From Brooklyn to Big Sur – From Booktopia’s Editorial Director Caroline Baum

Booktopia’s Editorial Director Caroline Baum lets us in on her amazing bookish US adventure

Good to see Anna Funder settled in Park Slope, Brooklyn, in a street that feels like something out of Henry James. It was used to shoot a TV adaptation of Dickens’ A Winter’s Tale a few months ago, and they laid down fake snow. Each house has an individual gas lamp in its front yard. I have no idea why, but it certainly creates a special ambiance.

Caroline with Jackie Collins

A few days later, I went to Soho to hear current NY It Girl Rachel Kushner talk about her latest novel The Flamethrowers, which is getting rave  reviews. In its, she writes about motorcycles, contemporary art and Italian terrorism. Apparently it’s a bold ambitious book, and Jonathan Franzen is a fan. There was packed house for this midweek event on a cold night. Standing room only in fact. Kushner, who is droll and cool, was in conversation with fellow author,  Joshua Ferris who told such a long personal anecdote to open the event that I thought oh no, he’s never going to ask her a question, but eventually, he got round to a few and she had the confidence to go where she wanted to go. So now that book is on my Must Read list.

I went to meet with Elizabeth Strout, who won the Pulitzer for her novel Olive Kitteridge. She lives right down on the Hudson at FDR drive, and her new book The Burgess Boys is all about two brothers from Maine, both of them lawyers, but that’s where the similarities end. I’ll be writing about her for The Sydney Morning Herald in a month or so.

In San Francisco, I just had to go and see City Lights, the legendary bookshop where Ferlinghetti, Kerouac, Ginsberg and the Beat Generation hung out in the sixties. There, I became entranced by a blonde in a green synthetic fur hat. Her partner wore a headpiece in the shape of  Nemo the fish but I could not photograph him unobtrusively  whereas she was unaware, sitting and reading amongst the bookcases.

When we set out for Big Sur,  we drove  along the edge of Steinbeck country, near the town of Salinas, where John Steinbeck grew up and which now houses a scholarly research centre with public displays  dedicated to the author’s life.  The land around Salinas is close to the sea but fertile,  a patchwork of  fields of peas, strawberries and tall artichokes (Trivia: Marilyn Monroe was once crowned queen at the local artichoke fair.)

The view from Luke Davies porch in LA

Sadly, Steinbeck’s house is only open to the public from the month of June onwards so we pushed on to Big Sur, along the majestic wild coast. I had no idea it was a place that many writers had loved, including  Hunter S. Thompson, Richard Brautigan and Henry Miller, purveyor of explicit sex in books like Sexus, lover of Anais Nin, and others. The area boasts a Henry Miller Library which is pretty disappointing when you get there, it’s just a hippie compound with a bookshop in it, but there’s noting authentic about the place. A sign at the door confesses that the house never belonged to Miller.

And so on to LA, where  what else would you do to get a flavour of the glamour but go and visit Jackie Collins, which is exactly what I did. She lives in Beverly Hills of course and has a new book out in September, which is when she will be visiting Perth and Sydney, so watch out for that faux leopard! I’ll let you know when  my interview with her will come out but in the meantime here is a snap of us together in her very smart library.

By way of contrast, I was going to call on poet  and novelist Luke Davies, but our schedules got tangled and I ended up sitting on the rocking horse on his porch while he was out doing errands. It was a nice rocking chair, looking out on to a quiet street on the edge of Korea town and lined with those ludicrously tall palm trees, as you can see in this snap. Luke will be back in Australia for SWF 2013 to launch a new collection of his poetry.

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Caroline Baum is Booktopia’s Editorial Director.

She has worked as founding editor of Good Reading magazine, features editor for Vogue, presenter of ABC TV’s popular bookshow, Between the Lines, and Foxtel’s Talking Books, and as an executive producer with ABC Radio National.

You can follow her on twitter at @mscarobaum

Fifty Shades: The Musical – An 18+ post from Bookopia’s Editorial Director Caroline Baum

Booktopia’s Editorial Director Caroline Baum is on assignment in the Big Apple. She shares an experience of musically titillating proportions.

So I’m in New York flicking through the show listings in Time Out when an off-Broadway musical catches my eye. Its called Cuff Me, which also works when you say the first word backwards.

I book a ticket online, managing to score the last one for opening night. Imagine my complete  disbelief when I get to the theatre and discover that the Actors Temple is not a jumped up version of the Actors Studio, it is exactly what it says it is: a synagogue.

