EXCLUSIVE INTERVIEW: Michael Robotham, award-winning author of Life or Death, chats to Andrew Cattanach

There seems to be two types of people in this world. Those who love Michael Robotham, and those who haven’t heard of him yet.

Life or Death is for the crime fan who likes a story, not just an account. Brilliantly written, intelligent, funny, sad and meticulously mapped out, it’s easy to understand why there has already been so much interest in a big screen adaptation of the novel.

There is nothing more exciting than an author operating at the peak of their powers. With Life or Death, Robotham is doing just that, further strengthening his hold as one of Australia’s finest crime writers. Find out why Audie is on the run, before it’s too late.

Grab a copy of Life or Death here

Grab a copy of Life or Death here

REVIEW: Life or Death by Michael Robotham (Review by Andrew Cattanach)

There seems to be two types of people in this world. Those who love Michael Robotham, and those who haven’t heard of him yet.

It can be difficult for a crime writer to receive critical acclaim and popularity. Books by design are denser than any cop drama on TV, asking questions designed for reflection rather than ratings. Formulas are examined and broken down, cliches noted, thin characters ridiculed.

What sets Michael Robotham apart? A simple, but often neglected factor.

He’s just a wonderful writer.

Life or Death starts with an intriguing premise. Audie Palmer is on the run, having escaped from jail. 10 years of beatings and torture are behind him. But what’s the twist?

He has escaped just one day before he was due to be released.

RoboIn Audie Palmer, Robotham has created a character we can all root for. Lucky in his unluckiness, stoic, brave, principled. He is haunted by the ghosts of the past and by a crime he swears he didn’t commit. But can we trust him? Can we really trust anyone?

While Audie is the heart of the story,  there is plenty of meat around him, an ensemble cast of crooked politicians, kind-hearted criminals and shady FBI agents, not to mention a missing seven million dollars. The waters are murky, and Robotham revels in it.

Life or Death is for the crime fan who likes a story, not just an account. Brilliantly written, intelligent, funny, sad and meticulously mapped out, it’s easy to understand why there has already been so much interest in a big screen adaptation of the novel.

There is nothing more exciting than an author operating at the peak of their powers. With Life or Death, Robotham is doing just that, further strengthening his hold as one of Australia’s finest crime writers. Find out why Audie is on the run, before it’s too late.

Grab a copy of Michael Robotham’s Life or Death here

___________________________________

Andrew Cattanach is a regular contributor to The Booktopia Blog and was shortlisted for The Age Short Story Prize. He enjoys reading, writing and sleeping, though finds it difficult to do them all at once.

You can follow his ramblings on twitter at @andrew__cat

The 2013 Sydney Writer’s Festival In Focus – Part 1

In the lead up to the 2013 Sydney Writer’s Festival we’ll be featuring a few of the key events we’re really looking forward to.

We’ve also highlighted some great books to prepare you before basking in the warm glow of the festival.

Here’s a couple of events that caught our eye…

Continue reading

Three Authors Offer Advice for Writers: Tara Moss, Michael Robotham, Paul Merrill

I interview writers every week here on the Booktopia Blog.

My Ten Terrifying Questions have been answered by over 250 published authors ranging from mega selling global stars like Jackie Collins and Lee Child to brilliant, relatively unknown debut authors such as Miles Franklin shortlisted Favel Parret and Rebecca James.

In each of these interviews I ask the following question:

Q. What advice do you give aspiring writers?

Now, for the edification of aspiring writers everywhere, I will pull together answers to this question from three very different writers and post them here once week. Some will inspire, some will confound but all will be interesting and helpful in their own way…


TARA MOSS

“Write. Start writing today. Start writing right now. Don’t write it right, just write it – and then make it right later. Give yourself the mental freedom to enjoy the process, because the process of writing is a long one. Be wary of ‘writing rules’ and advice. Do it your way.

Writing is a gift.”

Read the full interview here…

Click here to pre-order your signed copy of Assassin (with a FREE copy of SIREN) from Booktopia,
Australia’s No. 1 Online Book Shop

*While stocks last


MICHAEL ROBOTHAM

“Write, write and when you’re sick of writing, write some more. It’s the only way to get better.”

Read the full interview here…

Click here to buy Say You’re Sorry from Booktopia,
Australia’s No.1 Online Book Shop


PAUL MERRILL

“Give up now – there are enough books already. But if you absolutely have to write, go for mummy porn.”

