BOOK REVIEW: When a Scot Ties the Knot by Tessa Dare (Reviewed by Kat Mayo)

‘…he was…an impoverished, unloved orphan with a passion for books. Her every feminine impulse jumped into attention.’

An introvert, Maddie Gracechurch invented a fiancé – conveniently abroad, fighting in the war – to avoid ballrooms and the pressure of having to find a suitable match. But when said fiancé turns up at her doorstep years later, marries her without so much as kiss (okay, one kiss), Maddie knows she’s in Very Big Trouble.

Logan Mackenzie needs a place for his men, coming home from the war. Marriage to Maddie is the quickest and surest way to ensure that they have a home. But as it becomes increasingly clear that there’s more to their marriage than convenience, how can they be sure that what they have is love and not just a way to avoid their deepest fears?

I might be biased because I’m an unashamed Tessa Dare fan girl, but when I learned that Tessa is releasing a Scottish romance (they seem to be making a resurgence!), I knew I had to feature it in the Romance Buzz. Her writing is always rich with nuance. We don’t get many truly introverted heroines in romance, and Maddie is charming and so very worthy of a happy ending!

Grab a copy of When a Scot Ties the Knot here


when-a-scot-ties-the-knotWhen a Scot Ties the Knot

The Castles Ever After Series : Book 3

by Tessa Dare

On the cusp of her first London season, Miss Madeline Gracechurch was shyly pretty and talented with a drawing pencil, but hopelessly awkward with gentlemen. She was certain to be a dismal failure on the London marriage mart. So Maddie did what generations of shy, awkward young ladies have done: she invented a sweetheart.

A Scottish sweetheart. One who was handsome and honorable and devoted to her, but conveniently never around. Maddie poured her heart into writing the imaginary Captain MacKenzie letter after letter … and by pretending to be devastated when he was (not really) killed in battle, she managed to avoid the pressures of London society entirely.

Until years later, when more…

About the Author

Tessa Dare is the New York Times bestselling, award-winning author of more than a dozen historical romances. A librarian by training and a book-lover at heart, Tessa makes her home in Southern California, where she lives with her husband, their two children, and a pair of cosmic kitties.

Grab a copy of When a Scot Ties the Knot here

Nine Naughty Questions with… Elizabeth Lowell, author of Perfect Touch

perfect-touchThe Booktopia Book Guru asks

Elizabeth Lowell

author of Perfect Touch and many more…

Nine Naughty Questions
______________

1. Headless washboard abs, a torrid embrace, the sprawling homestead, an elegantly dressed décolletage, or the vaguely kinky object against a dark background – what’s your favourite type of romance cover and why?

Depends on what I’m reading. If I’m looking for paranormal romance, a well-built man gets me every time. Sprawling homesteads would tell me “historical, western.” Low necklines usually mean Regency. Kinky…well, there’s a whole universe of possibilities there!

2. What is the secret life of a romance writer? What goes on between you and your keyboard (or quill) behind closed doors?

I’d love to tell you something salacious. I’d be lying. It’s write, write, write.

Author: Elizabeth Lowell

Author: Elizabeth Lowell

3. At the heart of a romantic story is the way in which the main characters reveal their true natures to each other. How much of yourself do you put into your characters, and have their stories been affected by your personal experiences?

It’s impossible to divorce myself completely from my heroine. Or the hero, for that matter. Neither will do something I find revolting. Bad guys, now, that’s different! It’s safe to say I haven’t done nearly all the things I’ve written.

4. I’m interested in how you differentiate between romance fiction, erotica and porn. Are romance readers getting naughtier?

Romance can be sweet or racy. Erotica must be racy to OMG, can people really do/enjoy that? I haven’t read porn, so I can’t comment. Yes, many romance readers today want lots of sex. And many want less sex and more plot. It’s up to the author to write what she herself enjoys and let the book find its natural audience.

perfect-touch5. Please tell us about your latest novel! Did you have a secret alternative title while you were writing it?

No secret titles of the printable kind. When I’m in a slow patch, I tend to call my book all kinds of things. Perfect Touch is about a man and a woman who meet and fall in really inconvenient lust. It’s inconvenient, because they’re wrong for each other and people are trying to kill them.

Grab a copy of Perfect Touch here

6. What’s the most memorable reaction you’ve received after a friend or family member read one of your books?

MORE!