Feeling like I’m in a Seinfeld dream sequence (George invites Jerry to a smutty show only to discover its at the local shul, where they are greeted by the rabbi who turns out to be Elaine in disguise) I find myself surrounded by a party of women speaking loudly in Hebrew. But there are also quite a few couples there. One man has bought tickets for his partner as a gift.

“Surprised?” he asks her.
“With you, never,” she purrs, stroking his chest.

Unlike a traditional service at conservative synagogues, at least men and women get to sit together.

The set is pretty simple, three panels on wheels festooned with various sex toys including a double ended dildo that looks a bit like a boomerang.

There is a cast of four, two men, two women (Tina Jensen, who plays our heroine’s friend Kate and her inner goddess was outstandingly energetic in her broad  lewdness) and they are hugely competent singers and movers, as you’d expect in this city and while the lyrics are not consistently sharp in their savagery they are very adult, explicit and completely trash the book.

Tunes are borrowed and distorted, with apologies to Mamma Mia, Britney and Beyonce (a spirited All You Horny Ladies with the gesture of putting a ring on it substituted with page turning). There is an effective abuse of If I were A Rich Man and Hey Big Spender for good measure. And while there is warning about the strobe effect, there is no warning about the language which is as raunchy as it gets (a sample lyric : ‘ I wanted to finger your butthole with mayonnaise’).

Nice.

The only literary wink is that the lawyer who negotiates the contract Anastasia signs with Christian is called Willy Blowman. Oh and there are some references to the Twilight saga.

Crude? You bet.

Unauthorised? Ooh yeah, baby.

I’m tempted to say it was spankingly good, and a surefire hit. There, I just said it.

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Caroline Baum is Booktopia’s Editorial Director and a journalist and broadcaster, working as founding editor of Good Reading magazine, features editor for Vogue, presenter of ABC TV’s popular bookshow, Between the Lines, and Foxtel’s Talking Books, and as an executive producer with ABC Radio National.

She is a regular contributor to national newspapers and magazines and is in demand as a presenter at arts and literary festivals around the country and overseas.

You can follow Caroline on twitter at @mscarobaum

Booktopia TV: Caroline Baum interviews award-winning writer Ashley Hay

Booktopia’s Editorial Director Caroline Baum sat down with award-winner Ashley Hay to discuss her new book The Railwayman’s Wife.

In a small town on the land’s edge, in the strange space at a war’s end, a widow, a poet and a doctor each try to find their own peace, and their own new story.

In Thirroul, in 1948, people chase their dreams through the books in the railway’s library. Anikka Lachlan searches for solace after her life is destroyed by a single random act. Roy McKinnon, who found poetry in the mess of war, has lost his words and his hope. Frank McKinnon is trapped by the guilt of those his treatment and care failed on their first day of freedom. All three struggle with the same question: how now to be alive.

Written in clear, shining prose and with an eloquent understanding of the human heart, The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can be sometimes to tell them apart. It’s a story of life, loss and what comes after; of connection and separation, longing and acceptance. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

Click here to buy The Railwayman’s Wife from Booktopia,
Australia’s Local Bookstore

About the Author

Ashley Hay is the author of four books of non-fiction – The Secret: The strange marriage of Annabella Milbanke and Lord Byron, Gum: The story of eucalypts and their champions, and Herbarium and Museum with the visual artist Robyn Stacey. A former literary editor of The Bulletin, her essays and short stories have also appeared in anthologies and journals including Brothers and Sisters, The Monthly, Heat and The Griffith Review. Ashley’s first novel, The Body in the Clouds was shortlisted for the Commonwealth Writers Prize ‘Best First Book’ (South-East Asia and Pacific region) and the NSW Premier’s Literary Awards.

Click here to buy The Railwayman’s Wife from Booktopia,
Australia’s Local Bookstore

Caroline Baum on book covers

Booktopia’s Editorial Director Caroline Baum shares her thoughts on book design today.

Have you noticed how many book covers these days are not so much designed as cut and pasted?

They all seem to be afflicted with a common disease: Getty-itis. Everybody is sourcing images from the same ginormous photo library and it’s producing a kind of sameness, a lack of aesthetic diversity that is making books hard to tell apart.

Please don’t get me wrong: I love the power of photography, its ability to arrest us with an image that can shock or seduce. But let’s be honest, this is the cheap option, driven by budgetary concerns. Of course it saves time if you don’t have to hire a designer to come up with a concept from scratch. Just choosing an image and adding a title and author’s name in a groovy font does not make you stand out from the crowd. It’s not the way to demonstrate a distinctive style.