Read the full interview here…

Click here to buy A Polar Bear Ate My Head from Booktopia,
Australia’s No. 1 Online Book Shop


For more advice from published writers go here

Michael Robotham, author of Say You’re Sorry, The Wreckage and many more, answers Six Sharp Questions

The Booktopia Book Guru asks

Michael Robotham

author of Say You’re Sorry, The Wreckage, Bombproof and many more

Six Sharp Questions

————————-

1. Congratulations, you have a new book. What is it about and what does it mean to you?

SAY YOU’RE SORRY is a dark psychological thriller about two missing teenage girls, best friends Piper Hadley and Tash McBain, who disappear on the last Saturday of their summer holidays. Piper narrates half the story, still alive and being held captive after three years. Meanwhile, after a grisly double homicide at an isolated farmhouse, psychologist Joe O’Loughlin becomes convinced that the girls might still be alive. Piper is counting on him and she’s running for her life.

Click here to buy Say You’re Sorry

2. Time passes. Things change. What are the best and worst moments you have experienced in the past year or so?

The best moment was moving into a new house – leaving my ‘pit of despair’ basement office and swapping it for a ‘cabana of cruelty’. The worst moment was struggling to sell our old house and wrestling that all-consuming monster called ‘bridging finance’. We slew the dragon eventually but I still have the scars.

3. Do you have a favourite quote or passage you would be happy to share with us? It doesn’t need to be deep but it would be great if it meant something to you.

‘One of the strange things about friendship is that time together isn’t cancelled out by time apart. One doesn’t erase the other or balance it on some invisible scale. You can spend a few hours with someone and they will change your life, or you can spend a lifetime with a person and remain unchanged.’

This is a line that I wrote in my novel ‘THE NIGHT FERRY

4. Writers have often been described as being difficult to live with. Do you conform to the stereotype or defy it? Please tell us a little about the day to day of your writing life.

I’m a pain in the arse to live with – ask my wife and daughters. I’m moody, temperamental, opinionated, pessimistic and racked by self-doubt (and that’s on my good days). This has always been the case, but I know how lucky I am to be writing full time. I can wake in the morning without an alarm clock. Walk along the beach. Breakfast at my favourite café. I’m living my dream but the words don’t come any easier.

5. Some writer’s claim not to be influenced by the needs of the marketplace, while others seem obsessed by it. Would you please describe how the marketplace affects your writing (come on, tell the truth!)?

Many writers argue there is no commercial imperative about what they do. They write for love. They write because there is nothing else. I have made a living out of writing since I was 17 years old and became a cadet journalist. I am very fortunate to be a full-time writer, but my books have to pay the bills or I’d be writing as a hobby and working another job. My kids won’t go barefoot because of my ego or desire to follow my dream. Writing for me is a job.

6. Unlikely Scenario: You’ve been charged with civilising twenty ill-educated adolescents but you may take only five books with you. What do you take and why?

Lord of the Flies by William Golding

The Amber Spyglass Trilogy by Philip Pullman

The Hobbit by J.R. Tolkien

The Illustrated Man by Ray Bradbury

The Curious Incident of the Dog in the Night-time by Mark Haddon.

Why? Because they’re all brilliant and getting somebody to read is about matching the right book to the right person.

Michael, thank you for playing.

Recently Michael shared a wonderful story with readers of the Booktopia Blog – if you missed it, go here, you won’t regret it.

RAY BRADBURY IS MY ‘FATHER’ writes Michael Robotham, bestselling author of Say You’re Sorry

Ray Bradbury 1959

Growing up in a small country town in Australia, my only experience of the wider world came through grainy black and white TV images and the magic of the books that I borrowed from the local library.

I remember being eight-years-old, in July 1969, when teachers assembled the entire school – barely a hundred students – into one classroom. They wheeled in a television and we watched Neil Armstrong emerge from the landing module of Apollo 11. We held our breath. One small step…one giant leap…

Everyone applauded except me. It’s not that I didn’t appreciate the enormity of the achievement, but I had already been to the moon and walked on the surface of Mars and smelt the pungent odour of Jupiter. I had travelled the universe with a writer called Ray Bradbury, who is perhaps the reason that I’m a novelist today.

Bradbury was born in 1920 in Waukegan, Illinois, the son of a lineman for the local power company, who moved often for work between Illinois and Arizona. When very young he developed a passion for the books of Edgar Allan Poe and L. Frank Baum, while immersing himself in popular culture such as cinema, comic strips and travelling circuses.

There were tragedies in his early life. His beloved grandfather and his baby sister died of pneumonia – which could explain why a sense of loss haunts so many of Bradbury’s stories and novels.

At the age of fourteen he moved to California and has lived there ever since. After he graduated from Los Angeles High School in 1938, he joined the Los Angeles Science Fiction League, befriending writers Robert Heinlein and Leigh Brackett. In 1940 he sold his first story to a literary magazine – and a career began that would span more than seventy years.

Apart from numerous books and short stories, Bradbury wrote for years for both Alfred Hitchcock Presents and The Twilight Zone. He has penned the screenplay for the classic 1956 version of Moby Dick starring Gregory Peck and directed by John Huston.

