I shouldn’t mind being a bride at a wedding, if I could be one without having a husband.
Thomas Hardy – Far from the Madding Crowd
Tamara Drewe has transformed herself. Plastic surgery, a different wardrobe, a smouldering look, have given her confidence and a new and thrilling power to attract, which she uses recklessly. Often just for the fun of it.
People are drawn to Tamara Drewe, male and female. In the remote village where her late mother lived Tamara arrives to clear up the house. Here she becomes an object of lust, of envy, the focus of unrequited love, a seductress. To the village teenagers she is ‘plastic-fantastic’, a role model. Ultimately, when her hot and indiscriminate glances lead to tragedy, she is seen as a man-eater and a heartless marriage wrecker.
First appearing as a serial in the Guardian, in book form Tamara Drewe has been enlarged, embellished and lovingly improved by the author.
Click here to see inside this book…
By all means, see the film and read the graphic novel but, please, make sure you read the original, too.
Bathsheba Everdene arrives in the small village of Weatherbury and captures the heart of three very different men; Gabriel Oak, a quiet shepherd, the proud, obdurate Farmer Boldwood and dashing, unscrupulous Sergeant Troy.
The battle for her affections will have dramatic, tragic and surprising consequences in this classic tale of love and misunderstanding.
It may have been observed that there is no regular path for getting out of love as there is for getting in. Some people look upon marriage as a short cut that way, but it has been known to fail
We learn that it is not the rays which bodies absorb, but those they reject that give them the colours they are known by, and in the same way people are specialized by their dislikes and antagonisms whilst their goodwill is looked upon as no attribute at all.
Far From the Madding Crowd