Zadie Smith's eye-catching cover for NW received critical praise

Zadie Smith’s eye-catching cover for NW received critical praise

An anecdotal survey of the books on my desk reveals that Getty Images have supplied the photographs for ninety per cent of contemporary fiction titles published here. It’s an easy to use source, and the selection on offer is bewilderingly large but somehow that range does not translate into making the books as appealing as they used to be. Remember when covers really caught your eye thanks to talents like Gayna Murphy and Mary Callahan? Publishers like McPhee Gribble really championed books that looked good and forged a distinctive identity in the market place. Today it’s really only the exxy coffee table books and cookbooks that get the same amount of care and thought lavished on their design, because their higher price can justify it.

The cover expresses all that perfectly, suggesting the story’s mystery and complexity.

Maybe that’s why I noticed a really deliberately designed cover: Claire Messud’s The Woman Upstairs could so easily have been illustrated with a photograph but it would never have had the same magnetic attraction or echoed the book’s artistic theme so eloquently. I love the way the very European looking spiral staircase becomes an eye because observing and seeing are so central to this marvellously punchy, knowing and yes, clear-eyed book. The cover expresses all that perfectly, suggesting the story’s mystery and complexity. It amplifies the writer’s intentions and really stands out from the crowd, honouring the quality of the writing.

Book design is another area where the internet is clearly having an impact. Some colours looks less appealing on screen (hmm, brown…). Textured embellishments are obviously redundant until the book reaches the customer’s actual hands when a bit of embossing can add immeasurably to the pleasure of handling. I want books to be beautiful as well as good to read. I think we all do. What do you think? And what’s your favourite book cover?

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Caroline Baum is Booktopia’s Editorial Director.

She has worked as founding editor of Good Reading magazine, features editor for Vogue, presenter of ABC TV’s popular bookshow, Between the Lines, and Foxtel’s Talking Books, and as an executive producer with ABC Radio National.

You can follow her on twitter at @mscarobaum

_________________________________________

Here are some great covers, which are your favourites?

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Best of The Blog: Booktopia’s Caroline Baum reveals her favourite books of 2012

Caroline Baum's Highlights

HEAVY HITTER OF 2012

BRING UP THE BODIES 

by Hilary Mantel

What is there left to say? I just wanted to join the chorus of universal admiration for the second volume of Mantel’s remarkable feat of embodying Henry Vlll’s chief strategist, Thomas Cromwell. Like many, I found it easier to read than Wolf Hall, because the narrative treads more familiar ground (the waning of Anne Boleyn’s power and Henry’s manoeuvring to rid himself of her) and because the point of view is well established so that being inside Cromwell’s head seems entirely comfortable.

My favourite moments in the book are the telling details: Henry recycling jewellery to offer to prospective wife Jane Seymour, careless of whether evidence of the previous owner’s initials have been quite erased; Cromwell calculating that the king will want his discarded first wife Catherine’s costly ermine furs back on her death. And a brilliant scene in which Henry falls at jousting, is feared dead and Cromwell, like a modern day spin doctor, swings into immediate damage control mode.

Chilling in its portrait of the arbitrary raising and lowering of individual fates and fortunes at Henry’s intrigue riddled court, this is a sumptuously entertaining majestic pageant of human ambition. Hurry up Hilary, and write the third volume.

Click here to buy Bring Up The Bodies from Booktopia,
Australia’s Local Bookstore


BIOGRAPHY OF 2012

PATRICK LEIGH FERMOR: AN ADVENTURE

by Artemis Cooper

If I’d been born a man, this is the kind of life I’d like to have lived. Charming, handsome, debonair (now there’s a word no one uses anymore) courageous, witty, bohemian, Fermor was a natural and prodigiously talented writer, as his classic A Time of Gifts demonstrated. An account of his walk across Europe in 1933 it is fresh with adventure and enthusiasm, truffled with anecdotes and characters from a world that has vanished, written in language opulent with imagery and playfulness.

This biography captures the spirit of that journey as the opening chapter of an eventful arc of ridiculously rich experiences. Fermor embraced every kind of social encounter with equal curiosity whether talking to a Greek fisherman or a Transylvanian Countess. Cooper knew Fermor well and her affection for her subject shines on every page of this well researched, lively portrait of one of the true originals of the twentieth century, who deserves to be more widely known. It will make you want to jump on a plane to Greece immediately, in search of the country that Fermor fell in love with and where he eventually made his home after a life of nomadic wanderings.