I wasn’t born until 1960, but I discovered Bradbury when I graduated from picture books to short stories. From memory, the first I ever picked up was The Illustrated Man a collection of eighteen short stories that opens in Wisconsin where two men sit down to share a meal around a campfire and one unbuttons his shirt to reveal a canvas of ink-decorated skin. In the flickering firelight, the images begin to breathe and move. Each of the tattoos tells a story and gives a vision of humankind’s destiny. There were tales of star-travel, Martian invasions, junkyard rockets and technology awakening our worst instincts.

I was mesmerised and went looking for more Ray Bradbury stories, finding The Martian Chronicles, The Small Assassin and his most famous novel Fahrenhiet 451 about a future world where books are banned and burned.

Then I struck a problem. In my small town, I couldn’t get any more of Bradbury’s books. They weren’t available. I made a decision. I wrote a letter to Mr Bradbury addressed to 1221 Avenue of the Americas, New York, because that was the address on the flyleaf of one of my books.

Months passed. I didn’t expect to hear anything back. Then a parcel arrived at the post office. My mother had to go down and collect it. I came home from school and it was sitting on the kitchen table, wrapped in brown paper and tied with string.

Inside there were five books – the Ray Bradbury titles that I couldn’t get in Australia – as well as a letter from the man himself, saying how thrilled he was to have such a passionate young reader on the far side of the world.

It was an astonishing gesture – life-defining if not life-changing. Almost from that moment, I wanted to be a writer. I became a journalist to gather material and a ghostwriter to teach myself the discipline, and finally a novelist.

I recounted this story last year, writing an article for a publishing website in America. I quoted Ray Bradbury, who once said: ‘Jules Verne was my father. H.G. Wells was my wise uncle. Poe was the batwinged cousin we kept in the attic. Flash Gordon and Buck Rogers were my brothers. And Mary Shelley was my mother. There you have my ancestry.’

If that’s the case, I wrote, then Ray Bradbury was my father and J.R. Tolkien my eccentric uncle and Steinbeck and Hemingway were my over-achieving older brothers.

About a week after the story was posted on the website, I had an email from Ray Bradbury’s youngest daughter Alexandra. She told me that her father was now in his nineties, still living in Los Angeles and almost totally blind.

‘I read him your story and it made him cry,’ she told me. ‘Dad wanted you to know that you are his son.’

Ray Bradbury died on the June 5, this year. It led to a tremendous outpouring of praise and admiration as people recognised his achievements. I wasn’t alone in crediting Bradbury as being my inspiration. Stephen King, Stephen Spielberg and Neil Gaiman joined a chorus of other writers and directors, who lauded Bradbury as one a literary giant of genre fiction.

I still have my collection of his books, but sadly I have misplaced his letter in one of my many moves between the UK, Australia and Africa. I have a feeling it will turn up one day, pressed between the pages of a book. That’s where all great letters belong.


Guest Blogger: Michael Robotham was an investigative journalist and ghostwriter in Britain, Australia, and the U.S before his career as a novelist. He lives in Sydney with his wife and three daughters. His latest psychological thriller is SAY YOU’RE SORRY.

Learn more at http://www.michaelrobotham.com

Michael, thank you for sharing this wonderful story with our readers.

Michael’s new book Say You’re Sorry is available to buy now from Booktopia.

The chilling new psychological thriller – a truly gripping read from one of the most brilliant crime authors of today

My name is Piper Hadley and I went missing on the last Saturday of the summer holidays three years ago.

When Piper and her friend Tash disappeared, there was a huge police search, but they were never found. Now Tash, reaching breaking point at the abuse their captor has inflicted on them, has escaped, promising to come back for Piper.

Clinical psychologist Joe O’Loughlin and his stalwart companion, ex-cop Vincent Ruiz, force the police to re-open the case after Joe is called in to assess the possible killer of a couple in their own home and finds a connection to the missing girls. But they are racing against time to save Piper from someone with an evil, calculating and twisted mind…

Click here to buy Say You’re Sorry from Booktopia,
Australia’s No.1 Online Book Shop

Michael Robotham, author of The Wreckage, answers Ten Terrifying Questions

The Booktopia Book Guru asks

Michael Robotham

author of The Wreckage, The Suspect, Lost and many more

Ten Terrifying Questions

———————-

1. To begin with why don’t you tell us a little bit about yourself – where were you born? Raised? Schooled?

I was born in the town of Casino in the Northern Rivers of NSW, the son of country school teacher whose peripatetic existence took me all round the state. My primary school years were spent in Gundagai, where the dog sits on the tuckerbox, and I’m still remembered as the little boy who played with matches and almost burned down the town. The first house the blaze threatened belonged to the boss of the town’s volunteer fire brigade. By then I had crawled under Continue reading

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