7. Romance writers are sometimes denigrated and asked when they’ll write ‘real’ books – what do you tell the haters?

Romances of all kinds have their roots in myth, not modernism. Romances show readers possibilities and strength, rather than limitations and despair. I write for people who lead demanding lives and want a place of peace and pleasure in their books. I don’t write to teach people about despair; my readers already have a very good idea of what reality is like.

8. Romance readers love discovering new authors. Please tell us about five books you recently read and loved to bits.

I tend to go with authors than with titles. I’ll read anything by Jayne Ann Krentz (aka Jayne Castle, Amanda Quick) Nalini Singh, Jill Shalvis, Susan Elizabeth Phillips, and J.D. Robb. You’re not going to get a stinker written by any of these authors! Then there’s always Lora Leigh, Lara Adrian, Kresley Cole… It’d be easier to type up the contents of my Kindle. :)

9. Please tell us your favourite scene from your latest book, and why it’s particularly delicious!

The first time Sara and Jay make love is my favorite. All the little—and big ;)—things they learn about each other, their laughter, their teasing, the discovery of a lover who is truly satisfying. And then the realization that whatever they have can’t last, because they both want such different things from life. At least, they think they do.

Elizabeth, thank you for playing.


Perfect Touchperfect-touch

by Elizabeth Lowell

The New York Times bestselling queen of romantic suspense returns with a heart-racing tale in which a former soldier turned rancher and a beautiful designer race to stop a vicious killer—a battle for survival that threatens to explode in an intense and irresistible passion.

An art dealer and owner of her own design studio, Perfect Touch, Sara Medina travels the world to find the ideal artwork for her clients. Her sophisticated, comfortable life in San Francisco is light years away from the poverty of her family’s dairy farm, and Sara will do whatever it takes to keep her business strong. A dedicated urban career woman focused on her work, she doesn’t have time or energy for a family or distracting romantic entanglements.

Jay Vermillion recently inherited Vermillion Sky, a working ranch near Wyoming’s breathtaking Grand Teton Mountains—and the estates of the rich and more…

Grab a copy of Perfect Touch here

The Intervention: An Anthology – Introduced by Co-editor Dr Rosie Scott

Anita Heiss and I decided to publish an anthology gathering together some of Australia’s best writers and thinkers to analyse and illuminate one of the most invasive, puzzling and unprecedented actions by a government in Australian history – the 2007 Intervention by the Howard Government.

nt-assimilationWe think that these writers and Indigenous leaders will bring anew perspective and urgency to an issue that has remained largely outside the public radar.

We believe that the basic premises of this intervention are deeply flawed, resulting in a serious breach of human rights.

It has never been fully debated nationally nor has there been significant consultation with the Indigenous communities most affected.

In June 2007 Prime Minister John Howard announced after the tabling of the ‘Little Children are Sacred’ report, ‘It is a disgrace that a section of the Australian population, those little children should be the subject of serious sexual abuse.’

A week or so later the Howard government staged a massive military and police Emergency Response costing $587 million, as outlined in the NT Emergency Response Act.

This Act prescribed a number of drastic measures which appeared strangely irrelevant to their stated aim of combating child abuse. Some of these measures contravened the Racial Discrimination Act and several revolved around land use. Nowhere in this very extensive legislation was there a significant mention of a child or children.

Since then there has been little or no change in the figures of child sexual offending in the Northern Territory.

This extraordinary, costly and largely unexplained action has had immense and long-reaching effects on the very cornerstones of Indigenous community and identity. There has now been substantial evidence gathered that much of this change has been negative. As the Intervention has morphed into Stronger Futures for another ten years in a disgraceful bipartisan agreement, many commentators have been asking what the justification for this continuation is, given the alarming figures of increasing suicide rates, child health problems and unemployment.

Editor Dr Rosie Scott

The fact is the real motives of this intervention have never been fully explained or justified and in spite of constant opposition by Indigenous communities, most significant Elders, peak human rights organisations as well as other Australians across a broad spectrum, the situation remains the same with only a few cosmetic touches.

We have published the voices of the Elders and other Northern Territory Indigenous community leaders in their many communiqués, media releases and statements issued throughout the period. As time goes on, the tone of these statements becomes angrier, more despairing and anguished as their very reasonable requests are simply ignored by the authorities and the Intervention is kept in place.