Click here to buy Patrick Leigh Fermor: An Adventure from Booktopia,
Australia’s Local Bookstore


BEST OF CRIME FOR 2012

LIVE BY NIGHT

by Denis Lehane

Denis Lehane is the bomb when it comes to gritty American crime fiction. But as well as his work about contemporary America (including his episodes of The Wire) he can summon up the past with equal muscularity.

His latest offering is a sequel to The Given Day but can easily be read as a stand alone. It’s the story of Joe Coughlin, the youngest son of a top ranking Boston police family, who falls in with the bad guys and develops a taste for a life of crime in the Prohibition era when mobster rule is at its height.

The flamboyant characters in Lehane’s gritty world live by night, operating by a different set of rules and values to the rest of society who go about their legitimate business in daylight.

The writing is harsh, brutal and explicitly violent but also full of subtlety, tenderness and humor. It pulsates with the vitality of violence.

The fast-paced action, punctuated by unpredictable double crosses, shifts from Boston to Florida where the steamy locale provides welcome colour. Lehane gives some of his gangsters the swagger and charisma of movie stars but the glamour cannot mask their ugliness forever. Chilling, gripping and full of dark menace.

P.S. if you want to stay in gangster mode, this is the perfect companion to Sutton (reviewed in the November Buzz)

Click here to buy Live by Night from Booktopia,
Australia’s Local Bookstore


THRILLER OF 2012

GONE GIRL

by Gillian Flynn

How well do you know your lover?

Just how well can you ever know the person you love? This is the question that Nick Dunne must ask himself on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears.

The police immediately suspect Nick. Amy’s friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn’t true. A police examination of his computer shows strange searches. He says they aren’t his. And then there are the persistent calls on his mobile phone.

So what did really did happen to Nick’s beautiful wife? And what was left in that half-wrapped box left so casually on their marital bed? In this novel, marriage truly is the art of war.

Click here to buy Gone Girl from Booktopia,
Australia’s Local Bookstore


BEST IN THE KITCHEN FOR 2012

JERUSALEM

by Sami Tamimi

Yotam Ottolenghi and Sami Tamimi are the men behind the bestselling Ottolenghi: The Cookbook.

Their chain of restaurants is famous for its innovative flavours, stylish design and superb cooking.

At the heart of Yotam and Sami’s food is a shared home city: Jerusalem. Both were born there in the same year, Sami on the Arab east side and Yotam in the Jewish west. The two only met when they worked together in London nearly 30 years later, and discovered they shared a language, a history, and a love of great food.

Jerusalem sets 120 of Yotam and Sami’s inspired, accessible recipes within the cultural and religious melting pot of this diverse city. With culinary influences coming from its Muslim, Jewish, Arab, Christian and Armenian communities and with a Mediterranean climate, the range of ingredients and styles is stunning. From soups (frikkeh, chicken with kneidelach), meat and fish (chicken with cardamom rice, sharmula bream with rose petals), vegetables and salads (chargrilled squash with labneh and pickled walnut salsa), pulses and grains (beetroot and saffron rice), to cakes and desserts (fig and arak trifle, clementine and almond cake), there is something new for everyone to discover.

Packed with beautiful food and location photography, thoughtfully designed and inspired by two very different childhoods in the same city, Jerusalem showcases sumptuous Ottolenghi dishes in a dazzling setting.

Click here to buy Jerusalem from Booktopia,
Australia’s Local Bookstore

Booktopia’s Editorial Director Caroline Baum reveals her five favourite Australian Novelists

Booktopia’s

Caroline Baum

reveals her

Five Favourite Australian Novelists

—————————————————

I just can’t do this favourites thing, it’s too apples with oranges for me but there are some writers who have helped shape my consciousness over the nearly thirty years since I first came here, mapping the country’s interior and exterior contours, helping me navigate its topography, insinuating themselves into my consciousness so that now their language and imagery feel familiar enough to give me a sense of belonging which makes me feel very grateful.


I love the corporeal, saline quality of all of Robert Drewe’s writing, the way it makes me aware of the body as it propels itself through water and on land, as if he and we were amphibious. You get that in Our Sunshine, his telling of the Ned Kelly story.


Tim Winton’s Cloudstreet introduced me to a voice I would always want to hear, an understanding of humanity that went deep, was complex, loving, generous, humorous and tender, that embraced outsiders and misfits and those on the margins expressed in language that seemed freshly minted. He taught me the word chiack.


