Take a closer look at the 2015 Longlist, and be your own judge…
For a very limited time when you buy the paperback edition of The Strays, winner of the 2015 Stella Prize, you will receive the full ebook edition, absolutely free!
by Emily Bitto
In The Strays, Evan Trentham is the wild child of the Melbourne art world of the 1930s. He and his captivating wife, Helena, attempt to carve out their own small niche, to escape the stifling conservatism they see around them, by gathering together other like-minded artists.
They create a utopian circle within their family home, offering these young artists a place to live and work, and the mixed benefits of being associated with the infamous Evan. At the periphery of this circle is Lily Struthers, the best friend of Evan and Helena’s daughter Eva.
Lily is infatuated by the world she bears witness to, and longs to be part of this enthralling makeshift family. As Lily observes years later, looking back on events that she still carries painfully within her, the story of this groundbreaking circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.
Caroline Baum’s Review
Inspired by the bohemian art world of 1930s Melbourne this is a marvellously accomplished and assured debut, announcing a major new talent. Rich in atmosphere and beautifully observed, it tells the story of only child Lily who makes friends with Eva at school and then becomes infatuated with her family, particularly larger-than-life painter Evan and his glamorous wife Helena.
Lily tells the story of her progressive enchantment with their home, their garden, their friends and their expanding creative circle of strays from a retrospective point of view, as an adult now faced with the prospect of reunion with Eva after a long separation: a gallery opening invitation brings back sharp and painful memories of intense relationships.
Poetic, richly visual and faultlessly judged in terms of pace, character and atmosphere, this is writing that has the rich patina of an enduring classic. A stylish and mature addition to the rites of passage, coming of age genre.
The shortlists for this year’s NSW Premier’s Literary Awards have been announced, featuring some of Australia’s most celebrated writers and young up and comers.
How many have you read?
CHRISTINA STEAD PRIZE FOR FICTION
* Ceridwen Dovey – Only the Animals (More…)
* Elizabeth Harrower – In Certain Circles (More…)
* Sonya Hartnett – Golden Boys (More…)
* Mark Henshaw – The Snow Kimono (More…)
* Joan London – The Golden Age (More…)
* Gerald Murnane – A Million Windows (More…)
UTS GLENDA ADAMS AWARD FOR NEW WRITING
* Michael Mohammed Ahmad – The Tribe (More…)
* Maxine Beneba Clarke – Foreign Soil (More…)
* Emily Bitto – The Strays (More…)
* Luke Carman – An Elegant Young Man (More…)
* Omar Musa – Here Come the Dogs (More…)
* Ellen van Neerven – Heat and Light (More…)
DOUGLAS STEWART PRIZE FOR NON-FICTION
* Alan Atkinson – The Europeans in Australia (More…)
* Philip Dwyer – Citizen Emperor: Napoleon in Power 1799 ‐ 1815 (More…)
* Helen Garner – This House of Grief (More…)
* Iain McCalman – The Reef: A Passionate History (More…)
* Biff Ward – In My Mother’s Hands (More…)
* Don Watson – The Bush (More…)
PATRICIA WRIGHTSON PRIZE FOR CHILDREN’S LITERATURE
* Allan Baillie – The First Voyage (More…)
* Trace Balla – Rivertime (More…)
* Tamsin Janu – Figgy in the World (More…)
* Glenda Millard, Stephen Michael King (Illustrator) – The Duck and the Darklings (More…)
* Catherine Norton – Crossing (More…)
* James O’Loghlin – The Adventures of Sir Roderick, the Not-Very Brave (More…)
ETHEL TURNER PRIZE FOR YOUNG ADULT’S LITERATURE
* K.A. Barker – The Book of Days (More…)
* Jackie French – The Road to Gundagai (More…)
* Darren Groth – Are You Seeing Me? (More…)
* Justine Larb alestier – Razorhurst (More…)
* Jaclyn Moriarty – The Cracks in the Kingdom (More…)
* Clare Strahan – Cracked (More…)
Judging a literary prize is the one thing that no algorithm, no matter how sophisticated, can do. It is an intensely human and subjective endeavour. Now that the winner of this year’s Stella prize has been announced, I can say with complete honesty that this was the hardest prize I have ever judged: partly because of the sheer volume of books that we five judges had to read, in a relatively tight time frame, and partly because the quality of the books made it such a difficult process.
