’s new book The Pause here

7. What do you hope people take away with them after reading your work?

I hope they take away hope. We will all go through dark and desperate times but we will come out the other side but in order to do that we have to stick around. We have to ride out the dark times and that it is not a sign of weakness but rather one of strength to seek help because we cannot fight our way out of the darkness alone. We need help. We all need help.

8. Whom do you most admire in the realm of writing and why?

Jane Austen. Her life was short but her magnificent work lives on. Reading Pride and Prejudice is like being massaged by words.pride-and-prejudice

9. Many artists set themselves very ambitious goals. What are yours?

I want The Pause to save lives.

10. What advice do you give aspiring writers?

Never give up. If you want this badly enough you will get there. But it’s not enough to just want it. You have to put in the hours. Good writing isn’t written it’s re-written.

John, thank you for playing.

Grab a copy of The Pause here


The Pause

by John Larkin

I watch the train emerge from the tunnel.
It will be quick.
It will be efficient.
It will be final.

Declan seems to have it all: a family that loves him, friends he’s known for years, a beautiful girlfriend he would go to the ends of the earth for. But there’s something in Declan’s past that just won’t go away, that pokes and scratches at his thoughts when he’s at his most vulnerable. Declan feels as if nothing will take away that pain that he has buried deep inside for so long.

So he makes the only decision he thinks he has left: the decision to end it all. Or does he? As the train approaches and Declan teeters at the edge of the platform, two versions of his life are revealed. In one, Declan watches as his body is destroyed and the lives of those who loved him unravel. In the other, Declan pauses before he jumps. And this makes all the difference. One moment. One pause. One whole new life.

From author of The Shadow Girl, winner of the Victorian Premier’s Literary Awards 2012 Prize for Writing for Young Adults, comes a breathtaking new novel that will make you reconsider the road you’re travelling and the tracks you’re leaving behind.

About the Author

Sydney-based author John Larkin was born in England but grew up in the western suburbs of Sydney. He has, at various stages of his writing career, supported his habit by working as a supermarket trolley boy, shelf-stacker, factory hand, forklift driver, professional soccer player and computer programmer. He now writes and teaches writing full-time. John has a BA in English Literature and a MA in Creative Writing from Macquarie University. John’s The Shadow Girl won the Victorian Premier’s Literary Awards 2012 Prize for Writing for Young Adults.

 Grab a copy of The Pause here

BOOK REVIEW: All the Bright Places by Jennifer Niven (Review by Shikha Shah)

Looking for the winners of our Facebook competition? Scroll to the bottom of the post…

All the Bright Places is a heartbreaking and touching novel exploring a wide range of issues such as depression, mental disorders, suicide, coping with the loss of a loved one and finding hope.

The book begins with Theodore Finch – an outsider with his own unique brand of coolness –standing on his high school’s bell tower asking himself “Is today a good day to die?”. He then gets distracted by the sight of Violet Markey – a popular girl who seems to have everything – standing on the other side of the bell tower. Finch proceeds to calmly convince Violet to step off the edge and so begins a complicated relationship that will change both their lives.

Violet and Finch come across each other under extreme circumstances and they are both broken in their own way. Finch helps Violet fight her inner demons and her guilt over her sister’s death. He encourages her to experience new things and see new places, helping Violet to find herself again. Unfortunately, Violet struggles to helps Finch in the same way.

This is not a typical boy-meets-girl love story about overcoming all obstacles to live happily-ever-after. Instead, this book delves into deeper real-life issues. All the Bright Places takes readers on a tragic journey as Violet and Finch each fight their own battle against depression. It also deals with the aftermath of what happens when someone cannot be helped…

If you enjoyed reading Solitaire by Alice Osmon as much as I did and The Last time we say Goodbye by Cynthia Hand, then this novel is a must-read. A little warning to readers – have a tissue box handy as this novel will probably going to make you cry like a baby.

Grab a copy of All the Bright Places here


all-the-bright-placesAll the Bright Places

by Jennifer Niven

Theodore Finch wants to take his own life. I’m broken, and no one can fix it.

Violet Markey us devastated by her sister’s death. In that instant we went plowing through the guardrail, my words died too.

They meet on the ledge of the school bell tower, and so their story begins. It’s only together they can be themselves . . .

I send a message to Violet: ‘You are all the colors in one, at full brightness.’

You’re so weird, Finch. But that’s the nicest thing anyone’s ever said to me.

But, as Violet’s world grows, Finch’s begins to shrink. How far will Violet go to save the boy she has come to love?

About the Author

Jennifer Niven is the author of two narrative non-fiction books, The Ice Master and Ada Blackjack; a high school memoir, The Aqua Net Diaries; and four historical novels for adults: Velva Jean Learns to Drive (based on her Emmy Award-winning film of the same name), Velva Jean Learns to Fly, Becoming Clementine, and the forthcoming American Blonde. All the Bright Places is her first book for young adults.