When I read Charlotte Wood’s The Submerged Cathedral the intensity of emotion compressed into the economy of language was so tension-inducing I think I forgot to breathe and then burst into tears. Every time I re-read it I find new layers to her acute observation of a very poetic, romantic relationship. She gets more astringent in The Children and Animal People, lacing her compassionate observation and intelligence with humour. Don’t make me choose. (Full disclosure: Charlotte is a friend.)


Martin Boyd is so forgotten now , so unfashionable, but I loved Lucinda Brayford because it was the first Australian fiction I read when I got here and despite being dated  and colonial  and preoccupied with upper class social niceties. I recognised my own ambivalence about transplanting myself from Britain to Australia in it, but maybe I wouldn’t now.


Shirley Hazzard has such a European sensibility that it’s tempting to forget she’s Australian but she’s an uncompromisingly elegant stylist, quiet, restrained, unshowy but every sentence shines with careful polish. The Transit of Venus deserves its classic status.


Caroline Baum is Booktopia’s Editorial Director. You can follow Caroline on twitter at @mscarobaum

Booktopia’s Caroline Baum reveals her New Year’s Reading Resolutions for 2013


I like making resolutions. Lots of them, so that if I fail at most of them, I still have a few achievable ones in reserve. It’s part of being an over achieving list-aholic.

While everyone else probably wants to try and read more books it is the perverse nature of my job that makes me think it might be a good idea for me to try and read fewer books, more discerningly, bingeing less, savouring more. I doubt it will happen, but it’s an aspiration. Here are a few other ideas. Let me know how you go.

New Year’s Reading Resolutions

I will read one classic (and no that’s not the same as vintage clothing, which is anything that is more than ten years old. I mean something by one of the greats you’ve been avoiding since school or university. For me the challenge will be Proust)

I will read one poem every month (not the kind you find in a greeting card. If you want to read a poem who writes about real life, try Les Murray, or the American Billy Collins, who writes about trying to give up smoking.)

I will wake up fifteen minutes earlier so I can read in the mornings, instead of when I am a zombie at night (anyone with kids has a dispensation from this one, as it’s simply impossible, even during holidays).

I will read the book BEFORE I see the film especially when it comes to The Great Gatsby (and, for that matter, Midnight’s Children, The Life of Pi, Anna Karenina)

I will read one thing outside my comfort zone or read one thing from a genre I have a prejudice against (for me it’s sci-fi-/fantasy and I just cannot crack it. I also don’t get the whole vampire thing, though I really have tried)Click here to buy...

I will not cheat and read the ending before I get to it. (I’d love a psychologist to explain this behaviour)

I will not spoil other readers’ pleasure by giving away crucial plot details in conversation, no matter how enthusiastic, indignant or intoxicated I am

I will not be a book snob: I won’t put down someone because I think their taste in books is trashier than mine (guilty as charged, but I am working on it.)

I will return any book I borrow in perfect condition. If I dropped it in the bath or spilt coffee or wine on it, I will buy a new copy to replace it.

I will not crack the spines of books unless they belong to me (Sorry, but I  like that sound, it’s like the noise of the book surrendering itself)

I will not show up to reading group without having read the book for three months in a row ( a personal bugbear and a complaint I hear from reading group members all the time)

I will not give up on a book because I don’t like/can’t identify with the central character. What kind of a pathetic excuse is that? (Do you have to like Raskolnikov to appreciate Crime and Punishment? Unpleasant characters are all too human and so much more interesting in their complexity)

Click here to buy...

I will give away books I don’t intend to reread once I have read them to my local library or to a community book drive or charity

I will reread something I loved as a child /adolescent so that I can enjoy it all over again and rediscover my original joy at discovering it

I will leave a book in a public place for someone to find as a surprise ( to find out more about this, go to http://www.bookcrossing.com)

If I never read fiction, I will give it a go (yes, I am talking to you guys : I keep hearing men say they don’t read novels.

If I only read fiction, I’ll try some non-fiction for a change (now this is one one I often hear from women)

I will read something written by an Australian author (no sense of duty there, but because there’s such great local talent to discover. 2012 saw a bumper crop.)

I won’t get hung up on technology (really, it does not matter what the delivery system is, whether it’s a tablet or on paper, it’s the writing that counts.)

What are your Reading Resolutions for 2013?

Robert Drewe on drowning, sharks and other watery obsessions…. (In an Interview with Caroline Baum)

Montebello : A Memoir

by Robert Drewe

Listen to me,’ my mother says. ‘They’ve let off an atom bomb today. Right here in W.A. Atom bombs worry the blazes out of me, and I want you at home.’