We believe this collection of essays, fiction, poetry, and memoir by leading Australian writers and statements by the Elders will give a new perspective, power and clarity to an issue that will continue to be highly controversial. And most importantly, we believe the role of the writer in this instance is to make Australian readers think about the plight of other largely voiceless Australians.

Many voices both Indigenous and non-Indigenous have been raised in eloquent protest against the Intervention ever since its first announcement by John Howard. Contrary to the carefully managed spin that there is deep disagreement within the Indigenous community, the fact is there is strong consensus about the Northern Territory Intervention amongst most experts, people on the ground and organisations.

Editor Anita Heiss

Editor Dr Anita Heiss

Most importantly, the majority of Elders and community leaders in the Northern Territory oppose it, some of whom have petitioned the United Nations. These include Rosalie Kunoth- Monks of Utopia, Djiniyini Gondarra of Galiwin’ku, Harry Nelson of Yuendumu, Djapirri Mununggirritj from Yirrikala, Yananymul Mununggurr from the Laynhapuy Homelands, Diane Stokes at Muckatty Station, Maurie Ryan and John Leemans at Kalkarindji, Reggie Wurridjal and Helen Williams at Maningrida, Joy White with the Larrakia mob in Darwin, Barbara and Walter Shaw in the Alice Springs Town Camps, Harry Nelson at Yuendumu, Dhanggal Gurruwiwi from Wallaby Beach and Matthew Dhulumburrk Gaykambayu from Ramingining, Miriam Rose Ungunmerr-Baumann of Nauiyu, Rachel Willika,Yalmay Yunupingu and George Gaymarani Pascoe of Milingimbi.

Local groups like Stop the Intervention Collective, Sydney and Intervention Rollback Action Group, Alice Springs which have worked so hard to publicise the facts, organisations representative of local Indigenous people like Yolŋuw Makarr Dhuni, eminent Indigenous and non-Indigenous figures like Tom Calma, LowitjaO’Donoghue, the late Malcolm Fraser, Alastair Nicholson, Chris Graham and Olga Havnen as well as international organisations like the UN, Amnesty and church groups have all stated their strong opposition.

One dissenting voice had a particularly powerful effect on me personally. Rachel Willika, a Jaowyn Elder from the remote community of Manyallaluk spoke at a protest meeting we at Women for Wik convened in 2007 in Sydney when news of the Intervention had broken. This meeting was chaired by Dr Anita Heiss and addressed by eminent Indigenous women we’d invited from the Territory. These women included Olga Havnen, the then national Indigenous leader from the newly formed Combined Aboriginal Organisations, Eileen Cummings, and former advisor to the Chief Minister of NT on Aboriginal and Women’s Affairs,her daughter Raylene Rosas and Rachel Willika. An emotional and attentive audience packed the hall and spilled out into the foyer.

Rachel Willika had never been on a plane before, or to Sydney but she stood in front of us with quiet dignity and grace. Her speech was one of the most eloquent and powerful I’ve ever heard and moved many of the audience to tears. And, in my case anyway, to action. Her description of the fear in their community when the soldiers came has stayed with me permanently and so in part inspired this anthology.

In a statement to The Guardian at around the same time she said,

That John Howard has no heart. This intervention is hurting Aboriginal families.

It is no coincidence that eloquent speech has the power to spur people to political action.And as always, writers, film makers, painters and other artists have been major players in this history of analysis and dissent.

There are some towering examples of this; The Swan Book by Alexis Wright and the movies Charlie’s Country by David Gulpilil, Our Generation, a superb documentary film by Sinem Saban and Damien Curtis, and John Pilger’s Utopia. All of these have received serious recognition, mostly internationally. David Gulpilil received a standing ovation and the prestigious prize for best actor in Un Certain Regard competition in Cannes, also winning best lead actor for the Australian Academy Cinema Television Arts awards. Charlie’s Country won best film and best director at the Film Critics Circle of Australia Awards. It’s safe to say this film will receive more awards.Stoptheinterventionrally21Jun2015

Our Generation was voted Best Campaign Film in the London International Documentary Festival, and Pilger’s Utopia was voted by the London Film Review as one of the five best films of the year. Alexis Wright’s critically acclaimed book, which I believe will become an Australian if not international classic, was shortlisted for all the major prizes including the Miles Franklin, the NSW Premiers, the Stella and the Voss. A review in the Sydney Morning Herald described The Swan Book as possibly ‘one of the most important Australian novels yet,’ another in the Sydney Review of Books ‘… and perhaps the first truly planetary novel.’