Grab a copy of All the Bright Places here


FACEBOOK COMPETITION WINNERS

Congratulations to Jessica Gilham, Marie Davis, Barbara Clapperton, Julie Clark and Adey McKinney!

Email us at promos@booktopia.com.au with your address details to claim your prize!

BREAKING NEWS: 2015 NSW Premier’s Literary Awards Shortlists Announced

Premiers-literary-awards

The shortlists for this year’s NSW Premier’s Literary Awards have been announced, featuring some of Australia’s most celebrated writers and young up and comers.

How many have you read?

CHRISTINA STEAD PRIZE FOR FICTION

* Ceridwen Dovey – Only the Animals golden-boys(More…)

* Elizabeth Harrower In Certain Circles (More…)

* Sonya Hartnett – Golden Boys (More…)

* Mark Henshaw – The Snow Kimono (More…)

* Joan London – The Golden Age (More…)

* Gerald Murnane – A Million Windows (More…)

UTS GLENDA ADAMS AWARD FOR NEW WRITING

* Michael Mohammed Ahmad – The Tribe (More…)9781922213211

* Maxine Beneba Clarke – Foreign Soil (More…)

* Emily Bitto – The Strays (More…)

* Luke Carman – An Elegant Young Man (More…)

* Omar Musa – Here Come the Dogs (More…)

* Ellen van Neerven – Heat and Light (More…)

DOUGLAS STEWART PRIZE FOR NON-FICTION

* Alan Atkinson – The Europeans in Australia (More…)the-bush

* Philip Dwyer – Citizen Emperor: Napoleon in Power 1799 ‐ 1815 (More…)

* Helen Garner – This House of Grief (More…)

* Iain McCalman – The Reef: A Passionate History (More…)

* Biff Ward – In My Mother’s Hands (More…)

* Don Watson – The Bush (More…)

PATRICIA WRIGHTSON PRIZE FOR CHILDREN’S LITERATURE

* Allan Baillie – The First Voyage (More…)9780143307679

* Trace Balla – Rivertime (More…)

* Tamsin Janu – Figgy in the World (More…)

* Glenda Millard, Stephen Michael King (Illustrator) – The Duck and the Darklings (More…)

* Catherine Norton – Crossing (More…)

* James O’Loghlin – The Adventures of Sir Roderick, the Not-Very Brave (More…)

ETHEL TURNER PRIZE FOR YOUNG ADULT’S LITERATURE

* K.A. Barker – The Book of Days (More…)9781742614175

* Jackie French – The Road to Gundagai (More…)

* Darren Groth – Are You Seeing Me? (More…)

* Justine Larb alestier – Razorhurst (More…)

* Jaclyn Moriarty – The Cracks in the Kingdom (More…)

* Clare Strahan – Cracked (More…)

 

Jennifer Niven, author of All the Bright Places, answers Ten Terrifying Questions

all-the-bright-places

The Booktopia Book Guru asks

Jennifer Niven

author of All the Bright Places

Ten Terrifying Questions
____________

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in North Carolina, raised mostly in Indiana (after living in Okinawa and then Maryland). My move to Indiana in fourth grade prompted one of my earliest books— My Life in Indiana: I Will Never be Happy Again. I graduated high school there, went to college in New Jersey, and, following that, attended grad school in Los Angeles.

2. What did you want to be when you were twelve, eighteen and thirty? And why?

When I was twelve, I wanted to be an international rock star detective—kind of like a Charlie’s Angel (i.e. Jaclyn Smith) meets Josie and the Pussycats. This is because I wanted to be a Charlie’s Angel and a rock star—the two most exciting things I could imagine— so I figured why not combine them? When I was eighteen, I wanted to be an actress because it seemed really, really glamorous, even though I was too shy to try out for any plays I didn’t write and direct myself. When I was thirty, I wanted to be a writer because writing has always been—for all my life—the thing I love to do most.

jennifer niven

Author: Jennifer Niven

3. What strongly held belief did you have at eighteen that you do not have now?

I secretly believed I was charmed, that I was invincible. And then my parents divorced, my grandfather died—the first loss I’d ever known—and I started questioning everything. I’ve since lost my other grandparents, friends, cousins, a boyfriend, my dad, and, most recently, my mom.  Over the years I’ve had to come to terms with how small I am in the scheme of things, but I’ve also learned the ways in which I can make an impact and leave an imprint behind. And, maybe best of all, I know what I’m made of.

4. What were three works of art – book or painting or piece of music, etc – you can now say, had a great effect on you and influenced your own development as a writer?

Ray Bradbury’s short stories, Johnny Cash’s At Folsom Prison, and ABBA’s “Dancing Queen.” All three taught me that something economical can also be powerful. They taught me the importance of being succinct but expressive, and of saying a great deal in the most straightforward way.

