One of Australia’s favourite novelists Kate Forsyth, author of Bitter Greens and The Wild Girl, continues her monthly blog with us, giving her verdict on the books she’s been reading.
I’ve been on the move nearly all month, with lots of Book Week events, followed by the Brisbane Writers Festival, and then the rest of the month spent on the road in England and Wales.
So a lot of my reading was done on my e-book reader, which I really only use while travelling, and also dictated by where I was and what I was doing. I still managed to read 13 books (though one was only a novella), with lots of romance and murder mysteries, and one absolutely riveting and blood-chilling non-fiction.
by Kimberley Freeman
I get all excited when I hear a new Kimberley Freeman novel is due out. I know I’m in for a real page-turning delight, with a delicious mix of mystery, romance, history and family drama. These are books I like to clear some space for, because I know that once I pick one up I’m utterly compelled to keep on reading till the very end. ‘Ember Island’ was no exception.
It weaves together the story of Tilly Kirkland, newly married to a man of secrets in the Channel Islands in 1890; and the story of bestselling novelist Nina Jones, who retreats to a small Queensland island in 2012 in an attempt to heal her broken heart and overcome her crippling writer’s block. The two stories touch as Nina discovers old diary pages hidden in the walls of her dilapidated old house …
by Anna Campbell
I like nothing better than a good romance novel, particularly when I’m feeling tired and over-worked (which seems to be all the time at the moment).
Anna Campbell had recently been voted Australia’s Favourite Romance Author and I had read and enjoyed one of her earlier novels ‘Seven Night’s In A Rogue’s Bed’ and so hunted down another of her books.
Captive of Sin is a very readable Regency romance with a hero tormented by dark secrets in his past and a heroine on the run from her abusive step-brothers. I enjoyed it immensely!
by Elizabeth Wein
I’ve been hearing some slowly building buzz about this book for some kind, which grew much louder after it was named a Michael L. Printz Honor Book and shortlisted for the Carnegie Medal. Then I met Elizabeth Wein at the Brisbane Writers Festival and so grabbed a copy. I’m so glad I did. I loved this book so much. ‘Code Name Verity’ begins with the first person account of a young English woman who has been captured by the Nazis in German-occupied France during the Second World War. She has been tortured and has agreed to tell her interrogators everything she knows.
Instead, however, she writes about her growing friendship with Maddie, the female pilot who had dropped her into France. The first person voice is intimate and engaging and surprisingly funny; the descriptions of flying are lyrically beautiful; and the growing fear for our heroine masterfully built. At a high point of tension, the narrative voice suddenly swaps to Maddie, and we hear the rest of the story from her point of view.
This switch in view destabilises the whole story in an utterly brilliant and surprising way. I gasped out loud once or twice, and finished the book with eyes swimming with tears. Once of the best YA historical novels I have ever read.
by Lauren Willig
This is Book No 12 in a long-running series of delightful and very funny historical romances that tell the adventures of a set of English spies in Napoleonic times.
The spies all have named like the Pink Carnation and the Black Tulip, and rampage about in disguise, getting into trouble, falling in love, and fighting off bully-boys with swords hidden in their parasols.
Think the Scarlet Pimpernel mixed with Georgette Heyer and Sophie Kinsella (the books also have a chick-lit thread with the contemporary adventures of a young woman tracking down the truth about the Pink Carnation and other spies). Fabulous, frivolous fun (but you must start with Book 1 ‘The Secret History of the Pink Carnation’.)
Hanns & Rudolf: The True Story of the German Jew Who Tracked Down and Caught the Kommandant of Auschwitz
by Thomas Harding
The author of this utterly riveting and chilling book found out, at his great-uncle’s funeral, that the mild-mannered old man he had known had once been a Nazi hunter. And not just any Nazi. His Great Uncle Hanns had been the man who had hunted down and caught Rudolf Hoss, the Kommandant of Auschwitz and the architect of the Final Solution that saw millions of people efficiently and cold-bloodedly murdered.
Thomas Harding was so surprised and intrigued by this revelation, he began to try and found out more. His research led him to write this extraordinary book, which parallels the lives of the two men from birth till death.
Rudolf Hoss was born in 1901 in Baden-Baden, and ran away at the age of 14 to fight in WWI. He was a Commander at just sixteen years old, and joined the National Socialist Party after spending time in prison after murdering a traitor.
Hanns Alexander, meanwhile, was born in 1933 in Berlin to a prosperous middle-class Jewish family. He managed to escape Germany in time, but his great-aunt died in the concentration camps and his family lost everything. When WWII broke out, he fought for the British army, along with his twin brother.
Hoss, meanwhile, was busy fulfilling his orders to make Auschwitz ‘a site of mass annihilation.’ The chapters set during this time are truly disturbing and had me in tears more than once. Then, as Germany lost the war, Hoss escaped – abandoning his wife and children – and hid himself in an assumed identity.
After the concentration camps were discovered, the War Crimes Commission was established and Hanns Alexander was chosen to help track down war criminals. How he tracked down Hoss makes for riveting reading; in parts, it feels more like a thriller than non-fiction. An utterly brilliant book which I recommend very highly.
by Marian Keyes
I have never read any of Marian Keyes’ books before and bought one on the very strong recommendation of a friend. She said that they were the sort of books that make you laugh and make you cry, and really, what more could you want from any book?
Anybody Out There is certainly an engaging mixture of humour and pathos and gave me a lump in the throat more than once. It tells the story of Anna Walsh, who has been in some kind of terrible accident, and is recuperating on her parents’ couch in Dublin. But Anna is desperate to speak to a man named Aiden and so returns to New York to find him.
There’s a vast cast of eccentric characters, some odd and some funny moments, and a dark and serious streak I was not expecting. Marian Keyes is not afraid to grapple with themes of grief, depression, loneliness, and pain, even as she mocks the shallowness of the beauty industry and throws in some slapstick humour. The warmth and wit of her heroine, Anna, keeps the story from jangling too wildly. This is chick-lit with heart and an acute social conscience.
by Christie English
A lovely, gentle and lyrical Regency romance with themes and images from Shakespeare’s A Midsummer Night’s Dream woven through.
The hero is a dissolute rake who has never been able to forget his first love.
The heroine is a vulnerable widow who had been forced into marriage with a much older man and is now forced to stand against his lascivious heir. She turns to her old flame for help, and finds herself falling in love all over again. A sweet and easy read.
by Celia Rees
This wonderful historical novel for teenagers begins: ‘I am Mary. I am a witch.’ It is set in 1659, during the tumultuous months after Cromwell’s death and before the return of Charles II.
Her story is purportedly told in diary entries that have been found sewn inside a quilt. It is a tragic and powerful tale, which begins when Mary’s grandmother is arrested and tortured by witch-finders and then hanged in the town square.
Mary is rescued by a rich woman who she suspects may be her real mother, and sent to join a group of Puritans fleeing to the New World. However, the Puritans are stern and narrow-minded and quick to blame any misfortune on witchcraft. Mary finds herself in increasing danger as the party lands in Salem, Massachusetts. A growing friendship with a Native American and his shaman grandfather increases her risk.
A simple yet powerful tale that explores the nature of magic and superstition, faith and cruelty.
by James Anderson
As one can probably tell from the title, this book is a gentle spoof of the Golden Age type of mysteries written by authors such as Agatha Christie and Ngaio Marsh. The story is set in a stately home.
There is a butler, a beautiful and mysterious baroness whose car just happens to crash outside the manor’s front gate, a daring jewel thief, an amiable fool called Algernon Fotheringay, and a very puzzling mystery that involves not just a locked room but, indeed, a locked house.
The detective is humble and crumpled, and, oh yes, there’s a few international spies thrown in too. I adored it. Clever, amusing, and surprisingly surprising.
by Jill Paton Walsh
I spent a weekend in the Peaks District during my time in the UK this month. Given a choice between visiting Chatsworth House (the opulent seat of the Duke of Devonshire which was used as the site of Pemberley in the 2005 film adaption of Pride and Prejudice) and a small local village called Eyam (prounced ‘eem’), you might be surprised to know I chose the latter.
Eyam, however, is the famous ‘plague village’ which isolated itself voluntarily in 1665 after the Black Death arrived in a flea-infested parcel of cloth. Only 83 villagers survived from a total population of 350.
One of my all-time favourite books, Year of Wonders by Geraldine Brooks, published in 2001, imagines what may have happened in that village in that year. ‘A Parcel of Patterns’ by Jill Paton Walsh, published in 1983, was one of the first fictional attempts to grapple with the subject. It is told from the point of view of a young woman named Mall, and shows how the coming of the plague destroyed lives and loves, and faith and fealty.
It’s a delicate little book, and very sad.
by Elisabeth Gifford
An intriguing and atmospheric novel set in the Hebrides Islands of Scotland, the narrative moves between the contemporary story of Ruth and her husband Michael, and the islands in the 1860s when crofters are being forced to emigrate and science and religion are in conflict.
Ruth and Michael are living in, and renovating, the ramshackle Sea House on the Hebridean Island of Harris. Ruth is haunted by feelings of fear and grief, and worries they have made a mistake in sinking all their savings into this remote and run-down house. Then they discover, buried beneath the floorboards, the tiny bones of a dead child. Its legs are fused together, its feet splayed like flippers. The discovery unsettles Ruth, reminding her of her dead mother’s strange tales of a selkie ancestry. She begins to try and find out how the skeleton came to be buried under the house.
The story moves to 1860, and the alternating points of view of the young and handsome Reverend Alexander Ferguson and his intelligent yet illiterate housemaid, Moira. Alexander’s obsession with mermaids and selkies, and his forbidden attraction to the daughter of the local laird, lead to grief and betrayal and death.
The weaving together of the two threads is masterfully done. The story is powerful, beautiful, and magical, and Ruth’s struggle to overcome the shackles of the past is sensitively handled. Hard to believe this s a debut author – definitely one to watch.
by Maureen Jennings
I had never heard of Maureen Jennings before I picked up this book, but apparently she is best known for a series of historical mysteries that have been televised as ‘the Murdoch Mysteries’.
I was interested in this book because it was compared to ‘Foyle’s War’, which I love, and because generally anything set during the Second World War is of interest to me. It’s an unusual crime novel. Yes, there is murder, and sabotage, and spies, and skulduggery, but the action is slow and deliberate, and much of the emphasis is on the interior lives of its troubled characters.
The action all takes place in in rain, in fog, in bomb shelters, and in munitions’ factories. The atmosphere is gloomy and laden with dread. This is historical crime at its most serious and deliberate, and most effective in its evocation of a terrible time in British history.
Kate Forsyth is the bestselling and award-winning author of more than twenty books, ranging from picture books to poetry to novels for both children and adults. She was recently voted one of Australia’s Favourite 25 Novelists, coming in at No 22, just after Peter Carey. She has been called one of ‘the finest writers of this generation”, and “quite possibly … one of the best story tellers of our modern age.’