Other more direct examples of eloquent voices raised are those of people like Rosalie Kunoth-Monks, Djiniyini Gondarra, Pat Dodson, Jeff McMullen, Tom Calma, Jon Altman, Judy Gurruwiwi, Barbara Shaw, Paddy Gibson, and many others. Their passionate speeches around Australia are a powerful example of inspiring oratory when all too often dumbed down, evasive, clichéd and impenetrable bureaucratic language is the norm for the authorities defending the Intervention. These people are true Australian heroes. They spend many hours travelling around Australia speaking and campaigning about what the Intervention actually means to the people who are suffering through it.

When we decided to compile this anthology we were delighted with the calibre of writers who agreed to contribute and felt very confident about putting our proposal forward to publishers. Six months later not one publisher took the project on, though most said it was a great project with an excellent list. But thanks to heart-warming support from the community –a dedicated group of women, who called themselves Women Inspired to Action, or WITA for short, raised funds for us through crowd-funding – with generous contributions from people all over Australia; a generous grant from the CAL Cultural fund; keen interest and support from Michele Harris and the members of ‘concerned Australians’, an extraordinarily generous offer by Graeme Jones and Tracey Kirby of Kirby Jones to do our typesetting and design free, the committed work of Tara Wynn of Curtis Brown and people like Pamela Hewitt and Danny Vendramini who have donated their time and expertise; we have been able to continue with our plans to publish this book in 2015.

So this is our hope for the anthology – that our distinguished list of Australian writers and Elders will join in with these other artists, supporters and community leaders to provide an in depth, eloquent and thoughtful dimension to this urgent debate, so long neglected by mainstream Australia.

We believe that the truthfulness, clarity and passion of their language will provide an inspiring antidote to the spin and disinformation which has been the official language of the Intervention up until now.

Above all we intend this anthology of eloquent Australian voices to take the debate to a wider audience and through this unique compilation prove that the abuse of human rights by the Northern Territory Intervention has no place in this country.

Grab your copy of The Intervention: An Anthology here

the-intervention-an-anthologyThe Intervention

An Anthology

The Intervention: an Anthology is an extraordinary document –deeply moving, impassioned, spiritual, angry and authoritative –it’s essential reading for anyone who wants to understand what lies behind this passionate opposition.

In this historic anthology, award-winning writers Rosie Scott and Dr Anita Heiss have gathered together the work of twenty of Australian’s finest writers both Indigenous and non-Indigenous together with powerful statements from Northern Territory Elders to bring a new dimension and urgency to an issue that has remained largely outside the public radar.

One of the most invasive, puzzling and unprecedented actions by a government in Australian history – the 2007 NT Intervention by the Howard Government- has resulted in an ongoing and flagrant breach of human rights. The introduction of this racist legislation has never been fully debated nationally nor has there ever been any significant consultation with the Indigenous communities most affected.

In compelling fiction, memoir, essays, poetry and communiqués, the dramatic story of the Intervention and the despair, anguish and anger of the First Nations people of the Territory comes alive.

The Intervention: an Anthology is an extraordinary document – deeply moving, impassioned, spiritual, angry and authoritative –it’s essential reading for anyone who wants to understand this passionate opposition.

Grab your copy of The Intervention: An Anthology here

Love reading about History and War? We have 2 prize packs up for grabs!

In the lead-up to Anzac Day we’re giving away two amazing prize packs, perfect for history buffs.

BolindaAnzacDay-Comp-RotatingHomepageBanner-770x200px-v2

Like to sit back and listen, order from The Bolinda Anzac Day collection by April 30th and go in the draw to win a Bolinda Audio Book pack, worth $224! *Terms and Conditions apply.

1914-order-now-for-your-chance-to-win-1914 : The Year the World Ended – Re Issue

Author: Paul Ham
Read by: Robert Meldrum

Few years can justly be said to have transformed the earth: 1914 did.

In July that year, Germany, Austria-Hungary, Russia, Britain and France were poised to plunge the world into a war that would kill or wound 37 million people, tear down the fabric of society, uproot ancient political systems and set the course for the bloodiest century in human history.

In the longer run, the events of 1914 set the world on the path toward the more…

Click here to check out The Bolinda Anzac Day Collection

Dennis-Jones-Competition-616x150NewsletterBanner-v3
the-anzacs-100-years-on-order-now-for-your-chance-to-win-The Anzacs 100 Years On : In Story and Song

by Ted Egan

Order The Anzacs 100 Years On by April 30th and go in the draw to win the entire Dennis Jones Anzac collection, worth RRP $1000! *Terms and Conditions apply.