I spent a lot of this summer reading so intensely that on some days, I simply never got dressed. I taped the three criteria to my bedside table -original, excellent and engaging- and repeated them to myself like a mantra whenever I was unsure.
Some books snuck up on me unexpectedly, including a couple I had missed when they came out. One or two had completely failed to appear on my radar, causing me genuine concern: how could it be that I had overlooked them, when my role at Booktopia gives me the opportunity to see everything that’s out there? Answer: I’m human. An algorithm could come up with a formula that suggests what I might like based on previous preferences, but it won’t necessarily spot the book I failed to notice.
As the process and the summer wore on, emails trickled through in the heat, becoming more urgent as deadlines neared. Oh the relief of realising some of my most fervently held enthusiasms were shared!
I thought of what it takes to do this as a kind of fitness, requiring muscle tone like a long distance athletic challenge. You need reading stamina to stay the course as well as lots of uninterrupted time.
When it came to whittling the longlist down to the shortlist, I read all twelve books again to get to six. There was no way round it. The revelations on re-reading were astounding and sometimes conviction-shaking – which just goes to show how much you miss when you are binge-reading, swallowing a book down without digesting it properly.
Our deliberations, when we finally came together on a warm day in Melbourne, were respectful, polite, fair but intense. Navigating towards the shore of consensus, we avoided the rocks of heated argument, all equally keen to avoid boiling it down to the simple, bald maths of a vote.
Being the first cab off the rank in the sequence of the year’s literary prizes is interesting: when the lists appear for prizes like the Miles Franklin it is surprising to see where you overlap and where you don’t.
I think it’s great for the vigour of the culture if one book does not scoop all the prizes, but it was surprising to see that our winner this year was not even longlisted for The Miles Franklin, given that The Strays certainly ticks the box when it comes to the vexed criterion of depicting an aspect of Australian life.
If Joan London wins it for The Golden Age, that would mean a pair of prestigious wins by two fine women writers who use language with similar precision, delicacy and maturity, despite the fact that one is making her debut, and the other is arguably one of our finest midcareer novelists. Both books about outsiders with heightened sensibilities, and which bring a fresh perspective to complex aspects of our past.
Caroline Baum is Booktopia’s Editorial Director, for which she produces The Booktopia Buzz. She also writes for the Sydney Morning Herald, Qantas in flight magazine, Slow Magazine, SBS Feast and other publications about books, food, travel, the arts, and aspects of contemporary life.
While you were sleeping the shortlist for the 2015 Baileys Women’s Prize for Fiction was announced, an intriguing list selected by this year’s judges.
This year’s six shortlisted books were whittled down from a twenty-strong longlist, which can be found here. The shortlist selection includes five previously shortlisted authors and one debut novelist, playwright Laline Paull.
The award will be announced on the 3rd June. Why not pick up a few of them and be your own judge…
by Rachel Cusk
A novel about writing and talking, self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.
A woman writer goes to Athens in the height of summer to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives.
Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.
Outline is a novel about writing and talking, about self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.
About the Author
Rachel Cusk was born in 1967 and is the author of seven novels: Saving Agnes, which won the Whitbread First Novel Award, The Temporary, The Country Life, which won a Somerset Maugham Award, The Lucky Ones, which was shortlisted for the Whitbread Novel Award, In the Fold and Arlington Park which was shortlisted for the Orange Prize and The Bradshaw Variations. Her non-fiction books are A Life’s Work, The Last Supper and Aftermath. In 2003 she was chosen as one of Granta’s Best of Young Novelists.
by Laline Paull
Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen. But Flora is not like other bees. Despite her ugliness she has talents that are not typical of her kin. While mutant bees are usually instantly destroyed, Flora is removed from sanitation duty and is allowed to feed the newborns, before becoming a forager, collecting pollen on the wing.