In the sleepy and conservative 1950s the British began a series of nuclear tests in the Montebello archipelago off the west coast of Australia. Even today, few people know about the three huge atom bombs that were detonated there, but they lodged in the consciousness of the young Robert Drewe and would linger with him for years to come.

In this moving sequel to The Shark Net, and with his characteristic frankness, humour and cinematic imagery, Drewe travels to the Montebellos to visit the territory that has held his imagination since childhood. He soon finds himself overtaken by memories and reflections on his own ‘islomania’. In the aftermath of both man-made and natural events that have left a permanent mark on the Australian landscape and psyche – from nuclear tests and the mining boom to shark attacks along the coast – Drewe examines how comfortable and familiar terrain can quickly become a site of danger, and how regeneration and love can emerge from chaos and loss.

Click here to buy Montebello from Booktopia,
Australia’s Local Bookstore

Extract:

1 The Fats Domino Voice

It was that fabled occasion, a dark and stormy night, the sea just a blacker inked line in the distance, and I was lying in bed in the deep gloom of three a.m., singing Blueberry Hill in my Fats Domino voice.

We were on the trailing edge of a cyclone and wind buffeted the timbers of my rented cottage on the cliff edge at Broken Head. The house’s rocking gave the sensation of being in a sailing ship. Palm fronds lashed and rasped against the window, more rain, endless rain, thundered on the tin roof, and I’d hardly have been surprised if the cottage, an architectural folly that resembled a nineteenth-century schooner almost as much as a house, sailed over the cliff onto the sodden sugarcane fields below.

If we’re speaking of the true life, of genuine self-awareness, it was a night of pivotal moments when things could go either way. I could either plummet to the depths or shape up, brush myself down, pick myself up, pull my finger out, turn a frown upside down. Basically, get a grip. The odds at that stage favoured plummeting.

Anna, my anxious seven-year-old daughter and my youngest child, was insisting I sing to her, and had chosen the song. As the rain crashed down, she complained, ‘You need to sing louder.’ If I sang any louder I’d lose the throaty timbre of Fats Domino. Anyway my breathing was still shallow and irregular because I’d just killed a brown snake by her bedroom. read more…

Booktopia Presents: Robyn Davidson, author of Tracks in conversation with Caroline Baum

Tracks

by Robyn Davidson

The international bestseller of one woman’s solo trek across 1,700 miles of Australian Outback.

‘I experienced that sinking feeling you get when you know you have conned yourself into doing something difficult and there’s no going back.’

So begins Robyn Davidson’s perilous journey through some of the harshest spaces of the world. A camel-trek from the heart of Australia, across 17,000 miles of hostile desert, to the sea – with only a dog and four camels for company.

Tracks is Robyn’s award-winning account of her adventure. Her story beats a track across bush, rock, sand and dust, across magnificent landscapes and through ancient sacred land, through frustrations, triumphs, joy and despair.

And as she treks further and further away from civilisation, and ever closer to the burning ‘heart of the world’, she realises that this desert will either make her, or break her.

Click here to buy Tracks from Booktopia,
Australia’s No.1 Online Book Shop

Booktopia Presents: Craig Silvey, the author of The Amber Amulet and Jasper Jones, in conversation with Caroline Baum

You’re in safe hands – The Masked Avenger and Richie the Power Beagle are here to protect you! A brilliant jewel of a book from the acclaimed, best-selling author of Jasper Jones.

Dear Sir/Ma’am,

Please find enclosed this AMBER AMULET.

That must sound unusual to a citizen, but you will have to trust me on this count because the science is too detailed for me to outline here.

All you need to know is that the AMBER AMULET will eliminate your unhappiness by counteracting it with POSITIVE ENERGY.

This should see you straight.

Fear not, you’re in safe hands now.

Take care,

The Masked Avenger

Meet twelve-year-old Liam McKenzie, who patrols his suburban neighbourhood as the Masked Avenger – a superhero with powers so potent not even he can fully comprehend their extent.

Along with his sidekick, Richie the Powerbeagle, he protects the people of Franklin Street from chaos, mayhem, evil and low tyre pressure – but can he save them from sadness?

This perfect jewel of a book by the award-winning author of the 2009 Book of the Year Jasper Jones will hold all readers in its irresistible power.

Click here to buy The Amber Amulet from Booktopia,
Australia’s No.1 Online Book Shop

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