The Anzacs: 100 Years On: In Story and Song is a unique contribution to the commemoration of the centenary of the Anzacs. Ted Egan weaves personal stories and songs into a highly readable history of the Anzacs and the two nations, with amusing anecdotes and tales of great courage and ingenuity serving to leaven somewhat the brutal truth exposed, of a tragic and senseless war. The soldiers, nurses, politicians, wives, and the mothers who lost their sons, or welcomed them home severely damaged, all feature in this book and its songs.

Egan’s stories and poignant songs infuse the facts with the pain and loss (of life and innocence) and suffering that this war created both on the battlefields and in every more…

Grab a copy of The Anzacs 100 Years On here


We have more prizes to giveaway! You could win an awesome Mother’s Day gift. Check them out here.

promotions

Author Josephine Moon talks about her favourite chocolate recipe!

My favourite chocolate recipe: chocolate beetroot cake…

This recipe comes from The Saffron Girl.

10947253_422641974566135_8175922899149544241_oI talk about chocolate a lot. I think about it a lot. And, yes, I even eat it a lot. But what I’ve learned while doing research for The Chocolate Promise, is that you need to know how to eat it in order to get all the great health benefits without all the fat and sugar nastiness that comes with so much of the commercial confectionary on the market.

In this recipe, I take two of my favourite foods—chocolate and cake—add some awesome beetroot and get a delicious, healthy indulgence.

But before we get to the recipe, let’s take a quick look at where chocolate comes from.

10527361_319377574892576_356655595822634473_n
This is a fruit pod from Theobroma Cacao. Inside the pod are flesh-covered beans, and inside the beans are the cacao nibs. And that’s from where we derive cacao, which is fermented, dried and roasted, and artisans then combine it in varying quantities with cocoa butter, some sort of sweetener, and perhaps vanilla or other flavours.
10488217_319379011559099_292976908707693652_n
In its most natural state, cacao is ridiculously good for you, containing a plethora of vitamins, minerals, enzymes and a whopping great load of antioxidants—twice those found in red wine and three times that of green tea.

The problem is that most of what we know as ‘chocolate’ is really just cocoa-flavoured fat and sugar. Bummer! To get the absolute best out of chocolate, you need be consuming high-quality fare of at least 70% cacao.

Better yet, just do what I like to do and put raw cacao powder in whatever you can manage! Smoothies, goodie balls, cakes… go for it!

DSC_0001
So, here is my chocolate beetroot cake. In the first picture, it is still in the making while in the food processor. Look how amazingly red it is! You know it’s good for you when it’s naturally red. Just like tomatoes and red wine, beetroot is full of fantastic cancer-fighting properties because of that red colour.

Red beetroot + chocolate = awesome!

DSC_0005
And here it is out on a plate, with a sprinkle of coconut and a sprig of lavender (because lavender is my thing—seriously, I will put it in everything given half the chance).

My tips for this recipe:

Measure the beetroot accurately (otherwise it can turn out runny if you use too much) and watch it carefully as it’s baking. Anytime I’ve made it, it needs much longer in the oven than the recipe suggests. Every oven is different so use your best judgment.

Also, it goes really well with coconut milk yoghurt and grated dark chocolate on top for decoration.

Enjoy!

Ingredients

•    3 cups of grated, cooked beetroots
•    4 eggs
•    1/2 cup olive oil
•    1/2 cup raw honey
•    1 tablespoon vanilla extract
•    1 teaspoon baking soda
•    1/2 teaspoon sea salt
•    1/2 teaspoon ground cinnamon
•    1/4 teaspoon ground nutmeg
•    1/2 cup raw 100% cacao powder
•    1/3 cup coconut flour (for a slightly fluffier and dryer cake, use 1/2 cup coconut flour)*

Process

1    Preheat oven to 170C (350F).
2    In a food processor or blender, beat the beetroots, eggs and olive oil.
3    Add the honey, vanilla extract, baking soda, sea salt and spices. Blend well.
4    Add the cacao powder and coconut flour and mix until well incorporated.
5    Pour into a greased cake pan of choice. I used a 9-inch diameter tart pan.
6    Bake for 35-45 minutes, or until an inserted toothpick comes out clean.
7    Cool completely before cutting and serving. Garnish as desired.