5. Considering the innumerable artistic avenues open to you, why did you choose to write a novel?

Years ago, I knew and loved a boy, and the experience was life-changing.  I’d always wanted to write about it—only because it was so personal, I knew I would need to write it as fiction.  All the while I was working on my other books, I was reading YA novels for fun. So much of what’s being produced in YA literature is brilliant and daring and fantastically imaginative.  I always had the thought in the back of my mind: Someday I’ll write a young adult book.  When I decided on this particular idea, I knew in my bones it was time.

all-the-bright-places

6. Please tell us about your latest novel…

All the Bright Places is about a boy and a girl who meet on the ledge of their high school bell tower as they’re both contemplating jumping. It’s about bright places and dark places, about making it lovely and leaving something behind. It’s about acceptance in spite of everything, and realizing that you are your own bright place in the world.

Grab a copy of Jennifer’s new book All the Bright Places here

7. What do you hope people take away with them after reading your work?

One early reader emailed me to say that as soon as she read the book, she ran downstairs and hugged her mother. Another reader wrote, “I found after reading this that I wanted to do so much more with my life than just live.” I hope that the book inspires more of those feelings. I hope All the Bright Places will inspire others to look deeper at the people and places around them. And I hope it inspires discussions about teen mental health, so that people feel safe enough to come forward and say, “I have a problem.  I need help.” I want readers to know that help is out there, that it gets better, that high school isn’t forever, and that life is long and vast and full of possibility.

8. Whom do you most admire in the realm of writing and why? something-wicked-this-way-comes

I was lucky enough to grow up with a writer mom, who taught me that I could be or do anything I wanted to be or do. I’m an only child, and when I was a little girl, we used to have “writing time.” From her, I learned to find the story in everything, and I learned never to limit myself or my imagination. I also saw firsthand how difficult and stressful and unpredictable the business was. And I saw the commitment it took. Even during the toughest, saddest times of her life, she wrote. In so many ways, she was my hero. I think many people go into the business of writing with unrealistic expectations—not realizing that it is, in fact, a business, and that you have to be ready and willing to do it in spite of everything else.

9. Many artists set themselves very ambitious goals. What are yours?

I want to write many, many more YA books, another nonfiction book for adults, and, down the line, another adult novel or two, including an idea my mom intended on writing but never got the chance to. I’d like to write it for her. I’d like to see my books turned into movies. I’d also love it if one of them was turned into a Broadway musical a la Wicked. If that ever happens, I want a really juicy cameo (one that doesn’t require me to sing).

10. What advice do you give aspiring writers?

Write, read, and work hard. Remember to enjoy it. Don’t get hung up on making it perfect, because there’s no such thing. Write the kind of book you’d like to read. Write what inspires you. Write what you love.

Jennifer, thank you for playing.

Grab a copy of All the Bright Places here


all-the-bright-placesAll the Bright Places

by Jennifer Niven

Theodore Finch wants to take his own life. I’m broken, and no one can fix it.

Violet Markey us devastated by her sister’s death. In that instant we went plowing through the guardrail, my words died too.

They meet on the ledge of the school bell tower, and so their story begins. It’s only together they can be themselves . . .

I send a message to Violet: ‘You are all the colors in one, at full brightness.’

You’re so weird, Finch. But that’s the nicest thing anyone’s ever said to me.

But, as Violet’s world grows, Finch’s begins to shrink. How far will Violet go to save the boy she has come to love?

About the Author

Jennifer Niven is the author of two narrative non-fiction books, The Ice Master and Ada Blackjack; a high school memoir, The Aqua Net Diaries; and four historical novels for adults: Velva Jean Learns to Drive (based on her Emmy Award-winning film of the same name), Velva Jean Learns to Fly, Becoming Clementine, and the forthcoming American Blonde. All the Bright Places is her first book for young adults.

Grab a copy of All the Bright Places here

First Trailer for John Green’s Paper Towns released!

Calling all John Green fans!

Paper Towns is coming to the big screen, and we have a first look at the trailer!

paper-townsBased on the book by John Green, Paper Towns follows Quentin Jacobsen – (Q to his friends) who has always loved the edgy Margo Roth Spiegelman. As children‚ they’d discovered a dead body together. Now at high school‚ Q’s nerdy while Margo is uber-cool.

One night‚ Q is basking in the predictable boringness of his life when Margo‚ dressed as a ninja‚ persuades him to partake in several hours of mayhem. Then she vanishes. While her family shrugs off this latest disappearance‚ Q follows Margo’s string of elaborate clues – including a poem about death.

Q’s friends‚ Radar‚ Ben and Lacey‚ help with the search‚ and a post turns up on a website: Margo will be in a certain location for the next 24 hours only. The race is on!

After an epic drive through the night‚ they catch up with Margo‚ and Q learns first-hand that the way you think about a person isn’t the way they actually are.

Starring The Fault in our Stars Nat Wolff and Cara Delevingne, this is going to be one of the biggest films of 2015!

Grab a copy of Paper Towns here

Grab a copy of Paper Towns here

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