She also finds her way into the Queen’s inner sanctum, where she discovers secrets both sublime and ominous. But enemies are everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. And when Flora breaks the most sacred law of all her instinct to serve is overshadowed by an even deeper desire, a fierce maternal love that will lead to the unthinkable . . .
Laline Paull’s chilling yet ultimately triumphant novel creates a luminous world both alien and uncannily familiar. Thrilling and imaginative, The Bees is the story of a heroine who, in the face of an increasingly desperate struggle for survival, changes her destiny and her world.
About the Author
Laline Paull, 49, studied English at Oxford, screenwriting in Los Angeles, and theatre in London, where she has had two plays performed at the Royal National Theatre. She is a member of BAFTA and the Writers’ Guild of America. She lives in England by the sea with her husband, the photographer Adrian Peacock, and their three children.
by Kamila Shamsie
July 1914. A young Englishwoman, Vivian Rose Spencer is running up a mountainside in an ancient land. She picks up a fig and holds it to her nose. Around her is a maze of broken columns, taller than the tallest of men. Nearby is the familiar lean form of her father’s old friend, Tahsin Bey, an archeologist. Viv is about to discover the Temple of Zeus, the call of adventure and the ecstasy of love.
July, 1915. An Englishwoman and an Indian man meet on a train to Peshawar. Viv Spencer is following a cryptic message sent to her by the man she loves, from whom she has been separated by war. Qayyum Gul is returning home after losing an eye at Ypres while fighting for the British Indian army, his allegiances in tatters. When they disembark the train at Peshawar they are unaware that a connection is about to be forged between their lives – one of which they will be unaware until fifteen years later when anti-colonial resistance, an ancient artefact and a mysterious green-eyed woman will bring them together again over seventy-two hours of heartbreak, frayed loyalties and hope.
About the Author
Kamila Shamsie is the author of five novels: In the City by the Sea, Kartography (both shortlisted for the John Llewellyn Rhys Prize), Salt and Saffron, Broken Verses and Burnt Shadows which was shortlisted for the Orange Prize and has been translated into more than twenty languages. Three of her novels have received awards from Pakistan’s Academy of Letters. She is a trustee of English PEN and Free Word, and a Fellow of the Royal Society of Literature.
by Ali Smith
How to be Both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a renaissance artist of the 1460s. There’s the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real – and all life’s givens get given a second chance.
Ali Smith is the author of several fiction novels, including the novel Hotel World, which was shortlisted for both the Orange Prize and the Booker Prize in 2001 and won the Encore Award and the Scottish Arts Council Book of the Year Award in 2002. Her story collections include Free Love, which won the Saltire First Book Award and a Scottish Arts Council Award, and The Whole Story and Other Stories. Her latest novel is How to be Both. Born in Inverness, Scotland, in 1962, Smith now lives in Cambridge, England.
by Anne Tyler
‘It was a beautiful, breezy, yellow-and-green afternoon…’
This is the way Abby Whitshank always begins the story of how she and Red fell in love that day in July 1959. The whole family on the porch, relaxed, half-listening as their mother tells the same tale they have heard so many times before. And yet this gathering is different. Abby and Red are getting older, and decisions must be made about how best to look after them and their beloved family home. They’ve all come, even Denny, who can usually be relied on only to please himself.
From that porch we spool back through three generations of the Whitshanks, witnessing the events, secrets and unguarded moments that have come to define who and what they are. And while all families like to believe they are special, round that kitchen table over all those years we see played out the hopes and fears, the rivalries and tensions of families everywhere – the essential nature of family life.
About the Author
Anne Tyler was born in Minneapolis, Minnesota, in 1941 and grew up in Raleigh, North Carolina. She graduated at nineteen from Duke University and went on to do graduate work in Russian studies at Columbia University. The Beginner’s Goodbye is Anne Tyler’s nineteenth novel; her eleventh, Breathing Lessons , was awarded the Pulitzer Prize in 1988. She is a member of the American Academy of Arts and Letters.
by Sarah Waters
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
For with the arrival of Lilian and Leonard Barber, a modern young couple of the ‘clerk class’, the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be.
This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all, a wonderful, compelling story.
About the Author
Sarah Waters was born in Wales in 1966. She has been shortlisted for the Man Booker and Orange prizes and has won The South Bank Show Award and The Somerset Maugham Award. Four of her novels have been adapted for television. She has been named as author of the Year four times – by the Booksellers Association, Sunday Times, Waterstone’s and The British Book Awards.
The shortlists for the 2015 Australian Book Industry Awards have just been announced!
Voted on by some of Australia’s most influential readers, publishers and booksellers, the awards also feature a collection of new prizes, headlined by the Matt Richell Award for Best New Writer.
Agree with the judges? Tell us in the comments below…
General Fiction Book of the Year
Laurinda by Alice Pung
Lost & Found by Brooke Davis
Life or Death by Michael Robotham
Big Little Lies by Liane Moriarty
The Rosie Effect by Graeme Simsion
Literary Fiction Book of the Year
Foreign Soil by Maxine Beneba Clarke
When the Night Comes by Favel Parrett
The Golden Age by Joan London
Golden Boys by Sonya Hartnett
Amnesia by Peter Carey
General Non-fiction Book of the Year
The Bush by Don Watson
The Wife Drought by Annabel Crabb
Gallipoli by Peter Fitzsimons
This House of Grief: The Story of a Murder Trial by Helen Garner
Biography Book of the Year
Never, Um, Ever Ending Story by Molly Meldrum
Love Your Sister by Connie Johnson and Samuel Johnson
Optimism: Reflections on a Life of Action by Bob Brown
A Bone of Fact by David Walsh
My Story by Julia Gillard
Older Children (age range 8 to 14 years)
Clariel by Garth Nix
Withering-By-Sea by Judith Rossell
Alice-Miranda in Japan by Jacqueline Harvey
Brotherband 5: Scorpion Mountain by John Flanagan
Friday Barnes 1: Girl Detective by R. A. Spratt
Loyal Creatures by Morris Gleitzman
Younger Children (age range 0 to 8 years)
Noni the Pony Goes to the Beach by Alison Lester
Mr Chicken Lands on London by Leigh Hobbs
The 52-Storey Treehouse by Andy Griffiths
Clementine Rose and the Seaside Escape by Jacqueline Harvey
The Last King of Angkor Wat by Graeme Base
Illustrated Book of the Year
What a Croc! by NT News
New Feast by Greg And Lucy Malouf
Community by Hetty Mckinnon
Australian Art: A History by Sasha Grishin
Anzac Treasures by Peter Pedersen
International Book of the Year
We Are All Completely Beside Ourselves by Karen Joy Fowler
Not That Kind of Girl by Lena Dunham
All the Light We Cannot See by Anthony Doerr
Yes Please by Amy Poehler
Plenty More by Yotam Ottolenghi
Matt Richell Award for New Writer
The Tea Chest by Josephine Moon
Lost & Found by Brooke Davis
Foreign Soil by Maxine Beneba Clarke
Only the Animals by Ceridwen Dovey
Here Come the Dogs by Omar Musa
The 2015 Miles Franklin longlist is one of the most exciting in recent memory, something of a changing of the guard on the Australian literary scene. A cavalcade of not just Australia’s finest writers, but also the nation’s freshest thinkers, find themselves competing for the $60,000 prize.
Debut authors Omar Musa, Suzanne McCourt and Vogel Award winner Christine Piper are joined by literary heavyweights Joan London and Sonya Hartnett, while Favel Parrett makes her second Miles Franklin longlist in as many books with the beautiful When The Night Comes.
Don’t miss the chance to grab a copy of these fantastic books and judge them for yourself.
by Elizabeth Harrower
Zoe Howard is seventeen when her brother, Russell, introduces her to Stephen Quayle. Aloof and harsh, Stephen is unlike anyone she has ever met, ‘a weird, irascible character out of some dense Russian novel’. His sister, Anna, is shy and thoughtful, ‘a little orphan’.
Zoe and Russell, Stephen and Anna: they may come from different social worlds but all four will spend their lives moving in and out of each other’s shadow.
Set amid the lush gardens and grand stone houses that line the north side of Sydney Harbour, In Certain Circles is an intense psychological drama about family and love, tyranny and freedom.
Elizabeth Harrower was born in Sydney in 1928. She lived in Newcastle until her family moved back to Sydney when she was eleven.In 1951 Harrower travelled to London and began to write. Her first novel, Down In The City, was published there in 1957 and was followed by The Long Prospect a year later. In 1959 she returned to Sydney, where she worked in radio and then in publishing. Her third novel, The Catherine Wheel, appeared in 1960.Harrower published The Watch Tower in 1966. Four years later she finished a new novel, In Certain Circles, but withdrew it from publication at the last moment, in 1971. It remained unpublished until 2014. In Certain Circles is Harrower’s final completed novel, though in the 1970s and 1980s she continued to write short fiction. She is one of the most important postwar Australian writers – admired by many of her contemporaries, including Patrick White and Christina Stead. Her novels are now being acclaimed by a new generation of readers and writers. Elizabeth Harrower lives in Sydney.
by Sonya Hartnett
Sonya Hartnett’s third novel for adults is perfectly formed and utterly compelling, an unflinching and disquieting work from one of Australia’s finest writers.
Colt Jenson and his younger brother Bastian live in a world of shiny, new things – skateboards, slot cars, train sets and even the latest BMX. Their affluent father, Rex, has made sure that they’ll be the envy of the new, working-class suburb they’ve moved to. But underneath the surface of the perfect family, is there something unsettling about the Jensons? To the local kids, Rex becomes a kind of hero, but Colt senses there’s something in his father that could destroy their fragile new lives.
Sonya Hartnett’s work has won numerous Australian and international literary prizes and has been published around the world. Uniquely, she is acclaimed for her stories for adults, young adults and children. Her accolades include the Commonwealth Writers’ Prize (Of A Boy), The Age Book of the Year (Of A Boy), the Guardian Children’s Fiction Prize (Thursday’s Child), the Children’s Book Council of Australia Book of the Year for both Older and Younger Readers (Forest, The Silver Donkey, The Ghost’s Child, The Midnight Zoo and The Children of the King), the Victorian Premier’s Literary Award (Surrender), shortlistings for the Miles Franklin Award (for both Of a Boy and Butterfly) and the CILP Carnegie Medal (The Midnight Zoo). Hartnett is also the first Australian recipient of the Astrid Lindgren Memorial Award (2008).
by Sofie Laguna
Ned was beside me, his messages running easily through him, with space between each one, coming through him like water. He was the go-between, going between the animal kingdom and this one. I watched the waves as they rolled and crashed towards us, one after another, never stopping, always changing. I knew what was making them come, I had been there and I would always know.
Meet Jimmy Flick. He’s not like other kids – he’s both too fast and too slow. He sees too much, and too little. Jimmy’s mother Paula is the only one who can manage him. She teaches him how to count sheep so that he can fall asleep. She more…
Sofie Laguna originally studied to be a lawyer, but after deciding law was not for her, she trained as an actor. Sofie is now an author, actor and playwright. Her books for young people have been named Honour Books and Notable Books in the Children’s Book Council of Australia Book of the Year Awards and have been shortlisted in the Queensland Premier’s Awards. She has been published in the US and the UK and in translation in Europe and Asia. Sofie’s first novel for adults, One Foot Wrong, was also published throughout Europe, the United States and the United Kingdom. Sofie has written the screenplay for the film of One Foot Wrong, scheduled for pre-production in 2014.
by Joan London
This is a story of resilience, the irrepressible, enduring nature of love, and the fragility of life. From one of Australia’s most loved novelists.
He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home.
It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At The Golden Age Children’s Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a more…
Joan London is the author of two prize-winning collections of stories, Sister Ships, which won the Age Book of the Year in 1986, and Letter to Constantine, which won the Steele Rudd Award in 1994 and the West Australian Premier’s Award for Fiction. These stories have been published in one volume as The New Dark Age. Her first novel, Gilgamesh, was published in 2001, won the Age Book of the Year for Fiction in 2002 and was longlisted for the Orange Prize and the International IMPAC Dublin Literary Award. Her second novel, The Good Parents, was published in April 2008 and won the 2009 Christina Stead Prize for fiction in the NSW Premier’s Literary awards. Joan London’s books have all been published internationally to critical acclaim. The Golden Age (2014) is her third novel.
by Suzanne McCourt
From the headland, we look across to the lighthouse on Seal Island where Mr Hammett has to take the gas bottle to keep the light flashing at night. Aunt Cele says there is no land between us and the bottom of the world where everything is white ice and there are penguins as big as men, but I know this already because Dunc has told me.
Sylvie is five. It’s the 1950s and she lives in Burley Point, a fishing village south of the Coorong on Australia’s wild southern coast. She worships her older brother Dunc. She tries to make sense of her brooding mother, and her moody father who abandons the family to visit The Trollop, Layle Lewis, who lives across the lagoon.
It’s hard to keep secrets in a small town, but when Dunc goes missing, Sylvie is terrified that she is more…
Suzanne McCourt was born in Millicent, on the South Australian coast, and now lives in Melbourne. After a career in teaching, marketing, public relations and private employment, she came late to creative writing. Suzanne has won prizes for her short stories, and several of her poems trundle around Melbourne on trains as part of the Moving Galleries project. She is the author of two books: Old Dogs: Lessons in Loving and Ageing and The Lost Child.
by Omar Musa
In small town suburbia, three young men are ready to make their mark.
Solomon is all charisma, authority and charm, down for the moment but surely not out. His half-brother, Jimmy, bounces along in his wake, underestimated, waiting for his chance to announce himself. Aleks, their childhood friend, loves his mates, his family and his homeland, and would do anything for them. The question is, does he know where to draw the line?
Solomon, Jimmy and Aleks: way out on the more…
Omar Musa is a Malaysian-Australian rapper and poet from Queanbeyan, Australia. He is the former winner of the Australian Poetry Slam and the Indian Ocean Poetry Slam. He has released three hip hop albums, two poetry books (including Parang), appeared on ABC’s Q&A and received a standing ovation at TEDx Sydney at the Sydney Opera House. He is currently working on a play, ‘Bonegatherer’, and his first book, Here Come the Dogs, will be published in August 2014.
by Favel Parrett
The hauntingly beautiful story of a young girl transformed by the power of kindness from award-winning author Favel Parrett.
Running away from the mainland was supposed to make their lives better. But, for Isla and her brother, their mother’s sadness and the cold, damp greyness of Hobart’s stone streets seeps into everything.
Then, one morning, Isla sees a red ship. That colour lights her day. And when a sailor from the ship befriends her mother, he shares his stories with them all – of Antarctica, his home in Denmark and life onboard. Like the more…
In 2011, Favel Parrett’s career was launched with the critically-acclaimed and award-winning debut Past the Shallows. A heart-breaking novel, it was sold internationally, shortlisted in the prestigious Miles Franklin Award and won the Dobbie Literary Award. Favel herself won the ABIA Newcomer of the Year Award in 2012.
by Christine Piper
It is early 1942 and Australia is in the midst of war.
While working at a Japanese hospital in the pearling port of Broome, Dr Ibaraki is arrested as an enemy alien and sent to Loveday internment camp in a remote corner of South Australia. There, he learns to live among a group of men who are divided by culture and allegiance. As tensions at the isolated camp escalate, the doctor’s long- held beliefs are thrown into question and he is forced to confront his dark past: the promise he made in Japan and its devastating consequences.
Christine Piper’s short fiction has been published in Seizure, SWAMP and Things That Are Found In Trees and Other Stories. She was the 2013 Alice Hayes writing fellow at Ragdale in the United States. Christine has studied creative writing at Macquarie University, the Iowa Writers’ Workshop and the University of Technology, Sydney, where she wrote a version of this novel as part of her doctoral degree. She has also worked as a magazine editor and writer for more than a decade. Both in South Korea in 1979 to an Australian father and a Japanese mother, Christine moved to Australia when she was one. She has previously taught English and studied Japanese in Japan, and currently lives in New York with her husband. Christine is also the 2014 recipient of the ABR Calibre Prize for an Outstanding Essay. The winner of The Australian/Vogel’s Literary Prize 2014. After Darkness is Christine Piper’s first novel. She was also shortlisted for the Readings New Australian Writing Award 2014.
by Craig Sherborne
They tried Mansfield but it was freezing and snowed and people like them don’t fit in because they don’t look prosperous. One time near Yellingbo they found a church no one prayed in and they lived there and for three weeks had stained glass for windows…They got chased out and went to Shepparton but Shane had a run-in and police said move.
Shane, Moira and Midge, along with young Zara and Rory, are ‘trants’—itinerants roaming the plains north-west of Melbourne in search of disused houses to sleep in, or to strip of heritage fittings when funds are low. When they find their Tree Palace outside Barleyville, things are looking up. At last, a place in which to settle down.
But Zara, fifteen, is pregnant and doesn’t want a child. She’d more…
Craig Sherborne’s memoir Hoi Polloi (2005) was shortlisted for the Queensland Premier’s and Victorian Premier’s Literary Awards. The follow-up, Muck (2007), won the Queensland Premier’s Literary Award for Non-fiction. Craig’s first novel, The Amateur Science of Love, won the Melbourne Prize for Literature’s Best Writing Award, and was shortlisted for a Victorian Premier’s Literary Award and a NSW Premier’s Literary Award. Craig has also written two volumes of poetry, Bullion (1995) and Necessary Evil (2005), and a verse drama, Look at Everything Twice for Me (1999). His writing has appeared in most of Australia’s literary journals and anthologies. He lives in Melbourne.
by Inga Simpson
Once an artist and teacher, Jen now spends her time watching the birds around her house and tending her lush sub-tropical garden near the small town where she grew up. The only person she sees regularly is Henry, who comes after school for drawing lessons. When a girl in Henry’s class goes missing, Jen is pulled back into the depths of her own past.
When she was Henry’s age she lost her father and her best friend Michael – both within a week. The whole town talked about it then, and now, nearly forty years later, they’re talking about it again. Everyone is waiting – for the girl to be found and the summer rain to arrive. At last, when the answers do come, like the wet, it is in a drenching, revitalising downpour.
Inga Simpson is a fresh new voice in Australian writing. She is inspired by regular people and the changing seasons of their lives. Inga began her career as a professional writer for government before gaining a PhD in creative writing. In 2011, she took part in the Queensland Writer’s Centre Manuscript Development Program and as a result, Hachette published her first novel, the acclaimed Mr Wigg, in 2013.