MoonThe Chocolate Promise

by Josephine Moon

For a limited time only, order a copy of The Chocolate Promise and get a free copy of My Little Chocolate Book. *Please note: offer available while stocks last and limit one free copy per order.

From Tasmania to Paris and beyond, an enchanting story of the proprietor of a specialist chocolate shop who must learn that some rules are meant to be broken – this real-life fairy godmother must learn to find her own magic. The new novel for readers who love Cathy Kelly and Monica McInerney from the bestselling author of The Tea Chest.

Christmas Livingstone has ten rules for happiness, the most important of which is ‘absolutely no romantic relationships’.

In The Chocolate Apothecary, her more…

Grab a copy of The Chocolate Promise here

Order Testament of Youth and receive a double pass to see it in Cinemas!

9780349005928-Testament-of-Youth-Rotating-Home-PageBanner-

In celebration of the release of Testament of Youth, which has been described by the Evening Standard as “Stunningly good…desperately moving”,  we are giving you a free double pass to see the film when you order a copy of the book.

Synopsis: Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.

Order Testament of Youth and receive a free double pass to see this breathtaking film on the big screen.


testament-of-youth-order-this-book-receive-a-free-double-pass-Testament of Youth

by Vera Brittain

A film tie-in edition of Vera Brittain’s classic autobiography, published to coincide with the major motion picture adaptation starring Dominic West, Emily Watson, Colin Morgan and Kit Harington.

In 1914 Vera Brittain was eighteen and, as war was declared, she was preparing to study at Oxford. Four years later her life – and the life of her whole generation – had changed in a way that was unimaginable in the tranquil pre-war era. Testament of Youth, one of the most famous autobiographies of the First World War, is Brittain’s account of how she survived the period; how she lost the more…

Grab a copy of Testament of Youth here


Vera Brittain (1893-1970) grew up in the north of England. At the end of the war she moved to Oxford where she met Winifred Holtby, author of South Riding. poet-brittain.

EXCLUSIVE VIDEO: The 2015 Vogel’s Literary Award winner Murray Middleton in conversation with John Purcell

Melbourne author Murray Middleton was announced the winner of the coveted Vogel’s Literary Award on Monday night for his exquisite short story collection When There’s Nowhere Else To Run.

The award, which offers publication by Allen & Unwin and $20,000 prize money, has been the launching pad for some of Australia’s most successful writers including Tim Winton, Kate Grenville and Gillian Mears.

We were spoiled with a visit from Murray to chat about his win and sign copies of his breathtaking debut. Check out the video below.

 

This slideshow requires JavaScript.

when-there-s-nowhere-else-to-run-vogel-winner-2015

When There’s Nowhere Else to Run – Vogel Winner 2015

by Murray Middleton

For a limited time only, order When There’s Nowhere Else to Run and you will receive a signed copy. *Offer available while stocks last.

The winner of the 2015 Australian/Vogel’s Literary Award.

‘Masterfully controlled … lingers long in the memory.’ Rohan Wilson, author of The Roving Party and To Name Those Lost.

In one way or another, isn’t everyone on the run?

A survivor of Victoria’s Black Saturday bushfires takes asylum with old friends in the Dandenong Ranges. An editor-in-chief drives his sister halfway around the country to an east-coast rehabilitation clinic. A single mother flies to Perth with her autistic son for one last holiday. A father at the end of his tether tries to survive the chaos of the Sydney Royal Easter Show. A group of young friends hire a luxury beach house in the final weeks of one of their lives. A postman hits a pedestrian and drives off into the night.

When There’s Nowhere Else to Run is a collection of stories about people who find their lives unravelling. They are teachers, lawyers, nurses, firemen, chefs, gamblers, war veterans, hard drinkers, adulterers, widows and romantics. Seeking more…

Grab a copy of When There’s Nowhere Else to Run here


middleton-200x0Murray Middleton was born with fractured hips in 1983. He spent the first three months of his life in plaster and has broken most bones since. He won The Age Short Story Award in 2010 with ‘The Fields of Early Sorrow’. When There’s Nowhere Else to Run is his first published collection of short stories. He currently lives in Melbourne and won’t publish a second collection of stories until the Saints win a second premiership.

Follow

Get every new post delivered to your Inbox.

Join 15,835 other followers

%d bloggers like this: